Saturday, March 5, 2022

Re: [Avid-L2] Offline Relinking

If you relink to the camera originals and highlight them all in a bin then as suggested open the sequence in another bin.  Then choose relink to selected items in open bins.  That should work if the original clips were transcodes from ama linked clips.
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Re: [Avid-L2] Offline Relinking

I assume you mean linked cam original, correct?
Most of the original links are gone, material transcoded.
Will it work to create a new bin, and again link the cam originals
in that bin?

Then use that for the procedure you outline?



On Mar 5, 2022, at 12:46 PM, Roger via groups.io <rogershuff=yahoo.co.uk@groups.io> wrote:

Usually, have all the camera original selected in a bin and a copy of the 'Final' edited sequence selected in another (or the same) bin and in the relink window, choose 'Relink to selected items in all open bins' (I may have the wording wrong).

With Best Wishes, Roger Shufflebottom +44 7973 543 660
Now available – The Media Composer Companion


On Saturday, 5 March 2022, 18:34:45 GMT, C. Hess <cfh3media@gmail.com> wrote:


Great.
What is the procedure, does it differ at all from normal relinking?

On Mar 4, 2022, at 6:03 PM, Gowanus Canal <gowanuscanalstinks@gmail.com> wrote:

A proper AMA'd clip can be relinked back even after it has been transcoded. 

In the US, 1080i is for CBS and NBC. 720 is used by FOX and ABC/ESPN. 

Most cable broadcasters take 1080i with some allowing 1080/23.976p (i.e. HBO). 


DQS


On Mar 4, 2022, at 6:57 PM, C. Hess <cfh3media@gmail.com> wrote:


So,

I may have gotten myself into a situation.
Been cutting a 30 minute show, thinking delivery
would be 720.  Majority of clips are now transcoded.
Most original links are gone, but of course
the camera originals are still here.

This has dragged off and on for years,
not sure why I chose to trash the links.
If I/future online editor need to relink for 1080 delivery,
is there 'a way back'?

I was told years ago that broadcast in the US
was actually 720. not 1080.  Delivery specs for this outlet
say 1080.  Is this/was this never the case,
720 vs. 1080 in the USA?

If relink is not possible, 
then I suppose blowing up to 1080
is the only option.  Not ideal,
but an option.

Thanks.


Chip Hess
CFH3 Media





Re: [Avid-L2] Offline Relinking

Usually, have all the camera original selected in a bin and a copy of the 'Final' edited sequence selected in another (or the same) bin and in the relink window, choose 'Relink to selected items in all open bins' (I may have the wording wrong).

With Best Wishes, Roger Shufflebottom +44 7973 543 660
Now available – The Media Composer Companion
www.avid-companion.co.uk


On Saturday, 5 March 2022, 18:34:45 GMT, C. Hess <cfh3media@gmail.com> wrote:


Great.
What is the procedure, does it differ at all from normal relinking?

On Mar 4, 2022, at 6:03 PM, Gowanus Canal <gowanuscanalstinks@gmail.com> wrote:

A proper AMA'd clip can be relinked back even after it has been transcoded. 

In the US, 1080i is for CBS and NBC. 720 is used by FOX and ABC/ESPN. 

Most cable broadcasters take 1080i with some allowing 1080/23.976p (i.e. HBO). 


DQS


On Mar 4, 2022, at 6:57 PM, C. Hess <cfh3media@gmail.com> wrote:


So,

I may have gotten myself into a situation.
Been cutting a 30 minute show, thinking delivery
would be 720.  Majority of clips are now transcoded.
Most original links are gone, but of course
the camera originals are still here.

This has dragged off and on for years,
not sure why I chose to trash the links.
If I/future online editor need to relink for 1080 delivery,
is there 'a way back'?

I was told years ago that broadcast in the US
was actually 720. not 1080.  Delivery specs for this outlet
say 1080.  Is this/was this never the case,
720 vs. 1080 in the USA?

If relink is not possible, 
then I suppose blowing up to 1080
is the only option.  Not ideal,
but an option.

Thanks.


Chip Hess
CFH3 Media




Re: [Avid-L2] Offline Relinking

Great.
What is the procedure, does it differ at all from normal relinking?

On Mar 4, 2022, at 6:03 PM, Gowanus Canal <gowanuscanalstinks@gmail.com> wrote:

A proper AMA'd clip can be relinked back even after it has been transcoded. 

In the US, 1080i is for CBS and NBC. 720 is used by FOX and ABC/ESPN. 

Most cable broadcasters take 1080i with some allowing 1080/23.976p (i.e. HBO). 


DQS


On Mar 4, 2022, at 6:57 PM, C. Hess <cfh3media@gmail.com> wrote:

So,

I may have gotten myself into a situation.
Been cutting a 30 minute show, thinking delivery
would be 720.  Majority of clips are now transcoded.
Most original links are gone, but of course
the camera originals are still here.

