Saturday, March 23, 2013

Re: [Avid-L2] G-Raids, MacDrive Pro

 

For FW400 41 MB/s is pretty much in line. For eSATA, that is extremely slow.
Either way, check drive's entry in Device Manager to make sure the drive
is set to optimized for performance and not "Quick Removal".

On 3/23/2013 5:32 PM, Jeff Kreines - Kinetta wrote:
> Forgive the cross-posting.
>
> I am working with a Windows 7-64 PC with MacDrive Pro, and am getting ridiculously slow transfer speeds using G-RAIDs (mostly new ones, 2x 2TB drives, FW 800 and eSATA and USB2.
>
> I chose these because I am working with people on Macs who want FW800 and I need eSATA for fast transfers.
>
> So I try transferring a puny 56 GB file from the G-RAID to a nearly empty 4x 4TB internal raid. Via eSATA the transfer speed was so slow -- 13 MB/minute! -- that I switched to FW400 (don't have 800 on this PC) and the speed is 41.5 MB/second -- still ridiculously slow.
>
> Assume this isn't a MacDrive Pro thing since I am not writing to the Mac-formatted G-Raid. Is there something about G-RAIDS that needs tweaking? I remember a similar problem with them about a year ago.
>
> All suggestions appreciated!
>
>
>
>
> Jeff Kreines
> Kinetta
> kinetta.com
> jeff@kinetta.com
>
> ------------------------------------
>
> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> Yahoo! Groups Links
>
>
>
>

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Re: [Avid-L2] G-Raids, MacDrive Pro

 

Hi Jeff,

I think FW 400 is 400 Mbit/sec which would be 50 MByte/sec at full transfer speed so you would be looking at 19 minutes for 56GB.

The eSATA seems very slow but the FW400 seems pretty close to what you would expect, 41.5MB versus 50MB theoretical.

Paul

----- Original Message -----
From: "Jeff Kreines - Kinetta" <jeff@kinetta.com>
To: Avid-L2@yahoogroups.com, FinalCutPro-L@yahoogroups.com
Sent: Saturday, March 23, 2013 5:32:24 PM
Subject: [Avid-L2] G-Raids, MacDrive Pro

Forgive the cross-posting.

I am working with a Windows 7-64 PC with MacDrive Pro, and am getting ridiculously slow transfer speeds using G-RAIDs (mostly new ones, 2x 2TB drives, FW 800 and eSATA and USB2.

I chose these because I am working with people on Macs who want FW800 and I need eSATA for fast transfers.

So I try transferring a puny 56 GB file from the G-RAID to a nearly empty 4x 4TB internal raid. Via eSATA the transfer speed was so slow -- 13 MB/minute! -- that I switched to FW400 (don't have 800 on this PC) and the speed is 41.5 MB/second -- still ridiculously slow.

Assume this isn't a MacDrive Pro thing since I am not writing to the Mac-formatted G-Raid. Is there something about G-RAIDS that needs tweaking? I remember a similar problem with them about a year ago.

All suggestions appreciated!

Jeff Kreines
Kinetta
kinetta.com
jeff@kinetta.com

[Non-text portions of this message have been removed]

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[Avid-L2] G-Raids, MacDrive Pro

 

Forgive the cross-posting.

I am working with a Windows 7-64 PC with MacDrive Pro, and am getting ridiculously slow transfer speeds using G-RAIDs (mostly new ones, 2x 2TB drives, FW 800 and eSATA and USB2.

I chose these because I am working with people on Macs who want FW800 and I need eSATA for fast transfers.

So I try transferring a puny 56 GB file from the G-RAID to a nearly empty 4x 4TB internal raid. Via eSATA the transfer speed was so slow -- 13 MB/minute! -- that I switched to FW400 (don't have 800 on this PC) and the speed is 41.5 MB/second -- still ridiculously slow.

Assume this isn't a MacDrive Pro thing since I am not writing to the Mac-formatted G-Raid. Is there something about G-RAIDS that needs tweaking? I remember a similar problem with them about a year ago.

All suggestions appreciated!

Jeff Kreines
Kinetta
kinetta.com
jeff@kinetta.com

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[Avid-L2] reshaping the manual

 

Can I ask everyone to join me in encouraging manufacturers to create
manuals in layouts for both paper printing and laptop / tablet reading?

