Thank you John! I'll try that.
Shirley
-----Original Message-----
From: John Beck <jb30343@windstream.net>
To: Avid-L2 <Avid-L2@yahoogroups.com>
Sent: Sat, May 26, 2012 6:11 pm
Subject: Re: [Avid-L2] Good software legalizer for Symphony?
Shirley, Some high frequency stuff will still sneak through. The
easiest way to deal with it is to turn off the alarm on your WFM. You
can activate the levels tab on your Symphony CC and it will clamp off
most RGB gamut errors. --J.B.
Shirley Gutierrez wrote:
> Yippee! I see now that it does say "limiter." I think I glanced at it and
thought it was a form of alert setting.
>
>
> It's been a long time since I've output without a box - many thanks for saving
my exhausted self!
>
>
> Shirley
>
>
>
> -----Original Message-----
> From: Agustin Goya<agustingoya@gmail.com>
> To: Avid-L2<Avid-L2@yahoogroups.com>
> Sent: Sat, May 26, 2012 3:09 pm
> Subject: RE: [Avid-L2] Good software legalizer for Symphony?
>
>
> Under Image effects pallette, ther a sage color limmiter, drop it on top
track,
> mark the 422safe to make ir more accurate, adjust limmits and you are done.
>
> Sent from my phone
> -----Original Message-----
> From: Shirley Gutierrez
> Sent: 26/05/2012 18:40:34
> Subject: [Avid-L2] Good software legalizer for Symphony?
>
> Hi,
>
>
> I'm on Symphony 6.0.1.1, running on Mac 10.7.3, and I'm hoping to get my hands
> on a good software legalizer. I've discovered that these folks here don't have
a
> hardware legalizer, have no intention of outsourcing he final legalization
> stage, and I'm looking at tracking and killing every little RGB gamut
transient
> error. I can get ballpark, but I know some stuff will get by me.
>
>
> Of course, Avid used to have a software legalizer as part of the Symphony
color
> set, but that went away after Meridien, and despite the promises, it's never
> come back.
>
>
> Thanks in advance for any suggestions! I hope you all are having a great
holiday
> weekend.
>
>
> Best,
> Shirley
>
>
>
------------------------------------
Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
Yahoo! Groups Links
[Non-text portions of this message have been removed]
Saturday, May 26, 2012
Re: [Avid-L2] Good software legalizer for Symphony?
Re: [Avid-L2] Good software legalizer for Symphony?
Shirley, Some high frequency stuff will still sneak through. The
easiest way to deal with it is to turn off the alarm on your WFM. You
can activate the levels tab on your Symphony CC and it will clamp off
most RGB gamut errors. --J.B.
Shirley Gutierrez wrote:
> Yippee! I see now that it does say "limiter." I think I glanced at it and thought it was a form of alert setting.
>
>
> It's been a long time since I've output without a box - many thanks for saving my exhausted self!
>
>
> Shirley
>
>
>
> -----Original Message-----
> From: Agustin Goya<agustingoya@gmail.com>
> To: Avid-L2<Avid-L2@yahoogroups.com>
> Sent: Sat, May 26, 2012 3:09 pm
> Subject: RE: [Avid-L2] Good software legalizer for Symphony?
>
>
> Under Image effects pallette, ther a sage color limmiter, drop it on top track,
> mark the 422safe to make ir more accurate, adjust limmits and you are done.
>
> Sent from my phone
> -----Original Message-----
> From: Shirley Gutierrez
> Sent: 26/05/2012 18:40:34
> Subject: [Avid-L2] Good software legalizer for Symphony?
>
> Hi,
>
>
> I'm on Symphony 6.0.1.1, running on Mac 10.7.3, and I'm hoping to get my hands
> on a good software legalizer. I've discovered that these folks here don't have a
> hardware legalizer, have no intention of outsourcing he final legalization
> stage, and I'm looking at tracking and killing every little RGB gamut transient
> error. I can get ballpark, but I know some stuff will get by me.
>
>
> Of course, Avid used to have a software legalizer as part of the Symphony color
> set, but that went away after Meridien, and despite the promises, it's never
> come back.
