Saturday, July 7, 2018

[Avid-L2] RESOLVED - What are Interplay ",render" Sequences?

 

When you create a dissolve in MediaCentral, and then perform a Send To Playback, the dissolves are rendered and attached to a Sequence copy with “,render” attached to its name. These load as “RED” Sequences in MediaCentral – I thought at first these were Edit Suite Sequences, but they were not. Next, a third Sequence is created, and appended to its name is “,render.transfer”. This is the transfer Sequence.

 

Paul Sampson

 

 

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Posted by: Paul Sampson <paulsampson100@hotmail.com>
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Wednesday, July 4, 2018

[Avid-L2] [OT] Mikogo (Free; Remote Desktop; Screen Sharing)

 



Hello L2 Hive!


I'm wondering if anyone is using Mikogo for screen sharing and/or remote desktop control along with Media Composer, and would be willing to share their experience/opinion.

They offer a free version that sounds like it would have what I'm looking for (ease of use on both ends, cross platform, VoIP, etc.).

Any thoughts/insights would be appreciated.

For anyone curious about it, here's some info:

Site:

Yep, it's free:

Feature Comparison between Free and Paid:


Thanks in advance!
Cheers,

Benjamin
———
Benjamin Hershleder
ContactBen.com  







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Posted by: Benjamin Hershleder <ben@contactben.com>
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[Avid-L2] Re: [Editing-List] Avid Dip To Color not centered Properly?

 

I'll test a 7 framer to see if it plays nice.  Kind of odd given 3 frames before and 3 frames after the midpoint is right at the cut point in terms of actual duration.  It sort of reminds me of something I just read about changing the frame rate of an After Effects composition.  I read that the keyframes in After Effects are based on time not on frames so when you change the frame rate the keyframes may no longer fall on frame boundaries and they might need adjustment.  It will be interesting to see if 7 frames will work because I'm not sure given the midpoint of 7 would be 3.5 frames but the custom transition only deals with full frames although I can't say I've ever tried to enter a decimal point in the dialogue box.

At least if I manually add a keyframe set to 50 at mid point it works with a full frame of white.  I inherit the sequences so I think in this case it's probably faster to add the keyframe than replace with title tool white but nice to be reminded of the option.  I'm just surprised I haven't noticed this more in the past.


---In Avid-L2@yahoogroups.com, <cutandcover@...> wrote :

isn't that asymmetrical for a midpoint effect? Where you have (out_out_out_in_in_in), where would midpoint be? In between two frames (an impossibility). Try 7 frames for a midpoint, then you have an actual frame which can be the middle. (out_out_out_WHITE_in_in_in). Just a thought.

I find a fade up and fade out on a white title clip works better and is easier when it comes to adjusting.

On Tue, Jul 3, 2018 at 9:09 PM John Moore bigfish@... [Editing-List] <Editing-List@yahoogroups.com> wrote:
 

So I am seeing an oddity with dip to color on Avid 8.9.4 and Avid 7.X.  When a dip to color is placed at a cut point duration 6 frames starting 3 frames from the cut the effect doesn't go to full white in the middle at the cut point or to full black if dipping to black.  The foreground control goes from 43 on frame 3 (last frame of outgoing cut) to 57 on frame 4 (first frame of incoming shot).  As a result you see the shots mostly whited out but the cut still shows through.  If I manually add a keyframe on the 4th frame of the effect and set foreground to 50 then the screen is full white.  This is in a 23.976 1080P project.  WTF?  How long has this been there and I didn't notice it.  I haven't tried any other project types just a different Avid station with a different Avid version. 

I'd understand if I did an asymmetrical effect but 6 frames starting 3 frames before the cut is a perfectly centered effect.  Why isn't foreground at the 4th frame automatically?
 
John Moore Barking Trout Productions Studio City, CA bigfish@...

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Posted by: bigfish@pacbell.net
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Tuesday, July 3, 2018

[Avid-L2] Re: [Editing-List] Avid Dip To Color not centered Properly?

 

isn't that asymmetrical for a midpoint effect? Where you have (out_out_out_in_in_in), where would midpoint be? In between two frames (an impossibility). Try 7 frames for a midpoint, then you have an actual frame which can be the middle.. (out_out_out_WHITE_in_in_in). Just a thought.

I find a fade up and fade out on a white title clip works better and is easier when it comes to adjusting.

On Tue, Jul 3, 2018 at 9:09 PM John Moore bigfish@pacbell.net [Editing-List] <Editing-List@yahoogroups.com> wrote:
 

So I am seeing an oddity with dip to color on Avid 8.9.4 and Avid 7.X.  When a dip to color is placed at a cut point duration 6 frames starting 3 frames from the cut the effect doesn't go to full white in the middle at the cut point or to full black if dipping to black.  The foreground control goes from 43 on frame 3 (last frame of outgoing cut) to 57 on frame 4 (first frame of incoming shot).  As a result you see the shots mostly whited out but the cut still shows through.  If I manually add a keyframe on the 4th frame of the effect and set foreground to 50 then the screen is full white.  This is in a 23.976 1080P project.  WTF?  How long has this been there and I didn't notice it.  I haven't tried any other project types just a different Avid station with a different Avid version. 

I'd understand if I did an asymmetrical effect but 6 frames starting 3 frames before the cut is a perfectly centered effect.  Why isn't foreground at the 4th frame automatically?
 
John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net

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Posted by: Mark Spano <cutandcover@gmail.com>
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Re: [Avid-L2] Avid Dip To Color not centered Properly?

 

I have seen this issue forever.  I have also seen scenarios where Dip to Color effects were used with a clip on an upper track, with B side video on a track below, that when it comes to online the Dip to Color corrupts and won't allow replace because it wants handles on both clips the length of the entire dip.  This is one of the reasons I like to replace Dip to Color with full screen title tool on a track above and animate the dip with keyframes.  

This might seem like a noodling process, but one steps in, add a keyframe where you want the Dip to Color to be 100 percent, then select "Add Start and End Keyframes" which creates and selects the keyframes then drag to zero.  This also makes custom duration Dips to Color easier to do as well, because when you cut over the full screen title key, it can be what ever length you want on each side of the effect, and you don't have to worry about handles.

Dave Hogan
Burbank, CA


On Tuesday, July 3, 2018 6:09 PM, "John Moore bigfish@pacbell.net [Avid-L2]" <Avid-L2@yahoogroups.com> wrote:


 
So I am seeing an oddity with dip to color on Avid 8.9.4 and Avid 7.X.  When a dip to color is placed at a cut point duration 6 frames starting 3 frames from the cut the effect doesn't go to full white in the middle at the cut point or to full black if dipping to black.  The foreground control goes from 43 on frame 3 (last frame of outgoing cut) to 57 on frame 4 (first frame of incoming shot).  As a result you see the shots mostly whited out but the cut still shows through.  If I manually add a keyframe on the 4th frame of the effect and set foreground to 50 then the screen is full white.  This is in a 23.976 1080P project.  WTF?  How long has this been there and I didn't notice it.  I haven't tried any other project types just a different Avid station with a different Avid version. 

I'd understand if I did an asymmetrical effect but 6 frames starting 3 frames before the cut is a perfectly centered effect.  Why isn't foreground at the 4th frame automatically?
 
John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net


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Posted by: Dave Hogan <mactvman@yahoo.com>
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Have you tried the highest rated email app?
With 4.5 stars in iTunes, the Yahoo Mail app is the highest rated email app on the market. What are you waiting for? Now you can access all your inboxes (Gmail, Outlook, AOL and more) in one place. Never delete an email again with 1000GB of free cloud storage.

this is the Avid-L2

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.

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