Saturday, October 27, 2012

[Avid-L2] Re: New Canon AMA Plug-In

 

yeah - I believed someone in Engineering. I'll run this to ground Monday when I am in Boston - unless I blow away! I am flying from Florida, home of the hurricaines to Boston just so I can experience one :) LOL
Marianna

--- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@...> wrote:
>
> D'oh! Marianna asked for that to be posted to the L2. Oh well...
>
> --- In Avid-L2@yahoogroups.com, Roger <rogershuff@> wrote:
> >
> > Looks like that's for MC 6 - released back in July.
> >
> > On 26 Oct 2012, at 21:34, Terence Curren wrote:
> >
> > >
> > > Canon has recently released version 2.0.1 of its XF 64 plug-in for use
> > > with the Editing Family of products. This new plug-in, Canon XF Plugin
> > > 64 for Avid Media Access 2.0.1, supports Mac OS X and can be downloaded
> > > at:
> > >
> > > http://www.usa.canon.com/cusa/professional/products/professional_cameras\
> > > /hd_video_cameras/xf300?selectedName=DriversAndSoftware
> > > <http://www.usa.canon.com/cusa/professional/products/professional_camera\
> > > s/hd_video_cameras/xf300?selectedName=DriversAndSoftware>
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > >
> >
> > With best wishes,
> > Roger Shufflebottom
> > +44 7973 543 660
> >
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>

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Re: [Avid-L2] Re: New Canon AMA Plug-In

Works OK with 6.5 but as Marianna pointed out, not if the Canon footage is 24P.

On 26 Oct 2012, at 22:14, Terence Curren wrote:

> D'oh! Marianna asked for that to be posted to the L2. Oh well...
>
> --- In Avid-L2@yahoogroups.com, Roger <rogershuff@...> wrote:
> >
> > Looks like that's for MC 6 - released back in July.
> >
> > On 26 Oct 2012, at 21:34, Terence Curren wrote:
> >
> > >
> > > Canon has recently released version 2.0.1 of its XF 64 plug-in for use
> > > with the Editing Family of products. This new plug-in, Canon XF Plugin
> > > 64 for Avid Media Access 2.0.1, supports Mac OS X and can be downloaded
> > > at:
> > >
> > > http://www.usa.canon.com/cusa/professional/products/professional_cameras\
> > > /hd_video_cameras/xf300?selectedName=DriversAndSoftware
> > > <http://www.usa.canon.com/cusa/professional/products/professional_camera\
> > > s/hd_video_cameras/xf300?selectedName=DriversAndSoftware>
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > >
> >
> > With best wishes,
> > Roger Shufflebottom
> > +44 7973 543 660
> >
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>

With best wishes,
Roger Shufflebottom
+44 7973 543 660





[Non-text portions of this message have been removed]



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Re: [Avid-L2] Re: Quickkeys macros not working

 

I think I've resolved this problem.

When recording a macro with Quickkeys its default seems to be to issue
keyboard commands by using a 'Type Text' object set to 'insert text'.
Changing the mode of that object to 'type text' worked better, and
switching the object to 'Type Keystroke' works better still.

After doing that it was necessary to insert some small delays between
commands, as you suggested.

Thanks,
--Michael

On 12-10-26 2:19 AM, trevatpc wrote:
>
> Do you have the letter v later in your script?
>
> I've not used quickkeys on a mac, but I have used butler. This
> required some delay programmed between keystrokes (50ms or so I think)
> to allow avid time to process...
>
> (You could post the script ....)
>
> --- In Avid-L2@yahoogroups.com <mailto:Avid-L2%40yahoogroups.com>,
> Michael Brockington <brocking@...> wrote:
> >
> > Any Quickkeys gurus on the list?
> >
> > I'm using Quickkeys to record a macro to section out a timeline. It
> > works as expected when recording the macro, but has a different effect
> > when the macro is triggered subsequently.
> >
> > Stepping through the macro in debugging mode, it looks like
> Quickkeys is
> > issuing the expected commands, but they are getting interpreted
> wrong by
> > Avid, somehow. For instance, Quickkeys types a 'q' (default keyboard
> > mapping: set in-point), but this causes Avid to splice in a chunk from
> > the source window, as though 'v' had been typed instead.
> >
> > Mac OS is 10.7.4. I'm using a Bella keyboard -- wondering if not having
> > a standard Mac keyboard is causing the problem somehow?
> >
> > Thanks,
> > --Michael
> >
>
>

[Non-text portions of this message have been removed]

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Friday, October 26, 2012

[Avid-L2] WAS: Red Epic yields specular excursions above 700mV? NOW: Is an Alchemist worth it?