>
>
> Thanks in advance for any suggestions! I hope you all are having a great holiday
> weekend.
>
>
> Best,
> Shirley
>
>
>
Re: [Avid-L2] Good software legalizer for Symphony?
Yippee! I see now that it does say "limiter." I think I glanced at it and thought it was a form of alert setting.
It's been a long time since I've output without a box - many thanks for saving my exhausted self!
Shirley
-----Original Message-----
From: Agustin Goya <agustingoya@gmail.com>
To: Avid-L2 <Avid-L2@yahoogroups.com>
Sent: Sat, May 26, 2012 3:09 pm
Subject: RE: [Avid-L2] Good software legalizer for Symphony?
Under Image effects pallette, ther a sage color limmiter, drop it on top track,
mark the 422safe to make ir more accurate, adjust limmits and you are done.
Sent from my phone
-----Original Message-----
From: Shirley Gutierrez
Sent: 26/05/2012 18:40:34
Subject: [Avid-L2] Good software legalizer for Symphony?
Hi,
I'm on Symphony 6.0.1.1, running on Mac 10.7.3, and I'm hoping to get my hands
on a good software legalizer. I've discovered that these folks here don't have a
hardware legalizer, have no intention of outsourcing he final legalization
stage, and I'm looking at tracking and killing every little RGB gamut transient
error. I can get ballpark, but I know some stuff will get by me.
Of course, Avid used to have a software legalizer as part of the Symphony color
set, but that went away after Meridien, and despite the promises, it's never
come back.
Thanks in advance for any suggestions! I hope you all are having a great holiday
weekend.
Best,
Shirley
[Non-text portions of this message have been removed]
------------------------------------
Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
Yahoo! Groups Links
[Non-text portions of this message have been removed]
RE: [Avid-L2] Good software legalizer for Symphony?
Under Image effects pallette, ther a sage color limmiter, drop it on top track, mark the 422safe to make ir more accurate, adjust limmits and you are done.
Sent from my phone
-----Original Message-----
From: Shirley Gutierrez
Sent: 26/05/2012 18:40:34
Subject: [Avid-L2] Good software legalizer for Symphony?
Hi,
I'm on Symphony 6.0.1.1, running on Mac 10.7.3, and I'm hoping to get my hands on a good software legalizer. I've discovered that these folks here don't have a hardware legalizer, have no intention of outsourcing he final legalization stage, and I'm looking at tracking and killing every little RGB gamut transient error. I can get ballpark, but I know some stuff will get by me.
Of course, Avid used to have a software legalizer as part of the Symphony color set, but that went away after Meridien, and despite the promises, it's never come back.
Thanks in advance for any suggestions! I hope you all are having a great holiday weekend.
Best,
Shirley
[Non-text portions of this message have been removed]
[Avid-L2] Re: Good software legalizer for Symphony?
It's the safe color effect in the image effects category. You can drop it over the entire timeline.
--- In Avid-L2@yahoogroups.com, Shirley Gutierrez <guanacaa@...> wrote:
>
> Hi,
>
>
> I'm on Symphony 6.0.1.1, running on Mac 10.7.3, and I'm hoping to get my hands on a good software legalizer. I've discovered that these folks here don't have a hardware legalizer, have no intention of outsourcing he final legalization stage, and I'm looking at tracking and killing every little RGB gamut transient error. I can get ballpark, but I know some stuff will get by me.
>
>
> Of course, Avid used to have a software legalizer as part of the Symphony color set, but that went away after Meridien, and despite the promises, it's never come back.
>
>
> Thanks in advance for any suggestions! I hope you all are having a great holiday weekend.
>
>
> Best,
> Shirley
>
>
> [Non-text portions of this message have been removed]
>
[Avid-L2] Good software legalizer for Symphony?
Hi,
I'm on Symphony 6.0.1.1, running on Mac 10.7.3, and I'm hoping to get my hands on a good software legalizer. I've discovered that these folks here don't have a hardware legalizer, have no intention of outsourcing he final legalization stage, and I'm looking at tracking and killing every little RGB gamut transient error. I can get ballpark, but I know some stuff will get by me.