This has dragged off and on for years,
not sure why I chose to trash the links.
If I/future online editor need to relink for 1080 delivery,
is there 'a way back'?

I was told years ago that broadcast in the US
was actually 720. not 1080.  Delivery specs for this outlet
say 1080.  Is this/was this never the case,
720 vs. 1080 in the USA?

If relink is not possible, 
then I suppose blowing up to 1080
is the only option.  Not ideal,
but an option.

Thanks.


Chip Hess
CFH3 Media




Friday, March 4, 2022

Re: [Avid-L2] Offline Relinking

A proper AMA'd clip can be relinked back even after it has been transcoded. 

In the US, 1080i is for CBS and NBC. 720 is used by FOX and ABC/ESPN. 

Most cable broadcasters take 1080i with some allowing 1080/23.976p (i.e. HBO). 


DQS


On Mar 4, 2022, at 6:57 PM, C. Hess <cfh3media@gmail.com> wrote:

So,

I may have gotten myself into a situation.
Been cutting a 30 minute show, thinking delivery
would be 720.  Majority of clips are now transcoded.
Most original links are gone, but of course
the camera originals are still here.

This has dragged off and on for years,
not sure why I chose to trash the links.
If I/future online editor need to relink for 1080 delivery,
is there 'a way back'?

I was told years ago that broadcast in the US
was actually 720. not 1080.  Delivery specs for this outlet
say 1080.  Is this/was this never the case,
720 vs. 1080 in the USA?

If relink is not possible, 
then I suppose blowing up to 1080
is the only option.  Not ideal,
but an option.

Thanks.


Chip Hess
CFH3 Media



[Avid-L2] Offline Relinking

So,

I may have gotten myself into a situation.
Been cutting a 30 minute show, thinking delivery
would be 720.  Majority of clips are now transcoded.
Most original links are gone, but of course
the camera originals are still here.

This has dragged off and on for years,
not sure why I chose to trash the links.
If I/future online editor need to relink for 1080 delivery,
is there 'a way back'?

I was told years ago that broadcast in the US
was actually 720. not 1080.  Delivery specs for this outlet
say 1080.  Is this/was this never the case,
720 vs. 1080 in the USA?

If relink is not possible, 
then I suppose blowing up to 1080
is the only option.  Not ideal,
but an option.

Thanks.


Chip Hess
CFH3 Media



Re: [Avid-L2] The Dongle Gods are mad at me?

Got a more detailed description of why sometimes Avid may still work even if the SNFT Germany is not "Allowed" in security preference.  Sounds like Avid Link might has a cache that could account for the inconsistent behavior.

Here is what I heard back.  This is great support just like the hey day with the likes of Grass Valley.  Thanks for the thorough explanation. 
From Avid Customer Support:


Hey John    Chris ran this to ground and here is what he found out from QA.    1) The SFNT Germany is partially covered by this KB here: https://avid.secure.force.com/pkb/articles/en_US/Troubleshooting/MC-dongle-not-recognize-on-macOS-Catalina-10-15-5?retURL=%2Fpkb%2Fapex%2FKB_Render_FAQ%3Fid%3DkA0400000004Dgs%26lang%3Dja_2_1_1_1_2_2_2_2_2_1_1__16&popup=true    2) The intermittent behavior is probably caused by how Link caches things... or at least how it used to in older versions of the Link application. So if it gets experienced again, going into Link's Preferences and clearing the cache should fix it or upgrading to the latest Link.     3) There are often issues with dongle and perp licenses when users perform a do-it-yourself cloning of the main internal drive, especially when using Mac's Migration Assistant.     4) Cloning a drive does indeed change the Device ID.  Now... dongles don't have anything to do with Device IDs, nor do the perpetual licenses housed on the dongle. So in theory, it always "should" work ;)    Marianna for Chris.    Marianna
.
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Re: [Avid-L2] The Dongle Gods are mad at me?

This is usually triggered when you update the OS. But we have seen it when there was no OS update.

DQS


On Mar 4, 2022, at 9:35 AM, Marianna <marianna.montague@avid.com> wrote:



Ha the dongle gods would never be mad at Parker pup.  Glad you sorted it…. But I'm asking Chris Bove to check with QA to see why it works sometimes and doesn't others.  Gremlins??

 

I'll report back John in the case I created for you…. 

 

MM

Marianna Montague
Sr. Director, Customer Success Management 
Customer Experience & Customer Success
Avid - Remote
marianna.montague@avid.com 
t +1 (978) 640-5215   |  m +1 (813) 493-6800 

 

Re: [Avid-L2] The Dongle Gods are mad at me?