Well I guess now you can buy a Teranex for a couple of grand they better be capable of something else. Out of curiosity, has anyone done any comparisons between the two standards converters? Is an Alchemist worth it any more?

Andi

To: Avid-L2@yahoogroups.com
From: bigfish@pacbell.net
Date: Fri, 26 Oct 2012 16:50:40 +0000
Subject: [Avid-L2] Re: Red Epic yields specular excursions above 700mV?


























I've never operated an Alchemist so I can't answer how it legalizes the excursion spikes. Over the last year there have been changes in some QC issues most notably ABC started rejecting shows that had spikes outside active video which seem to have no effect on the image in HD but they claimed that some set top box DTV converters would display a white edge on the letter box caused by these spike. There suggested solution was to run the show through an Alchemist because it would eliminate the spikes. Legalizers only effect the active video signal so the spikes in the blanking interval would not be corrected by a legalizer. From that time on various dub/QC houses have started flagging what seem to be non issues claiming they need to run the show through their alchemist to get rid of the problem. Perhaps the Alchemist completely replaces the Hanc and Vanc like an old composite Proc Amp did. As far as removing excursion spikes I don't have anything but the word of the dub house that the alchemist can do that. As I said I was truly shocked when the dub house said they didn't have a Harris DL-860/850 in house. This seems odd given it's broad use around town and the defacto legalizer of choice by many networks. I too would like to know more about the Alchemist's use in this scenario. You say it's main use is standards conversion but I think some dub houses are using it for profit conversion to get the clients to pay more to fix what seems to be a non issue. I could be wrong about the non issue of the specular excursions but my Tektronix contact looked at scope screen grabs and said the looked like the typical transition spikes. He added there is a "data option" for some tektronix scopes that will tell you the exact digital data level without the analogue interpretation that causes the apparent spikes on the waveform.



--- In Avid-L2@yahoogroups.com, Andi Meek <kwikpasta@...> wrote:

>

>

> John,

>

> Pardon my ignorance, can you explain why/how you would use an Alchemist to legalise? I thought they were just a standards converter? At least that's all I've ever used them for. If they have this extra talent, why would they prefer that over a dedicated legaliser like an Eyeheight?

>

> Andi

>

> To: Avid-L2@yahoogroups.com

> From: bigfish@...

> Date: Fri, 26 Oct 2012 06:06:11 +0000

> Subject: [Avid-L2] Re: Red Epic yields specular excursions above 700mV?

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

> The scope is a Tektronix WFM 7020 set to Tektronix defaults with 0% area tolerance. More recent versions of the scope software have default set to 1% area tolerance on the diamond display. I use the 1% area for error logging off tape and 0% for error checking the Avid output. Codec/compression induce off tape errors make the alarm mis-trigger when playing back of HDCam and HDCamSR. I was seeing no alarms with 0% area tolerance which is why I feel the specular excursions are a non issue. Ultimately it passed QC but I think it's only because we beat up the QC guys and called their bluff when they tried to tell us the "Alchemist" was the only piece of gear they had that would correct the so called issue. I asked if they had a Harris DL-860/850 and they said they didn't. I found that unbelievable given they are a large Hollywood dub house. The Harris/VideoTek DL-860/850 is pretty much an industry standard around here for legalizers and most networks and cable networks will give you their settings for delivery specs. That's what seemed fishy when talking to the QC folks especially sense I've delivered countless shows with the same legalizing and never had an issue. The only thing new is the Red Camera and the fact that many of the dub houses have started to promote using their Alchemists for what seem to be non issues but they claim they have to run the shows through Alchemist. I'm just trying to be an informed consumer conscientious editor. So far no one has told me what ill effects the specular spikes cause. It looks fine on all my monitoring gear. After all every head end has a proc amp/legalizer on the uplink feed. Oh well I'll just send more bananas with the next master.

>

>

>

> --- In Avid-L2@yahoogroups.com, John Beck <jb30343@> wrote:

>

> >

>

> > John, High frequency stuff has a habit of sneaking through the safe

>

> > color effect. The only way I've found of eliminating the excessive

>

> > levels is to address the problems one by one in the Symphony CC. There

>

> > might be some outboard legalizers that will catch it. Not sure why your

>

> > scope's alarms aren't going off. You might want to check your scope's

>

> > settings. Hope this helps. --J.B.