Of course, Avid used to have a software legalizer as part of the Symphony color set, but that went away after Meridien, and despite the promises, it's never come back.
Thanks in advance for any suggestions! I hope you all are having a great holiday weekend.
Best,
Shirley
[Non-text portions of this message have been removed]
Re: [Avid-L2] MC v6 and Unity lck files - request for help
Thanks a lot Job, that did help answer my question.
Rainer
On May 26, 2012, at 0:20, Job ter Burg (L2B) wrote:
>
> Just sent you some test files over WeTransfer, Rainer.
>
> MC/SY v6, LanShare 4.2.4 with MN Client 5.1.3.
>
> On 26 mei 2012, at 06:33, Rainer Standke wrote:
>
>> Hello all,
>>
>> I am curious about something and need some sample files to play with. I am looking for someone to send me a couple of samples from a MC v6 project running on Unity. Specifically I am looking for some sample .lck and .log files, and not so much for the bin files themselves.
>>
>> Thanks for anyone to help me out here,
>>
>> Rainer
>
>
>
> ------------------------------------
>
> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> Yahoo! Groups Links
>
>
>
Re: [Avid-L2] Does anyone have MC Patch 3.5.4.25?
On May 26, 2012, at 3:18 PM, schecterfilms wrote:
> I tried to get it from Avid.com, but instead entered the halls of a
Kafka novel, with the runarounds. My sequence won't export, because of
some music files, and this patch is supposed to fix the problem.
Thanks, Steve Schecter
I say:
Steve, I had no trouble accessing the download page. I found the
exact patch you need under "Avid Editor Patches/Previous Releases/
3.5.4.35 Media Composer Patch". Click on "Media Composer Patch and
you'll see patches for both Mac and PC, an installation instruction
file, a READ ME file, a FlameThrower driver for Adrenaline hardware,
and a DX driver for DX hardware. <http://esd.avid.com/ProductDownload.aspx?id=680
>
Which do you need, Mac or PC?
You need your Avid account linked to the DL area in order to download
patches (or anything).
Dennis Degan, Video Editor-Consultant-Knowledge Bank
NBC Today Show, New York
[Avid-L2] Does anyone have MC Patch 3.5.4.25?
I tried to get it from Avid.com, but instead entered the halls of a Kafka novel, with the runarounds. My sequence won't export, because of some music files, and this patch is supposed to fix the problem.
Thanks, Steve Schecter
Re: [Avid-L2] DVD workflow
plugin for Compressor. If you go on the Doom9 forums (the best to learn
about anything encoding), you'll probably see some people compare the
quality off CCE to HCenc. You can check it out here (it's free):
http://www.bitburners.com/hc-encoder/
On Sat, May 26, 2012 at 4:46 AM, David Rende <drekar42@gmail.com> wrote:
> **
>
>
> What would be the best encoder you would recommend for the pc side.
>
> Dave
>
>
> On Friday, May 25, 2012, namyrb wrote:
>
> > If you want it to look the very best, you can try the Cinema Craft
> Encoder
> > MP plugin for Compressor. Probably the best you're going to get with the
> > Mac.
> >
> > On Thu, May 24, 2012 at 7:42 AM, Bruce Tovsky <bruce@skeletonhome.com
> <javascript:;>
> > >wrote:
> >
> > > **
>
> > >
> > >
> > > +1
> > >
> > >
> > > On May 24, 2012, at 10:21 AM, Mark Spano wrote:
> > >
> > > > Are you encoding using DVD Studio Pro?
> > > >
> > > > I'd use Compressor instead to make the MPEG-2 file. A lot finer
> > controls
> > > > over quality there.
> > > >
> > > >
> > > > On Thu, May 24, 2012 at 1:52 AM, Lou Wirth <loutv@mindspring.com>
> > wrote:
> > > >
> > > >> **
> > > >>
> > > >>
> > > >> Well my 46 gig file failed in DVD studio pro with the error "not
> > enough
> > > >> space". Another few hours wasted.
> > > >>
> > > >>
> > > >> On May 23, 2012, at 11:43 AM, Mark Spano wrote:
> > > >>
> > > >>> ProRes.