Xendata have done it here http://tinyurl.com/cac2jmq (bottom left) and
it occurs to me that now we all read manuals on laptops and tablets this
would be a "good thing" so collective pressure in this direction might
convince the people in tech pubs to do it?

Thoughts?

Rupert Watson
+44 7787 554 801
www.root6.com

www.root6.com/blog
Our resource for the latest news, support tips and articles

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Friday, March 22, 2013

Re: [Avid-L2] Premiere to Symphony workflow

On Fri, Mar 22, 2013 at 2:18 PM, Philip Hodgetts <
philip@intelligentassistance.com> wrote:

>
> On Mar 22, 2013, at 11:09 AM, Jim Feeley <jfeeley@gmail.com> wrote:
>
> > I think here:
> >
> >> Wes is not product manager for Prelude...
> >
> > Philip meant to type "Wes is NOW product manager for Prelude…"
>
> Thanks Jim. Philip did MOST certainly meant to type NOW not not.


Philip,

Thanks for the update on Wes' duties at Adobe. I hadn't heard he was
Product Manager. Good for him!

I am concerned that you're referring to yourself in the third person...

- we are patrick (usually)


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Re: [Avid-L2] Re: JVC DT-V24G1E gamma settings for Rec709

Gotcha Terrence, done! *MY* world looks better now. Now if you can help me
out with my Pantech P7040.

Barnaby
323.401.8642


On Fri, Mar 22, 2013 at 1:34 PM, Terence Curren <tcurren@aol.com> wrote:

> **
>
>
> or, I guess that would be i6.9
>
>
> --- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@...> wrote:
> >
> > It's an Apple product. It's supposed to be sexy and "different". Set it
> for 6.9. :-0
> >
> > --- In Avid-L2@yahoogroups.com, Barnaby Levy <barnabylevy@> wrote:
> >
> > "How do we calibrate the gamma on the iPhone?"
> >
>
>
>


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[Avid-L2] ISIS v4.0.4 out today to address an i4000 ISB issue in ISIS 7000

 

You need to know about the following information:

We launched ISIS v4.0.4 today, March 22, 2013 to address an i4000 ISB issue in ISIS 7000.

Why is this information important?
ISIS 7000 V4.0.4 is a mandated upgrade for all customers using the ISIS 7000 i4000 ISB.

Overview
ISIS 7000 v4.0.4 patch for systems using i4000 has been released. This patch addresses memory error issues encountered with i4000 ISBs. This patch is delivered as a v4.2.1 kit; which includes the v4.0.4 for ISIS 7000 infrastructure and v4.2 client (as previously released).

ISIS v4.0.4 (v4.2.1 kit) update:

Includes a memory controller timing change that reduces the ECC memory errors encountered by a small number of i4000 ISBs
Additional logging
This patch MUST be applied to all systems that include i4000 ISBs.

This must be installed on:

ISIS 7000 System Director(s)
ISIS 7000 iXS & iSS switches
ISIS 7000 ISBs (all sizes including i500, i1000, i2000, i4000) must be upgraded in all systems with i4000 ISBs
ISIS v4.0.4 Compatibility
ISIS v4.0.4 is compatible with the following Avid product versions:

ISIS Client v4.1 and v4.2
Avid Media Composer, Symphony: v5.5 (with v4.1 client), v6.x and v6.5.x
Avid NewsCutter v9.5 (with v4.1 client), v10.x and v10.5.x
Avid Interplay Central: v1.2.2 & v1.3
Avid Interplay Assist & Instinct: v2.6 & v2.7
Avid AirSpeed: v2.7.2
Avid AirSpeed Multi Stream: v1.8.6
Avid AirSpeed 5000: v2.0 and later
The ISIS 4.2.1 kit containing v4.0.4 is available now on the Avid Download Center and will available from Manufacturing as soon as possible.

Note that ISIS v4.2.1 / v4.0.4 is applicable for ISIS 7000 systems, there are no updates in this release for ISIS 5000 and ISIS 2000.

questions, ping me, AOL IM (avidmarianna) or call my cell 813-493-6800.

Marianna

marianna.montague@avid.com

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Re: [Avid-L2] Re: Symphony CC question

Thanks Terry.
I'll give that a shot.
Have a good weekend!