Ha the dongle gods would never be mad at Parker pup.  Glad you sorted it…. But I'm asking Chris Bove to check with QA to see why it works sometimes and doesn't others.  Gremlins??

 

I'll report back John in the case I created for you…. 

 

MM

Marianna Montague
Sr. Director, Customer Success Management 
Customer Experience & Customer Success
Avid - Remote
marianna.montague@avid.com 
t +1 (978) 640-5215   |  m +1 (813) 493-6800 

 

Thursday, March 3, 2022

Re: [Avid-L2] The Dongle Gods are mad at me?

Found the solution.  For some reason the SNFT Germany thing had not been allowed on the back up drive.  Not sure how it was running Avid without it allowed or enabled for some sort of security preference system access.  I've seen systems work without it properly enabled and it stops prompting on startup after a while.  Oh well live and learn.
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[Avid-L2] The Dongle Gods are mad at me?

MacPro mid 2012 12 core upgraded to 2 x 3.46GHz, OS 10.14.6, Radeon RX 580 8GB, 128GB Ram.  My Resolve 17.4.3/4.4 started acting wonky so I carbon copy cloned the startup which in on an IronWolf Seagate SSD and then carbon copy cloned an older back up before I moved to Resolve 17.  When I did this it no longer sees the Avid dongle.  I had MC 2020.12 working on the drive that went wonky.  The older startup clone had 2018.12 working fine when  it was cloned.  I went to utilities and reinstalled the Sentinel Driver but it is still not recognized.  I've also installed MC 2020.12.5 on it and ran it's sentinel driver install and still the dongle is not recognized.  I have two other startup drives where the dongle works and show it is active till next year.  I've reinstalled the Sentinel Driver several times on various version of MC after doing the Avid uninstall before reinstalling a different version.

If I carbon copy clone the wonky Resolve Startup drive  that I made before starting the back reving process Avid works and sees the dongle.

Is there some under the hood way to see if the dongle driver is recognizing the dongle.  Avid link on the older startup drive doesn't see it.  Could there be a uninstall for the Sentinel Driver?  I've never uninstalled them before but just reinstalled as I've been under the impression the Avid uninstaller removes the Sentinel Drive but the Avid installer doesn't install it anymore.

Not in a mission critical state but need some suggestions.  I will reach out to support but thought others might have fought this battle.  All this after I've been beating the Dongle Drum on their behalf and now this.  ;-(

John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net

Re: [Avid-L2] Avid Sequence Exports Great But With No Audio

Hey Dennis,


Project Settings are on "Stereo" (hitCommand-; – check Project Settings-> Audio Project -> hit Tab "Output") make sure it's on stereo.

Export with your previously designated settings.


Relink into Avid: audio there?


plz follow up.


best

Jo

Jochen "Jo" Hermann
filter Media Postproduction
Salzburg, Austria

On 3. Mar 2022, at 14:13, Dennis Degan via groups.io <DennyD1=verizon.net@groups.io> wrote:


Editbruboy, I did exactly as you suggested using Command+i.  There are audio tracks within the file.  But no audio is heard from my computer's speakers.
I tried a bunch of variations with export settings when attempting to make the export from Avid, none of which worked.  But what DID work turned out to be something mentioned early on:  It looks like when Avid starts up, it 'takes over' the computer's audio.  I am using Avid at home with no special interface hardware like Blackmagic or AJA.  So the Avid picture and sound are monitored directly on the computer.  When I launch another application such as Quicktime Player or VLC, the computer's audio output seems to be hijacked by Avid.  But there is a workaround:  If I'm attempting to play a QT movie on either QT Player or VLC (or any other media app), I've found that the audio can be reactivated by clicking 'volume up' or 'volume down'.  Immediately, the audio can be heard and all is well.  Even though the application is not muted, it's operating as if it was muted.
Now, is there a permanent fix for this?  I don't know.  Perhaps if I had input/output hardware such as BM or AJA, exported output files could be viewed and heard on the computer itself separately from Avid monitoring.  Until I get Avid hardware, I'll have to use the workaround.
Thanks to all who have offered suggestions on this problem.

Dennis Degan, Video Editor-Consultant-Knowledge Bank
        Sent from my iPhone 6 Plus


On Mar 3, 2022, at 4:44 AM, editbruboy <bruno@bmansi.co.uk> wrote:

Have you actually checked if the exported movie does have interleaved audio?

It could be that there's audio, but it's just silence.

If you open in QT player or VLC you can  examine the file.

Use Command+i for QT player or Tools/Codec Info for VLC


Re: [Avid-L2] Avid Sequence Exports Great But With No Audio

Have you tried Loopback?


You can create custom virtual and hardware routing and monitoring setups. We often use it for complex app-to-app and computer-to-computer routing of NDI and system audio for webcasting configurations. It's like a Swiss Army knife for just about any head-scratching audio routing challenge, especially for apps that don't always behave the way you want them to. Think of it as the now defunct Soundflower app on steroids.