>

> >

>

> > John Moore wrote:

>

> > > The Red multicam shoot I posted about was onlined by someone else and even with the safe color limit effect set to 16-235 422 checked and an outboard legalizer there are still specular spikes well above 700 mV. They don't set off my scope alarms but QC is sqwaking. Is Red more prone to this. Raw media was consolidated using the camera metadata seeing and full debayer to DNX 220. I've heard Red's "rich" colors make it more prone to the specular excursions. Can anyone confirm or deny this. We're being told they need to use Alchemist to fix it and this starts to seem like the ABC Spike Gate scam, but I'm willing to be educated. I feel like if my scope doesn't alarm it's a non issue. Curious what others have to say.

>

> > >

>

> > > John Moore

>

> > >

>

> > > Barking Trout Productions

>

> > >

>

> > > Studio City, CA

>

> > >

>

> > > bigfish@

>

> > >

>

> > > [Non-text portions of this message have been removed]

>

> > >

>

> > >

>

> > >

>

> > > ------------------------------------

>

> > >

>

> > > Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/

>

> > > Yahoo! Groups Links

>

> > >

>

> > >

>

> > >

>

> > >

>

> > >

>

> >

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

>

> [Non-text portions of this message have been removed]

>


















[Non-text portions of this message have been removed]



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[Avid-L2] Re: New Canon AMA Plug-In

 

D'oh! Marianna asked for that to be posted to the L2. Oh well...

--- In Avid-L2@yahoogroups.com, Roger <rogershuff@...> wrote:
>
> Looks like that's for MC 6 - released back in July.
>
> On 26 Oct 2012, at 21:34, Terence Curren wrote:
>
> >
> > Canon has recently released version 2.0.1 of its XF 64 plug-in for use
> > with the Editing Family of products. This new plug-in, Canon XF Plugin
> > 64 for Avid Media Access 2.0.1, supports Mac OS X and can be downloaded
> > at:
> >
> > http://www.usa.canon.com/cusa/professional/products/professional_cameras\
> > /hd_video_cameras/xf300?selectedName=DriversAndSoftware
> > <http://www.usa.canon.com/cusa/professional/products/professional_camera\
> > s/hd_video_cameras/xf300?selectedName=DriversAndSoftware>
> >
> > [Non-text portions of this message have been removed]
> >
> >
>
> With best wishes,
> Roger Shufflebottom
> +44 7973 543 660
>
>
>
>
>
> [Non-text portions of this message have been removed]
>

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[Avid-L2] Re: Closed Captioning in Sonic

 

If you go to

http://www.gaijin-eyes.com/June2010DD/2012MC200.html

Under 200_3, you will find a PDF to download, that lists the contents of
the tutorial packet.
There you can see that I have included 4 chapters on Subtitles in Avid
DVD/Sonic DVDitProHD.
AvidDVD - Adding Subtitles - 1. Getting started
AvidDVD - Adding Subtitles - 2. Japanese and Importing
AvidDVD - Adding Subtitles - 3. Writing your own for import
AvidDVD Revisited - 8. Subtitles
Almost 40 minutes totally.
Maybe something for you?
Regards,
Douglas

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Re: [Avid-L2] New Canon AMA Plug-In

Looks like that's for MC 6 - released back in July.

On 26 Oct 2012, at 21:34, Terence Curren wrote:

>
> Canon has recently released version 2.0.1 of its XF 64 plug-in for use
> with the Editing Family of products. This new plug-in, Canon XF Plugin
> 64 for Avid Media Access 2.0.1, supports Mac OS X and can be downloaded
> at:
>
> http://www.usa.canon.com/cusa/professional/products/professional_cameras\
> /hd_video_cameras/xf300?selectedName=DriversAndSoftware
> <http://www.usa.canon.com/cusa/professional/products/professional_camera\
> s/hd_video_cameras/xf300?selectedName=DriversAndSoftware>
>
> [Non-text portions of this message have been removed]
>
>

With best wishes,
Roger Shufflebottom
+44 7973 543 660





[Non-text portions of this message have been removed]



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[Avid-L2] New Canon AMA Plug-In

 


Canon has recently released version 2.0.1 of its XF 64 plug-in for use
with the Editing Family of products. This new plug-in, Canon XF Plugin
64 for Avid Media Access 2.0.1, supports Mac OS X and can be downloaded
at:

http://www.usa.canon.com/cusa/professional/products/professional_cameras\
/hd_video_cameras/xf300?selectedName=DriversAndSoftware

<http://www.usa.canon.com/cusa/professional/products/professional_camera\
s/hd_video_cameras/xf300?selectedName=DriversAndSoftware
>

[Non-text portions of this message have been removed]

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[Avid-L2] Re: Red Epic yields specular excursions above 700mV?