> > > >>>
> > > >>> Your MPEG-2 file (made later) needs to be under 4 GB. The source
> > going
> > > in
> > > >>> can be any size.
> > > >>>
> > > >>>
> > > >>>
> > > >>> On Wed, May 23, 2012 at 1:57 PM, Terence Curren <tcurren@aol.com>
> > > wrote:
> > > >>>
> > > >>>> **
> > > >>
> > > >>>>
> > > >>>>
> > > >>>> 1:1
> > > >>>>
> > > >>>>
> > > >>>> --- In Avid-L2@yahoogroups.com, Lou Wirth <loutv@...> wrote:
> > > >>>>>
> > > >>>>> Funny. Dont see lossless anymore. Has it gone away?
> > > >>>>>
> > > >>>>> On May 23, 2012, at 10:30 AM, Bruce Tovsky wrote:
> > > >>>>>
> > > >>>>>> i'd go with lossless.
> > > >>>>>> b
> > > >>>>>>
> > > >>>>>> On May 23, 2012, at 1:08 PM, Lou Wirth wrote:
> > > >>>>>>
> > > >>>>>>> Im going AE as well. Has great downscaling. But now which
> codec?
> > > >>>> Compressor wont take h.264 right? And I have to keep the file size
> > > >> around 4
> > > >>>> gigs for SD DVD right? So what is a good alt which I can then take
> > to
> > > >> DVD.
> > > >>>>>>>
> > > >>>>>>> thanks
> > > >>>>>>> Lou
> > > >>>>>>> On May 23, 2012, at 9:55 AM, Bruce Tovsky wrote:
> > > >>>>>>>
> > > >>>>>>>> i'd take AE over Avid any day, hands down.
> > > >>>>>>>> b
> > > >>>>>>>>
> > > >>>>>>>> On May 23, 2012, at 12:51 PM, David Ross wrote:
> > > >>>>>>>>
> > > >>>>>>>>> Whatever you're happiest doing the downscale with. I've used
> > Avid
> > > >>>>>>>>> before, and it's fine, but you may find AE gives better
> > results.
> > > >> Not
> > > >>>>>>>>> sure about Sorenson.
> > > >>>>>>>>>
> > > >>>>>>>>> D.
> > > >>>>>>>>>
> > > >>>>>>>>> On 23 May 2012 17:32, Lou Wirth <loutv@...> wrote:
> > > >>>>>>>>>> Great advice. thanks. Is it best to just export and
> downscale
> > in
> > > >>>> Avid? Or use the QT reference in something else. AE? Sorenson?
> > > >>>>>>>>>>
> > > >>>>>>>>>> Lou
> > > >>>>>>>>>> On May 23, 2012, at 9:14 AM, David Ross wrote:
> > > >>>>>>>>>>
> > > >>>>>>>>>>> Best practice is to downscale to SD first, then make your
> DVD
> > > >> mpeg
> > > >>>>>>>>>>> from that. Your mpeg picture quality will generally be much
> > > >> better
> > > >>>>>>>>>>> that way.
> > > >>>>>>>>>>>
> > > >>>>>>>>>>> D.
> > > >>>>>>>>>>>
> > > >>>>>>>>>>> On 23 May 2012 16:50, Lou Wirth <loutv@...> wrote:
> > > >>>>>>>>>>>>
> > > >>>>>>>>>>>>
> > > >>>>>>>>>>>>
> > > >>>>>>>>>>>> Hi
> >
> >
> >
>
> [Non-text portions of this message have been removed]
>
>
>
[Non-text portions of this message have been removed]
------------------------------------
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Re: [Avid-L2] Re: Halp... Import Color/Gamma Shift
Job,
All nice, but there is no way to set correct levels on AMA import.
(In my case, Prores import does not work correctly with AMA, i need a normal
import with RGB as input..)
Bouke
VideoToolShed
van Oldenbarneveltstraat 33
6512 AS NIJMEGEN
The Netherlands
+31 24 3553311
www.videotoolshed.com
----- Original Message -----
From: "Job ter Burg (L2B)" <Job_L2@terburg.com>
To: <Avid-L2@yahoogroups.com>
Sent: Thursday, May 24, 2012 9:16 PM
Subject: Re: [Avid-L2] Re: Halp... Import Color/Gamma Shift
> Before just 709 so it needed to change the RGB sources when importing, but
> no need from V.5.