Cheers,

David Zimmerly
Affinity Productions
Ottawa, Ontario, Canada


On Mar 3, 2022, at 8:14 AM, Dennis Degan via groups.io <DennyD1=verizon.net@groups.io> wrote:



Editbruboy, I did exactly as you suggested using Command+i.  There are audio tracks within the file.  But no audio is heard from my computer's speakers.
I tried a bunch of variations with export settings when attempting to make the export from Avid, none of which worked.  But what DID work turned out to be something mentioned early on:  It looks like when Avid starts up, it 'takes over' the computer's audio.  I am using Avid at home with no special interface hardware like Blackmagic or AJA.  So the Avid picture and sound are monitored directly on the computer.  When I launch another application such as Quicktime Player or VLC, the computer's audio output seems to be hijacked by Avid.  But there is a workaround:  If I'm attempting to play a QT movie on either QT Player or VLC (or any other media app), I've found that the audio can be reactivated by clicking 'volume up' or 'volume down'.  Immediately, the audio can be heard and all is well.  Even though the application is not muted, it's operating as if it was muted.
Now, is there a permanent fix for this?  I don't know.  Perhaps if I had input/output hardware such as BM or AJA, exported output files could be viewed and heard on the computer itself separately from Avid monitoring.  Until I get Avid hardware, I'll have to use the workaround.
Thanks to all who have offered suggestions on this problem.

Dennis Degan, Video Editor-Consultant-Knowledge Bank
        Sent from my iPhone 6 Plus


On Mar 3, 2022, at 4:44 AM, editbruboy <bruno@bmansi.co.uk> wrote:

Have you actually checked if the exported movie does have interleaved audio?

It could be that there's audio, but it's just silence.

If you open in QT player or VLC you can  examine the file.

Use Command+i for QT player or Tools/Codec Info for VLC

Re: [Avid-L2] Avid Sequence Exports Great But With No Audio


Editbruboy, I did exactly as you suggested using Command+i.  There are audio tracks within the file.  But no audio is heard from my computer's speakers.
I tried a bunch of variations with export settings when attempting to make the export from Avid, none of which worked.  But what DID work turned out to be something mentioned early on:  It looks like when Avid starts up, it 'takes over' the computer's audio.  I am using Avid at home with no special interface hardware like Blackmagic or AJA.  So the Avid picture and sound are monitored directly on the computer.  When I launch another application such as Quicktime Player or VLC, the computer's audio output seems to be hijacked by Avid.  But there is a workaround:  If I'm attempting to play a QT movie on either QT Player or VLC (or any other media app), I've found that the audio can be reactivated by clicking 'volume up' or 'volume down'.  Immediately, the audio can be heard and all is well.  Even though the application is not muted, it's operating as if it was muted.
Now, is there a permanent fix for this?  I don't know.  Perhaps if I had input/output hardware such as BM or AJA, exported output files could be viewed and heard on the computer itself separately from Avid monitoring.  Until I get Avid hardware, I'll have to use the workaround.
Thanks to all who have offered suggestions on this problem.

Dennis Degan, Video Editor-Consultant-Knowledge Bank
        Sent from my iPhone 6 Plus


On Mar 3, 2022, at 4:44 AM, editbruboy <bruno@bmansi.co.uk> wrote:

Have you actually checked if the exported movie does have interleaved audio?

It could be that there's audio, but it's just silence.

If you open in QT player or VLC you can  examine the file.

Use Command+i for QT player or Tools/Codec Info for VLC

Re: [Avid-L2] Avid Sequence Exports Great But With No Audio

Have you actually checked if the exported movie does have interleaved audio?

It could be that there's audio, but it's just silence.

If you open in QT player or VLC you can  examine the file.

Use Command+i for QT player or Tools/Codec Info for VLC

Re: [Avid-L2] Avid Sequence Exports Great But With No Audio

Could be phase inverted in the stereo file? So left cancels right? - Waveform would tell you that, or you could open with VLC and use visualisations or just listen to left etc. 
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Wednesday, March 2, 2022

Re: [Avid-L2] Avid Sequence Exports Great But With No Audio

Yeah, I chiming in that it could be a setting in QT as to what output device to use, or it could be a setting in your System Settings / Sound panel.  

If you want to check that there is audio on the file you are exporting you can link to it in Avid and throw it into a sequence and then turn on waveform display and see if you get squiggles, or if it's a flatline.

Jay


On Mar 2, 2022, at 12:41 PM, Dennis Degan via groups.io <DennyD1=verizon.net@groups.io> wrote:


It is open; I'll have to check that when I am at the computer later tonight.  I don't recall that being an issue in the past, but it's worth checking.