B


On Mar 22, 2013, at 2:47 PM, Terence Curren wrote:

> The right click / remove corrections affects the entire timeline.
>
> What you want to do is park on the 103 shot, then use the standard "remove effect" (circle with a slash) and it will remove from all the shots linked to that shot via that source correction mode.
>
> --- In Avid-L2@yahoogroups.com, Benjamin Hershleder <Ben@...> wrote:
> >
> >
> > I'm running Symphony 6.5.2 on Mac, and I'm thinking that the following is a bug,
> > but confirmation either way would be helpful (for my sanity).
> >
> > 1. I have Src Tape corrections applied to all shots from Tape 103.
> >
> > 2. I have Src Tape corrections applied to all shots from Tape 104.
> >
> > 3. I want to remove only the corrections made to tape 103.
> > So, I park on one of the tape 103 clips.
> >
> > 4. I Right-click and select "Remove Correction."
> >
> > 5. From the dialog window I select "Segment" only and click OK. Nothing happens (effect not removed from the segment I'm parked on). So I figure, OK, since the correction was applied to every clip from that tape, then I need to select "Tape" in the dialog window.
> >
> > 6. I select "Tape" from the dialog window and *ALL* corrections are removed, from *BOTH* tape 103 *and* tape 104 clips. My expectation was that only corrections to clips from tape 103 would be removed.
> >
> > Bug or Feature?
> >
> > I thank you… and my sanity thanks you.
> >
> > B
> >
> > ----
> > Benjamin Hershleder
> > Book: http://tinyurl.com/avidmc-book
> > Site: http://ContactBen.com
> >
> > Wear It In Post!
> > Fun T-shirts, mousepads, mugs & more
> > for Post Production Professionals
> > http://www.WearItInPost.com
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>

----
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Book: http://tinyurl.com/avidmc-book
Site: http://ContactBen.com

Wear It In Post!
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for Post Production Professionals
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[Avid-L2] Re: Symphony CC question

 

The right click / remove corrections affects the entire timeline.

What you want to do is park on the 103 shot, then use the standard "remove effect" (circle with a slash) and it will remove from all the shots linked to that shot via that source correction mode.

--- In Avid-L2@yahoogroups.com, Benjamin Hershleder <Ben@...> wrote:
>
>
> I'm running Symphony 6.5.2 on Mac, and I'm thinking that the following is a bug,
> but confirmation either way would be helpful (for my sanity).
>
> 1. I have Src Tape corrections applied to all shots from Tape 103.
>
> 2. I have Src Tape corrections applied to all shots from Tape 104.
>
> 3. I want to remove only the corrections made to tape 103.
> So, I park on one of the tape 103 clips.
>
> 4. I Right-click and select "Remove Correction."
>
> 5. From the dialog window I select "Segment" only and click OK. Nothing happens (effect not removed from the segment I'm parked on). So I figure, OK, since the correction was applied to every clip from that tape, then I need to select "Tape" in the dialog window.
>
> 6. I select "Tape" from the dialog window and *ALL* corrections are removed, from *BOTH* tape 103 *and* tape 104 clips. My expectation was that only corrections to clips from tape 103 would be removed.
>
> Bug or Feature?
>
> I thank you… and my sanity thanks you.
>
> B
>
> ----
> Benjamin Hershleder
> Book: http://tinyurl.com/avidmc-book
> Site: http://ContactBen.com
>
> Wear It In Post!
> Fun T-shirts, mousepads, mugs & more
> for Post Production Professionals
> http://www.WearItInPost.com
>
>
>
> [Non-text portions of this message have been removed]
>

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[Avid-L2] Symphony CC question

I'm running Symphony 6.5.2 on Mac, and I'm thinking that the following is a bug,
but confirmation either way would be helpful (for my sanity).

1. I have Src Tape corrections applied to all shots from Tape 103.

2. I have Src Tape corrections applied to all shots from Tape 104.

3. I want to remove only the corrections made to tape 103.
So, I park on one of the tape 103 clips.

4. I Right-click and select "Remove Correction."

5. From the dialog window I select "Segment" only and click OK. Nothing happens (effect not removed from the segment I'm parked on). So I figure, OK, since the correction was applied to every clip from that tape, then I need to select "Tape" in the dialog window.

6. I select "Tape" from the dialog window and *ALL* corrections are removed, from *BOTH* tape 103 *and* tape 104 clips. My expectation was that only corrections to clips from tape 103 would be removed.