This makes very little sense to me, sorry.
There are two project types, RGB709 and YCrCb709. One is 4:4:4, the other is
4:2:2. In either, Avid works in studio swing (16-235 in 8-bit).
The RGB/601/709 setting in the import dialogue box is ill-named, and does
not refer to 4:4:4 versus 4:2:2 but rather to full swing (0-255 8bit) versus
studio swing (16-235 8bit).
Nothing changed with those import settings in v6.
When you AMA, you STILL need to consider full swing versus studio swing
issues, and through Source Settings you can still modify these settings when
needed.
See for some more explanation:
http://www.xs4all.nl/~terburg/Publications/601_709_RGB.pdf
J.
On 24 mei 2012, at 19:53, luis8ago wrote:
> From V.5 Avid manages in timeline both 709 and RGB color spaces. Before
> just 709 so it needed to change the RGB sources when importing, but no
> need from V.5.
>
> I haven't found any image or video I need to import using RGB option since
> V.5 arrived. It's a shame this doesn't appear in any Avid doc, I
> discovered just trying and thinking.
>
> From V.6 I always try to use Ama for files so I don't deal so that often
> with color spaces issues.
Re: [Avid-L2] DVD workflow
I still am very fond of Cinemacraft, but it will set you back some 1K
(cheap, i've paid over 2K back in the days).
But, only reason to use a very expensive encoder is if you want really low
bitrates.
If you stay over about 5000 the differences are very hard to spot, unless
you have a really lousy encoder.
(I had to do commercial DVD's with a huge amount of difficult content, so i
needed the best of the best, and there were not many alternatives back then)
IOW, there is open source that will do what you want, for free...
Bouke
VideoToolShed
van Oldenbarneveltstraat 33
6512 AS NIJMEGEN
The Netherlands
+31 24 3553311
www.videotoolshed.com
----- Original Message -----
From: "David Rende" <drekar42@gmail.com>
To: <Avid-L2@yahoogroups.com>
Sent: Saturday, May 26, 2012 1:46 PM
Subject: Re: [Avid-L2] DVD workflow
> What would be the best encoder you would recommend for the pc side.
>
> Dave
>
>
>
> On Friday, May 25, 2012, namyrb wrote:
>
>> If you want it to look the very best, you can try the Cinema Craft
>> Encoder
>> MP plugin for Compressor. Probably the best you're going to get with the
>> Mac.
>>
>> On Thu, May 24, 2012 at 7:42 AM, Bruce Tovsky
>> <bruce@skeletonhome.com<javascript:;>
>> >wrote:
>>
>> > **
>> >
>> >
>> > +1
>> >
>> >
>> > On May 24, 2012, at 10:21 AM, Mark Spano wrote:
>> >
>> > > Are you encoding using DVD Studio Pro?
>> > >
>> > > I'd use Compressor instead to make the MPEG-2 file. A lot finer
>> controls
>> > > over quality there.
>> > >
>> > >
>> > > On Thu, May 24, 2012 at 1:52 AM, Lou Wirth <loutv@mindspring.com>
>> wrote:
>> > >
>> > >> **
>> > >>
>> > >>
>> > >> Well my 46 gig file failed in DVD studio pro with the error "not
>> enough
>> > >> space". Another few hours wasted.
>> > >>
>> > >>
>> > >> On May 23, 2012, at 11:43 AM, Mark Spano wrote:
>> > >>
>> > >>> ProRes.
>> > >>>
>> > >>> Your MPEG-2 file (made later) needs to be under 4 GB. The source
>> going
>> > in
>> > >>> can be any size.
>> > >>>
>> > >>>
>> > >>>
>> > >>> On Wed, May 23, 2012 at 1:57 PM, Terence Curren <tcurren@aol.com>
>> > wrote:
>> > >>>
>> > >>>> **
>> > >>
>> > >>>>
>> > >>>>
>> > >>>> 1:1
>> > >>>>
>> > >>>>
>> > >>>> --- In Avid-L2@yahoogroups.com, Lou Wirth <loutv@...> wrote:
>> > >>>>>
>> > >>>>> Funny. Dont see lossless anymore. Has it gone away?