Dennis Degan, Video Editor-Consultant-Knowledge Bank
        Sent from my iPhone 6 Plus


On Mar 2, 2022, at 12:56 PM, Mark Spano <cutandcover@gmail.com> wrote:

Is your Media Composer open while you trying to play in QT? I know that Media Composer very inconveniently mutes system audio while it's open, and I often have to put the system volume back up to play things in other applications while MC is open. Just a thought.


On Wed, Mar 2, 2022 at 12:29 PM Dennis Degan via groups.io <DennyD1=verizon.net@groups.io> wrote:


Group,

I'm attempting to export a 1280x720p sequence from my 2018.x Avid (Mac 2011 laptop running Sierra with 16GB RAM).  The export works fine, making a very nice H.264 video file.  But the resulting .mov has no audio no matter what I do.  The original sequence has 4 tracks of audio that are set to be monitored in stereo.  I can hear all 4 tracks when playing the sequence in Avid.  When attempting to make the export, I have made certain that the QT setting dialog box for audio is checked and the settings are for 48kHz sampling with 24 bits like the original PCM Avid tracks.  But even if I use other codecs like aac, there's no difference; no audio is heard, even though the export has audio tracks.  I am sure that audio tracks are being made.  There's just no audio heard on the exported file.
The Avid export dialog is set to 'both video and audio'.  The audio tab is set to 'stereo'.
Exporting from Avid with both audio and video has worked in the past with this system.  I don't know what's different that's preventing audio from being included in the export.
Any thoughts on what I might have missed?

Dennis Degan, Video Editor-Consultant-Knowledge Bank
       Sent from my iPhone 6 Plus








Re: [Avid-L2] Avid Sequence Exports Great But With No Audio


It is open; I'll have to check that when I am at the computer later tonight.  I don't recall that being an issue in the past, but it's worth checking.

Dennis Degan, Video Editor-Consultant-Knowledge Bank
        Sent from my iPhone 6 Plus


On Mar 2, 2022, at 12:56 PM, Mark Spano <cutandcover@gmail.com> wrote:

Is your Media Composer open while you trying to play in QT? I know that Media Composer very inconveniently mutes system audio while it's open, and I often have to put the system volume back up to play things in other applications while MC is open. Just a thought.


On Wed, Mar 2, 2022 at 12:29 PM Dennis Degan via groups.io <DennyD1=verizon.net@groups.io> wrote:


Group,

I'm attempting to export a 1280x720p sequence from my 2018.x Avid (Mac 2011 laptop running Sierra with 16GB RAM).  The export works fine, making a very nice H.264 video file.  But the resulting .mov has no audio no matter what I do.  The original sequence has 4 tracks of audio that are set to be monitored in stereo.  I can hear all 4 tracks when playing the sequence in Avid.  When attempting to make the export, I have made certain that the QT setting dialog box for audio is checked and the settings are for 48kHz sampling with 24 bits like the original PCM Avid tracks.  But even if I use other codecs like aac, there's no difference; no audio is heard, even though the export has audio tracks.  I am sure that audio tracks are being made.  There's just no audio heard on the exported file.
The Avid export dialog is set to 'both video and audio'.  The audio tab is set to 'stereo'.
Exporting from Avid with both audio and video has worked in the past with this system.  I don't know what's different that's preventing audio from being included in the export.
Any thoughts on what I might have missed?

Dennis Degan, Video Editor-Consultant-Knowledge Bank
       Sent from my iPhone 6 Plus







Re: [Avid-L2] Avid Sequence Exports Great But With No Audio

Is your Media Composer open while you trying to play in QT? I know that Media Composer very inconveniently mutes system audio while it's open, and I often have to put the system volume back up to play things in other applications while MC is open. Just a thought.


On Wed, Mar 2, 2022 at 12:29 PM Dennis Degan via groups.io <DennyD1=verizon.net@groups.io> wrote:


Group,

I'm attempting to export a 1280x720p sequence from my 2018.x Avid (Mac 2011 laptop running Sierra with 16GB RAM).  The export works fine, making a very nice H.264 video file.  But the resulting .mov has no audio no matter what I do.  The original sequence has 4 tracks of audio that are set to be monitored in stereo.  I can hear all 4 tracks when playing the sequence in Avid.  When attempting to make the export, I have made certain that the QT setting dialog box for audio is checked and the settings are for 48kHz sampling with 24 bits like the original PCM Avid tracks.  But even if I use other codecs like aac, there's no difference; no audio is heard, even though the export has audio tracks.  I am sure that audio tracks are being made.  There's just no audio heard on the exported file.
The Avid export dialog is set to 'both video and audio'.  The audio tab is set to 'stereo'.
Exporting from Avid with both audio and video has worked in the past with this system.  I don't know what's different that's preventing audio from being included in the export.
Any thoughts on what I might have missed?