 

Well the ABC New York Tech Spec sheet list the RGB primary settings for the Harris family of legalizers as min=-35mV max=735mV. I run my legalizers and safe color limiter effect at 16-235, aka 0mV to 700mV and have virtually never had QC level issues. I've found that most QC work I've had done in Hollywood area seems to not report much in the way of scope logged errors which leads me to believe most QC isn't relying on error logging. Given the Codec/Compression errors in HDCam and HDCamSR and the addition of alarm raising speculars created by the enhancement circuitry in those machines on playback it really makes it hard to trust the error logging in the real world. I like to run my shows through it on output with the 1% area just to be safe. I mean what's a boy to do when the show runs clean on error logging at 0% area out of the Avid but when monitoring the Record machine the alarms go nuts? That's why I've been instructed by the Tek folks to scope the machines with 1% area. I love hearing the various takes on this so I can better understand what I can do to improve my workflow but at some point I've got to just make it Red and roll to record error alarms be damned and get things on the air. Now a precise description of what image problems really result from the specular excursions would be interesting as from my experience they basically amount to no harm no foul.

--- In Avid-L2@yahoogroups.com, Bogdan Grigorescu <bogdan_grigorescu@...> wrote:
>
> Unfortunately, most QC houses will look for a -5mV to 705mV legal excursion(including spikes), so you'll have to customize your trigger levels in order to become 'QC safe'
>
> As for the Tek area, keep in mind that 1% means splitting both H and V in ten equal patches, which is a 3"x4" patch on a 50" display. Anything less than that goes unnoticed(or not logged by Tektronix), but could be objectionable in a QC process.
> I asked for a finer adjustment(like in.1% increments) from Tek for years, but they won't budge. Both Steve Holmes and Mike Waidson know about it.
>
> BG
> www.finale.tv
>
> --- On Fri, 10/26/12, johnrobmoore <bigfish@...> wrote:
>
> From: johnrobmoore <bigfish@...>
> Subject: [Avid-L2] Re: Red Epic yields specular excursions above 700mV?
> To: Avid-L2@yahoogroups.com
> Date: Friday, October 26, 2012, 9:59 AM
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>  
>
>
>
>
>
>
>
>
>
> On the diamond display High= 721mV, Low=-21mV, Area=0%
>
> This is Tektronix default although in later software updates the same wfm 7020 defaults to area=1%, I believe this is due to a lot of over zealous alarms especially when error logging an HDCamSR or HDCam tape as in my experience their codec/compression anomalies will light up a area= 0% like a Xmas Tree where as the same setting on the Avid out are clean. The QC folks were looking at the waveform specular spikes and not complaining about scope registered errors. They have since backed off, maybe we just beat them down, but I would like to know what actual consequence these spikes could cause. Steven Holmes from Tektronix mentioned that the pixel to pixel extreme transitions will exceed the bandwidth and cause the spike which can wreak havoc on Mpeg encoder/decoders that will soften the image among other things when it tries to compensate for the bandwidth/transition spikes. Man some days I just want composite video again and a freaking dual track
> scope and my trusty tentilometer. ;-)
>
>
>
> --- In Avid-L2@yahoogroups.com, Bogdan Grigorescu <bogdan_grigorescu@> wrote:
>
> >
>
> > John, what were your alarm trigger levels for RGB gamut/ luminance and composite levels(arrowhead) set to? I believe they default to EBU103.
>
> >
>
> > BG
>
> > www.finale.tv
>
> >
>
> > --- On Thu, 10/25/12, johnrobmoore <bigfish@> wrote:
>
> >
>
> > From: johnrobmoore <bigfish@>
>
> > Subject: [Avid-L2] Re: Red Epic yields specular excursions above 700mV?
>
> > To: Avid-L2@yahoogroups.com
>
> > Date: Thursday, October 25, 2012, 11:06 PM
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >  