>> > >>>>>
>> > >>>>> On May 23, 2012, at 10:30 AM, Bruce Tovsky wrote:
>> > >>>>>
>> > >>>>>> i'd go with lossless.
>> > >>>>>> b
>> > >>>>>>
>> > >>>>>> On May 23, 2012, at 1:08 PM, Lou Wirth wrote:
>> > >>>>>>
>> > >>>>>>> Im going AE as well. Has great downscaling. But now which
>> > >>>>>>> codec?
>> > >>>> Compressor wont take h.264 right? And I have to keep the file size
>> > >> around 4
>> > >>>> gigs for SD DVD right? So what is a good alt which I can then take
>> to
>> > >> DVD.
>> > >>>>>>>
>> > >>>>>>> thanks
>> > >>>>>>> Lou
>> > >>>>>>> On May 23, 2012, at 9:55 AM, Bruce Tovsky wrote:
>> > >>>>>>>
>> > >>>>>>>> i'd take AE over Avid any day, hands down.
>> > >>>>>>>> b
>> > >>>>>>>>
>> > >>>>>>>> On May 23, 2012, at 12:51 PM, David Ross wrote:
>> > >>>>>>>>
>> > >>>>>>>>> Whatever you're happiest doing the downscale with. I've used
>> Avid
>> > >>>>>>>>> before, and it's fine, but you may find AE gives better
>> results.
>> > >> Not
>> > >>>>>>>>> sure about Sorenson.
>> > >>>>>>>>>
>> > >>>>>>>>> D.
>> > >>>>>>>>>
>> > >>>>>>>>> On 23 May 2012 17:32, Lou Wirth <loutv@...> wrote:
>> > >>>>>>>>>> Great advice. thanks. Is it best to just export and
>> > >>>>>>>>>> downscale
>> in
>> > >>>> Avid? Or use the QT reference in something else. AE? Sorenson?
>> > >>>>>>>>>>
>> > >>>>>>>>>> Lou
>> > >>>>>>>>>> On May 23, 2012, at 9:14 AM, David Ross wrote:
>> > >>>>>>>>>>
>> > >>>>>>>>>>> Best practice is to downscale to SD first, then make your
>> > >>>>>>>>>>> DVD
>> > >> mpeg
>> > >>>>>>>>>>> from that. Your mpeg picture quality will generally be much
>> > >> better
>> > >>>>>>>>>>> that way.
>> > >>>>>>>>>>>
>> > >>>>>>>>>>> D.
>> > >>>>>>>>>>>
>> > >>>>>>>>>>> On 23 May 2012 16:50, Lou Wirth <loutv@...> wrote:
>> > >>>>>>>>>>>>
>> > >>>>>>>>>>>>
>> > >>>>>>>>>>>>
>> > >>>>>>>>>>>> Hi
>>
>>
>>
>
>
> [Non-text portions of this message have been removed]
>
>
Re: [Avid-L2] DVD workflow
Gary Berendsen - VFX Generalist
@DuintjerCS Kamer 1.009
Vijzelstraat 72
1017 HL Amsterdam
gary@garyberendsen.com
mob:+31 6 1438 5398
http://garyberendsen.com
On May 26, 2012, at 1:46 PM, David Rende wrote:
> What would be the best encoder you would recommend for the pc side.
>
> Dave
>
> On Friday, May 25, 2012, namyrb wrote:
>
> > If you want it to look the very best, you can try the Cinema Craft Encoder
> > MP plugin for Compressor. Probably the best you're going to get with the
> > Mac.
> >
> > On Thu, May 24, 2012 at 7:42 AM, Bruce Tovsky <bruce@skeletonhome.com<javascript:;>
> > >wrote:
> >
> > > **
> > >
> > >
> > > +1
> > >
> > >
> > > On May 24, 2012, at 10:21 AM, Mark Spano wrote:
> > >
> > > > Are you encoding using DVD Studio Pro?