Dennis Degan, Video Editor-Consultant-Knowledge Bank
       Sent from my iPhone 6 Plus







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[Avid-L2] Avid Sequence Exports Great But With No Audio

Group,

I'm attempting to export a 1280x720p sequence from my 2018.x Avid (Mac 2011 laptop running Sierra with 16GB RAM). The export works fine, making a very nice H.264 video file. But the resulting .mov has no audio no matter what I do. The original sequence has 4 tracks of audio that are set to be monitored in stereo. I can hear all 4 tracks when playing the sequence in Avid. When attempting to make the export, I have made certain that the QT setting dialog box for audio is checked and the settings are for 48kHz sampling with 24 bits like the original PCM Avid tracks. But even if I use other codecs like aac, there's no difference; no audio is heard, even though the export has audio tracks. I am sure that audio tracks are being made. There's just no audio heard on the exported file.
The Avid export dialog is set to 'both video and audio'. The audio tab is set to 'stereo'.
Exporting from Avid with both audio and video has worked in the past with this system. I don't know what's different that's preventing audio from being included in the export.
Any thoughts on what I might have missed?

Dennis Degan, Video Editor-Consultant-Knowledge Bank
Sent from my iPhone 6 Plus




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Re: [Avid-L2] AMA Link heartache in a remote shared environment

I was able to get the original files and get them to Link on my system.  I then transcoded those source clips.  And was able to get the sequence to relink to the Avid MXF media.  From there the distribution of media and bins became normal again.

One weird quirk I discovered along the way though.

If the sound file was used in it's entirety in the sequence it would no relink to the Avid MXF media.  I had to trim it in the sequence and then it would relink.  I discovered this while testing before getting the actual files from the remote user.  I did not take the time to do extensive testing.  Like do I only have to trim the head, or tail, or either, or both.  But this was just something I noticed.  

Jay


On Feb 26, 2022, at 9:16 PM, John Moore <bigfish@pacbell.net> wrote:

I've found at times if I had ama clips offline if I re ama link to the source files then the original offline clips get a nudge and they relink to the files.  It's always a cat and mouse thing.  If you don't have the original file to re ama link to that may not be an option.  Perhaps IIRC  you could consolidate only the linked clips on the sequence to a new mxf folder.  How silly are you for using Avid on a remote project?  Everybody knows Adobe is way better with media management and collaborative workflows!!!  NOT!!!!  :-)

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Tuesday, March 1, 2022

[Avid-L2] Avid-L2 FAQ #guidelines-notice

         Welcome to the Avid-L2

                   FAQ!

AVID-L II Frequently Asked Questions (FAQ)

 

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forum.  Please take a look at the applicable  Yahoo Terms of Use and Privacy

Policy for more information about public  information and forums.

 

Off Topic Filtering.   Part of the interest of the Avid-L2 is it's range

of topics.  If you are posting an Off-topic thread,  please preface the

subject with  OT:  Use the colon after the letters. 

 Email filters and rules can be used by subscribers to move Off Topic posts to where ever they would like in their email organization by using a rule/filter with Sender of: Avid-l2@yahoogroups.com  and subject contains  OT: .

 

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Commercial Posts must be prefaced with [commercial] in the subject or they will be rejected.   

Jobs should have #job in their header, and press releases should have [pr] in their header

 

Background

 

Avid-L was established in 1994 at Calvin College by Steven Koster.

It was created to be a forum for Avid users to meet, discuss, and share

information.

 

 Avid-L quickly grew into the premiere on-line users group for

professional film and video editors. It was one of the earliest examples

of an Internet community, allowing hundreds of editors worldwide to

share their experiences and expertise with their peers. There was no

better place for a professional Avid editor to get such wealth of

informed professional advice.

At various times, individual subscribers volunteered services to the

group. Searchable archives were maintained by Germany's Berlin Users

Group as well as the UIUC. A tips & tricks list was posted by Andy

Birkhead of Innovative Edit. Wes Plate, a longtime contributor, not only

shared key techniques on his Web site, he also created a photo gallery

for members' portraits.

 

In 1997, several subscribers began a tradition of meeting in person at

the NAB trade show in Las Vegas. The first gatherings were organized by Jaime Fowler. In 1999,

Avid Technology itself began sponsoring these gatherings as an exclusive reception and seminar for Avid-L members only.  In 2002, this changed to the "Avid Users Group" meeting.

 

By 1999, Avid-L boasted over 1600 subscribers, exhibiting a true

international scope with over 300  international members. The community

included participants from a wide variety of well-known corporate

organizations in broadcasting, technical, and content creation fields,

as well as and  multiple local TV stations, colleges, and universities.

 

In 2000, Avid-L joined AvidProNet.com, and then, in 2002, was integrated

Into Avid.com.  