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >
>
> >
>
> > The scope is a Tektronix WFM 7020 set to Tektronix defaults with 0% area tolerance. More recent versions of the scope software have default set to 1% area tolerance on the diamond display. I use the 1% area for error logging off tape and 0% for error checking the Avid output. Codec/compression induce off tape errors make the alarm mis-trigger when playing back of HDCam and HDCamSR. I was seeing no alarms with 0% area tolerance which is why I feel the specular excursions are a non issue. Ultimately it passed QC but I think it's only because we beat up the QC guys and called their bluff when they tried to tell us the "Alchemist" was the only piece of gear they had that would correct the so called issue. I asked if they had a Harris DL-860/850 and they said they didn't. I found that unbelievable given they are a large Hollywood dub house. The Harris/VideoTek DL-860/850 is pretty much an industry standard around here for legalizers and most
>
> > networks and cable networks will give you their settings for delivery specs. That's what seemed fishy when talking to the QC folks especially sense I've delivered countless shows with the same legalizing and never had an issue. The only thing new is the Red Camera and the fact that many of the dub houses have started to promote using their Alchemists for what seem to be non issues but they claim they have to run the shows through Alchemist. I'm just trying to be an informed consumer conscientious editor. So far no one has told me what ill effects the specular spikes cause. It looks fine on all my monitoring gear. After all every head end has a proc amp/legalizer on the uplink feed. Oh well I'll just send more bananas with the next master.
>
> >
>
> >
>
> >
>
> > --- In Avid-L2@yahoogroups.com, John Beck <jb30343@> wrote:
>
> >
>
> > >
>
> >
>
> > > John, High frequency stuff has a habit of sneaking through the safe
>
> >
>
> > > color effect. The only way I've found of eliminating the excessive
>
> >
>
> > > levels is to address the problems one by one in the Symphony CC. There
>
> >
>
> > > might be some outboard legalizers that will catch it. Not sure why your
>
> >
>
> > > scope's alarms aren't going off. You might want to check your scope's
>
> >
>
> > > settings. Hope this helps. --J.B.
>
> >
>
> > >
>
> >
>
> > > John Moore wrote:
>
> >
>
> > > > The Red multicam shoot I posted about was onlined by someone else and even with the safe color limit effect set to 16-235 422 checked and an outboard legalizer there are still specular spikes well above 700 mV. They don't set off my scope alarms but QC is sqwaking. Is Red more prone to this. Raw media was consolidated using the camera metadata seeing and full debayer to DNX 220. I've heard Red's "rich" colors make it more prone to the specular excursions. Can anyone confirm or deny this. We're being told they need to use Alchemist to fix it and this starts to seem like the ABC Spike Gate scam, but I'm willing to be educated. I feel like if my scope doesn't alarm it's a non issue. Curious what others have to say.
>
> >
>
> > > >
>
> >
>
> > > > John Moore
>
> >
>
> > > >
>
> >
>
> > > > Barking Trout Productions
>
> >
>
> > > >
>
> >
>
> > > > Studio City, CA
>
> >
>
> > > >
>
> >
>
> > > > bigfish@
>
> >
>
> > > >
>
> >
>
> > > > [Non-text portions of this message have been removed]
>
> >
>
> > > >
>
> >
>
> > > >
>
> >
>
> > > >
>
> >
>
> > > > ------------------------------------
>
> >
>
> > > >
>
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> > > > Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
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[Avid-L2] OT: TC from Sony HDV M10U

 

Is it possible to get timecode to come across when dubbing via DV cable from one of these decks to the other?

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[Avid-L2] Re: Closed Captioning in Sonic

 

That's what I'm on. Once subtitles are created in Sonic, can you turn them on and off from a DVD player via the Closed Captioning switch?

