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Easy. So he says.This dude in the video is blithely having a nice day with one short sequence.And, you know, fine for a sequence or two. But I need an entire feature project, all dailies, everything transcoded and sync'd.I do appreciate you forwarding this link. It helps contextualize the scope of the task.Much obliged.DD
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On Dec 4, 2020, at 7:31 AM, David Yardley via groups.io <davidyardley=mac.com@groups.io> wrote:I tried for over a week to port a PP cut 10 minute film to MC.
That is after finding the right OS and PP version to open it.
I gave up and just cut the damn thing from scratch.
Yes, run away.
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On Dec 4, 2020, at 9:39 AM, David Dodson <davaldod@gmail.com> wrote:
Hi, peoples,I'm being asked to re-cut a feature that was edited on Premiere Pro. I don't do Premiere Pro. Strictly a Media Composer guy.Are there any protocols/procedures/tricks for taking a Premiere Pro project and porting it over wholesale to Media Composer, complete with bin/folder structure, metadata, and even perhaps transcoding media to a DNxHD resolution?Anyone encounter this situation and do it successfully?Counsel appreciated. 'Cause if this can't be done with relative ease, then I'm turning down the show.Much obliged,DD
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Background
Avid-L was established in 1994 at Calvin College by Steven Koster.
It was created to be a forum for Avid users to meet, discuss, and share
information.
Avid-L quickly grew into the premiere on-line users group for
professional film and video editors. It was one of the earliest examples
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At various times, individual subscribers volunteered services to the
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In 1997, several subscribers began a tradition of meeting in person at
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Avid Technology itself began sponsoring these gatherings as an exclusive reception and seminar for Avid-L members only. In 2002, this changed to the "Avid Users Group" meeting.
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In 2000, Avid-L joined AvidProNet.com, and then, in 2002, was integrated
Into Avid.com.
In 2005 Due to problems with signal to noise ratio and abusive posters, the Avid-L2 was formed. A year later the Avid-L was discontinued by Avid.
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JDS
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On the plus side for Resolve - you can see the audio track metadata on the timeline clips. Not sure if the metadata survived autosync/merging (it doesn't in PP)
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