 

In 2005 Due to problems with signal to noise ratio and abusive posters, the Avid-L2 was formed. A year later the Avid-L was discontinued by Avid.

 

At the middle of 2006, the L2 has around 1100 members, with plenty of "lurker only" members who simply use the web version of the list.  The L2 is spam-free, by moderation and with Groups.io’s tools and will remain that way.  

 

In 2019,  the Group has migrated to Groups,io from the previous Yahoo engine-   the Groups.io page  maintains the complete Avid-L2 archive.    The original Avid-L archive has been lost to the history of the interwebz.

 

Welcome, and Enjoy!

 

Extras!

With a Groups.io account tied to your subscription to the Avid-L2,  you can use the web features of the Group.

 

Calendar  Various Avid events are in the Calender.  If you have an event you'd like posted,  pull down and fill out the Calendar event request and send it to any Moderator

 

Database - The database area contains Avid Feature requests,  Help Wanted,  Freelance Listings and For Sale sections.  Feel free to add your listings to any of these areas.  Job Postings will remain up for 1 month.   Please date all postings to the database areas, being pertinent is a good way to be.

 

Files-  The files section contains various sundry files, including the latest Avid release notes.  Check back often for changes.

 

Photos -  Pictures of your Avid setup are welcome, or pictures relating to a post you need a photo to explain.  Photos will be posted after moderator approval.  Who knows, your picture might grace the front page for a while.

 

Links-  Various helpful links, including direct links to Avid CPR releases can be found here, also the link to the archives.

 

JDS

 

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Sunday, February 27, 2022

Re: [Avid-L2] AMA Link heartache in a remote shared environment

And they are related to the producer.
I was reading through the thread and thinking, “why is this person who doesn’t know what they’re doing and not willing to cooperate still on the project?” and there there it is. 

Does the producer care about budgets and deadlines? If so… their niece/nephew might need to get replaced (along with a lesson in what it means to “collaborate as part of an editing team.”)

There are plenty of other editors out there who are more than happy to be in this spot. There’s no room in this business to be difficult to work with. 
--
kenton van natten, post-production mercenary
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Re: [Avid-L2] Sony BVM-300/310 Input Basics?

[Edited Message Follows]

For the sake of clarity for those that haven't HDR'd in Resolve land.  Thanks to Dom I've long taken advantage of the automatic HD/2K downconvert that happens on my Avid DNxIO.  It also supports in HD mode the dual SDI output from Resolve which facilitates the Primary output SDI to be HDR PQ and at the same time the 2nd spigot will output the Target Display which if enabled will display tone mapped output to facilitate the Layer 2 and other layer trim pass required for a DolbyVision IMF or other masters.

Without these bigger IO boxes or cards there is no way to use dual SDI and now I've learned that the 310's support single link on SDI 2 set but not on SDI 1 when running in 4K

My understanding from seminars is for a long time most cards/ IO boxes could only do dual SDI output in HD mode but the newer more powerful ones can do it in 4K
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Re: [Avid-L2] Sony BVM-300/310 Input Basics?

For the sake of clarity for those that haven't HDR'd in Resolve land.  Thanks to Dom I've long taken advantage of the automatic HD/2K downconvert that happens on my Avid DNxIO.  It also supports in HD mode the dual SDI output from Resolve which facilitates the Primary output SDI to be HDR PQ and at the same time the 2nd spigot will output will follow the Target Display which if enabled will display tone mapped output to facilitate the Layer 2 and other layer trim pass required for a DolbyVision IMF or other masters.

Without these bigger IO boxes or cards there is no way to use dual SDI and now I've learned that the 310's support single link on SDI 2 set but not on SDI 1 when running in 4K

My understanding from seminars is for a long time most cards/ IO boxes could only do dual SDI output in HD mode but the newer more powerful ones can do it in 4K
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Re: [Avid-L2] Sony BVM-300/310 Input Basics?

Correct. The x300 does not support 12G.  



DQS


On Feb 27, 2022, at 10:53 PM, John Moore <bigfish@pacbell.net> wrote:

On Sun, Feb 27, 2022 at 06:55 PM, Gowanus Canal wrote:
Yes you can select between Full and Limited in the input section of the settings. 
 
The x300 only accepts 3G including quad 3G. X310 can take 12G. 
 
FYI - you cannot do 4K/UHD with Tone Map simultaneously with your I/O. You are limited to 2K. In order to do 4K with Tone Mapping output you will need a Decklink 8K Pro. 

DQS
 

On Feb 27, 2022, at 9:36 PM, John Moore <bigfish@pacbell.net> wrote:

In a newly setup bay with an iMac/Pro, BM Ultra Studio mini and a used Sony BVM-300 or 310, I'm not in the bay now to check.  There are two sets of SDI inputs.  SDI 1 is 4 3G BNCs and SDI 2 is 4 BNC that says 12G.  From this it seems SDI 1 is more designed for Quad or perhaps Dual Link but I guess no single link.  SDI 2 handles single link and I'm thinking the other flavors of dual up to quad.  Having had little exposure to these monitors until now are they all the same in this regard.
 