--- In Avid-L2@yahoogroups.com, John Beck <jb30343@...> wrote:
>
> I use Avid DVD version 6.4.4 but I don't think the subtitle features
> have changed much in the last few versions. No idea what release got it
> first. --J.B.
>
> ksirul wrote:
> > Any idea what the minimum version of sonic is needed for this?
> >
> > --- In Avid-L2@yahoogroups.com, John Beck<jb30343@> wrote:
> >
> >> Sadly, they don't make it quite that easy. You need to build the whole
> >> thing in Sonic. I'm not in from of Sonic right now but the process is
> >> pretty simple and they give you usable tools for making adjustments to
> >> the text. The "Help" section in Sonic lists the file types you can
> >> import. --J.B.
> >>
> >> ksirul wrote:
> >>
> >>> Can I import an SCC (I think that's what it's called) into Symphony to a data track and send that to Sonic?
> >>>
> >>> --- In Avid-L2@yahoogroups.com, John Beck<jb30343@> wrote:
> >>>
> >>>
> >>>> You can't closed caption in Sonic but you can add subtitles which can be
> >>>> turned on or off by the user. Actual CC is possible on DVD's but not in
> >>>> Sonic. Seems to me that the subtitles are a good alternative but I have
> >>>> had requests to provide both on DVD's. --J.B.
> >>>>
> >>>> ksirul wrote:
> >>>>
> >>>>
> >>>>> Is there a way to add closed captioning files (scc files) in Avid DVD by Sonic for either a DVD or BluRay? Also if I burn a closed captioned HDCam to regular DVD, will closed captioning info come across?
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>>
> >>>>
> >>>>
> >>>
> >>>
> >>> ------------------------------------
> >>>
> >>> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> >>> Yahoo! Groups Links
> >>>
> >>>
> >>>
> >>>
> >>>
> >>>
> >>
> >
> >
> >
> > ------------------------------------
> >
> > Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> > Yahoo! Groups Links
> >
> >
> >
> >
> >
>

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Re: [Avid-L2] Re: Closed Captioning in Sonic

 

I use Avid DVD version 6.4.4 but I don't think the subtitle features
have changed much in the last few versions. No idea what release got it
first. --J.B.

ksirul wrote:
> Any idea what the minimum version of sonic is needed for this?
>
> --- In Avid-L2@yahoogroups.com, John Beck<jb30343@...> wrote:
>
>> Sadly, they don't make it quite that easy. You need to build the whole
>> thing in Sonic. I'm not in from of Sonic right now but the process is
>> pretty simple and they give you usable tools for making adjustments to
>> the text. The "Help" section in Sonic lists the file types you can
>> import. --J.B.
>>
>> ksirul wrote:
>>
>>> Can I import an SCC (I think that's what it's called) into Symphony to a data track and send that to Sonic?
>>>
>>> --- In Avid-L2@yahoogroups.com, John Beck<jb30343@> wrote:
>>>
>>>
>>>> You can't closed caption in Sonic but you can add subtitles which can be
>>>> turned on or off by the user. Actual CC is possible on DVD's but not in
>>>> Sonic. Seems to me that the subtitles are a good alternative but I have
>>>> had requests to provide both on DVD's. --J.B.
>>>>
>>>> ksirul wrote:
>>>>
>>>>
>>>>> Is there a way to add closed captioning files (scc files) in Avid DVD by Sonic for either a DVD or BluRay? Also if I burn a closed captioned HDCam to regular DVD, will closed captioning info come across?
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>
>>>>
>>>
>>>
>>> ------------------------------------
>>>
>>> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
>>> Yahoo! Groups Links
>>>
>>>
>>>
>>>
>>>
>>>
>>
>
>
>
> ------------------------------------
>
> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> Yahoo! Groups Links
>
>
>
>
>

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[Avid-L2] Re: Closed Captioning in Sonic

 

Any idea what the minimum version of sonic is needed for this?

--- In Avid-L2@yahoogroups.com, John Beck <jb30343@...> wrote:
>
> Sadly, they don't make it quite that easy. You need to build the whole
> thing in Sonic. I'm not in from of Sonic right now but the process is
> pretty simple and they give you usable tools for making adjustments to
> the text. The "Help" section in Sonic lists the file types you can
> import. --J.B.
>
> ksirul wrote:
> > Can I import an SCC (I think that's what it's called) into Symphony to a data track and send that to Sonic?
> >
> > --- In Avid-L2@yahoogroups.com, John Beck<jb30343@> wrote:
> >
> >> You can't closed caption in Sonic but you can add subtitles which can be
> >> turned on or off by the user. Actual CC is possible on DVD's but not in
> >> Sonic. Seems to me that the subtitles are a good alternative but I have
> >> had requests to provide both on DVD's. --J.B.
> >>
> >> ksirul wrote:
> >>
> >>> Is there a way to add closed captioning files (scc files) in Avid DVD by Sonic for either a DVD or BluRay? Also if I burn a closed captioned HDCam to regular DVD, will closed captioning info come across?
> >>>
> >>>
> >>>
> >>>
> >>>
> >>>
> >>
> >
> >
> >
> > ------------------------------------
> >
> > Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> > Yahoo! Groups Links
> >
> >
> >
> >
> >
>

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