> > > >
> > > > I'd use Compressor instead to make the MPEG-2 file. A lot finer
> > controls
> > > > over quality there.
> > > >
> > > >
> > > > On Thu, May 24, 2012 at 1:52 AM, Lou Wirth <loutv@mindspring.com>
> > wrote:
> > > >
> > > >> **
> > > >>
> > > >>
> > > >> Well my 46 gig file failed in DVD studio pro with the error "not
> > enough
> > > >> space". Another few hours wasted.
> > > >>
> > > >>
> > > >> On May 23, 2012, at 11:43 AM, Mark Spano wrote:
> > > >>
> > > >>> ProRes.
> > > >>>
> > > >>> Your MPEG-2 file (made later) needs to be under 4 GB. The source
> > going
> > > in
> > > >>> can be any size.
> > > >>>
> > > >>>
> > > >>>
> > > >>> On Wed, May 23, 2012 at 1:57 PM, Terence Curren <tcurren@aol.com>
> > > wrote:
> > > >>>
> > > >>>> **
> > > >>
> > > >>>>
> > > >>>>
> > > >>>> 1:1
> > > >>>>
> > > >>>>
> > > >>>> --- In Avid-L2@yahoogroups.com, Lou Wirth <loutv@...> wrote:
> > > >>>>>
> > > >>>>> Funny. Dont see lossless anymore. Has it gone away?
> > > >>>>>
> > > >>>>> On May 23, 2012, at 10:30 AM, Bruce Tovsky wrote:
> > > >>>>>
> > > >>>>>> i'd go with lossless.
> > > >>>>>> b
> > > >>>>>>
> > > >>>>>> On May 23, 2012, at 1:08 PM, Lou Wirth wrote:
> > > >>>>>>
> > > >>>>>>> Im going AE as well. Has great downscaling. But now which codec?
> > > >>>> Compressor wont take h.264 right? And I have to keep the file size
> > > >> around 4
> > > >>>> gigs for SD DVD right? So what is a good alt which I can then take
> > to
> > > >> DVD.
> > > >>>>>>>
> > > >>>>>>> thanks
> > > >>>>>>> Lou
> > > >>>>>>> On May 23, 2012, at 9:55 AM, Bruce Tovsky wrote:
> > > >>>>>>>
> > > >>>>>>>> i'd take AE over Avid any day, hands down.
> > > >>>>>>>> b
> > > >>>>>>>>
> > > >>>>>>>> On May 23, 2012, at 12:51 PM, David Ross wrote:
> > > >>>>>>>>
> > > >>>>>>>>> Whatever you're happiest doing the downscale with. I've used
> > Avid
> > > >>>>>>>>> before, and it's fine, but you may find AE gives better
> > results.
> > > >> Not
> > > >>>>>>>>> sure about Sorenson.
> > > >>>>>>>>>
> > > >>>>>>>>> D.
> > > >>>>>>>>>
> > > >>>>>>>>> On 23 May 2012 17:32, Lou Wirth <loutv@...> wrote:
> > > >>>>>>>>>> Great advice. thanks. Is it best to just export and downscale
> > in
> > > >>>> Avid? Or use the QT reference in something else. AE? Sorenson?
> > > >>>>>>>>>>
> > > >>>>>>>>>> Lou
> > > >>>>>>>>>> On May 23, 2012, at 9:14 AM, David Ross wrote:
> > > >>>>>>>>>>
> > > >>>>>>>>>>> Best practice is to downscale to SD first, then make your DVD
> > > >> mpeg
> > > >>>>>>>>>>> from that. Your mpeg picture quality will generally be much
> > > >> better
> > > >>>>>>>>>>> that way.
> > > >>>>>>>>>>>
> > > >>>>>>>>>>> D.
> > > >>>>>>>>>>>
> > > >>>>>>>>>>> On 23 May 2012 16:50, Lou Wirth <loutv@...> wrote:
> > > >>>>>>>>>>>>
> > > >>>>>>>>>>>>
> > > >>>>>>>>>>>>
> > > >>>>>>>>>>>> Hi
> >
> >
> >
>
> [Non-text portions of this message have been removed]
>
>
[Non-text portions of this message have been removed]
------------------------------------
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