I had thought there was a provision to set an input up for Legal or Full Range Video but I didn't see that in the menus.  I didn't dig deep but I've been under the impression that is a setting.
 
Can anyone with more experience shed some light on this input basics for the Sony BVM 300/310?
 
John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net

 Thanks for the info.  I pointed out to them that the mini does not support dual SDI to get the Target Display Tone Mapped output on spigot 2 while the PQ HDR output still is on spigot 1.  I think that's worth it for the trim pass ease but nobody asks or listens to me.

So the fact that the SDI 2 BNC set had 12G printed on the back panel that must mean this used monitor is a 310, do I understand this correctly?

Re: [Avid-L2] Sony BVM-300/310 Input Basics?

On Sun, Feb 27, 2022 at 06:55 PM, Gowanus Canal wrote:
Yes you can select between Full and Limited in the input section of the settings. 
 
The x300 only accepts 3G including quad 3G. X310 can take 12G. 
 
FYI - you cannot do 4K/UHD with Tone Map simultaneously with your I/O. You are limited to 2K. In order to do 4K with Tone Mapping output you will need a Decklink 8K Pro. 

DQS
 

On Feb 27, 2022, at 9:36 PM, John Moore <bigfish@pacbell.net> wrote:

In a newly setup bay with an iMac/Pro, BM Ultra Studio mini and a used Sony BVM-300 or 310, I'm not in the bay now to check.  There are two sets of SDI inputs.  SDI 1 is 4 3G BNCs and SDI 2 is 4 BNC that says 12G.  From this it seems SDI 1 is more designed for Quad or perhaps Dual Link but I guess no single link.  SDI 2 handles single link and I'm thinking the other flavors of dual up to quad.  Having had little exposure to these monitors until now are they all the same in this regard.
 
I had thought there was a provision to set an input up for Legal or Full Range Video but I didn't see that in the menus.  I didn't dig deep but I've been under the impression that is a setting.
 
Can anyone with more experience shed some light on this input basics for the Sony BVM 300/310?
 
John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net

 Thanks for the info.  I pointed out to them that the mini does not support dual SDI to get the Target Display Tone Mapped output on spigot 2 while the PQ HDR output still is on spigot 1.  I think that's worth it for the trim pass ease but nobody asks or listens to me.

So the fact that the SDI 2 BNC set had 12G printed on the back panel that must mean this used monitor is a 310, do I understand this correctly?
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Re: [Avid-L2] Sony BVM-300/310 Input Basics?

Yes you can select between Full and Limited in the input section of the settings. 

The x300 only accepts 3G including quad 3G. X310 can take 12G. 

FYI - you cannot do 4K/UHD with Tone Map simultaneously with your I/O. You are limited to 2K. In order to do 4K with Tone Mapping output you will need a Decklink 8K Pro. 

DQS


On Feb 27, 2022, at 9:36 PM, John Moore <bigfish@pacbell.net> wrote:


In a newly setup bay with an iMac/Pro, BM Ultra Studio mini and a used Sony BVM-300 or 310, I'm not in the bay now to check.  There are two sets of SDI inputs.  SDI 1 is 4 3G BNCs and SDI 2 is 4 BNC that says 12G.  From this it seems SDI 1 is more designed for Quad or perhaps Dual Link but I guess no single link.  SDI 2 handles single link and I'm thinking the other flavors of dual up to quad.  Having had little exposure to these monitors until now are they all the same in this regard.

I had thought there was a provision to set an input up for Legal or Full Range Video but I didn't see that in the menus.  I didn't dig deep but I've been under the impression that is a setting.

Can anyone with more experience shed some light on this input basics for the Sony BVM 300/310?

John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net

[Avid-L2] Sony BVM-300/310 Input Basics?

In a newly setup bay with an iMac/Pro, BM Ultra Studio mini and a used Sony BVM-300 or 310, I'm not in the bay now to check.  There are two sets of SDI inputs.  SDI 1 is 4 3G BNCs and SDI 2 is 4 BNC that says 12G.  From this it seems SDI 1 is more designed for Quad or perhaps Dual Link but I guess no single link.  SDI 2 handles single link and I'm thinking the other flavors of dual up to quad.  Having had little exposure to these monitors until now are they all the same in this regard.

I had thought there was a provision to set an input up for Legal or Full Range Video but I didn't see that in the menus.  I didn't dig deep but I've been under the impression that is a setting.

Can anyone with more experience shed some light on this input basics for the Sony BVM 300/310?

John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net