Bug or Feature?

I thank you… and my sanity thanks you.

B

----
Benjamin Hershleder
Book: http://tinyurl.com/avidmc-book
Site: http://ContactBen.com

Wear It In Post!
Fun T-shirts, mousepads, mugs & more
for Post Production Professionals
http://www.WearItInPost.com



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[Avid-L2] Re: JVC DT-V24G1E gamma settings for Rec709

 

Go 2.35. That is the European standard. For more pain inducing information on the subject:

"Rec. 709 is written as if it specifies the capture and transfer characteristics of HDTV encoding - that is, as if it were scene-referred. However, in practice it is output (display) referred with the convention of a 2.4-power function display [2.35 power function in EBU recommendations]. (Rec. 709 and sRGB share the same primary chromaticities and white point chromaticity; however, sRGB is explicitly output (display) referred with an average gamma of 2.2.)"

From: <<http://en.wikipedia.org/wiki/Rec._709>>

And if you want yet more pain, you can always go to Charles Poynton:

<<http://www.poynton.com/PDFs/GammaFAQ.pdf>>

--- In Avid-L2@yahoogroups.com, "Fabrice Altman" <fabricealtman@...> wrote:
>
> > The new standard is 2.4.
>
> Ha! Standard ? ;)
>
> So, because 2.4 is not in the prefs, would you crush a bit less (2.35) or a bit more (2.45) (assuming the monitor is calibrated) ?
>
>
> --- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@> wrote:
> >
> > The new standard is 2.4.
> >
> > --- In Avid-L2@yahoogroups.com, "Fabrice Altman" <fabricealtman@> wrote:
> > >
> > > Hi,
> > >
> > > we use a JVC DT-V24G1E to monitor our edits.
> > > It's got a gamma setting options of 2.2, 2.35, 2.45 or 2.6.
> > >
> > > It's at 2.2 by default but I'm tempted to put it at 2.35 or 2.45.
> > > No calibration science involved, just a hunch when I see regular
> > > TVs around...
> > >
> > > Would that sort of make sense?
> > >
> > > Cheers,
> > > F.
> > >
> >
>

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Re: [Avid-L2] Re: JVC DT-V24G1E gamma settings for Rec709

 

Terry, that was a joke. As in "mauve is the new black."

Jeff Kreines
Kinetta
jeff@kinetta.com
kinetta.com

On Mar 22, 2013, at 11:42 AM, "Terence Curren" <tcurren@aol.com> wrote:

> New gamma.
>
> --- In Avid-L2@yahoogroups.com, "Jeff Kreines @ Kinetta" <jeff@...> wrote:
>>
>> So 2.4 is the new black???
>>
>> Jeff Kreines
>> Kinetta
>> jeff@...
>> kinetta.com
>>
>> On Mar 22, 2013, at 11:00 AM, "Terence Curren" <tcurren@...> wrote:
>>
>>> The new standard is 2.4.
>
>
>
>
> ------------------------------------
>
> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> Yahoo! Groups Links
>
>
>

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RE: [Avid-L2] Re: JVC DT-V24G1E gamma settings for Rec709

 

Or the new crushed black, if you will.

Rupert Watson

+44 7787 554 801

www.root6.com

From: Avid-L2@yahoogroups.com [mailto:Avid-L2@yahoogroups.com] On Behalf
Of Terence Curren
Sent: 22 March 2013 15:43
To: Avid-L2@yahoogroups.com
Subject: [Avid-L2] Re: JVC DT-V24G1E gamma settings for Rec709

New gamma.

--- In Avid-L2@yahoogroups.com <mailto:Avid-L2%40yahoogroups.com> ,
"Jeff Kreines @ Kinetta" <jeff@...> wrote:
>
> So 2.4 is the new black???
>
> Jeff Kreines
> Kinetta
> jeff@...
> kinetta.com
>
> On Mar 22, 2013, at 11:00 AM, "Terence Curren" <tcurren@...> wrote:
>
> > The new standard is 2.4.
>

www.root6.com/blog
Our resource for the latest news, support tips and articles

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[Avid-L2] Re: JVC DT-V24G1E gamma settings for Rec709

 

New gamma.

--- In Avid-L2@yahoogroups.com, "Jeff Kreines @ Kinetta" <jeff@...> wrote:
>
> So 2.4 is the new black???
>
> Jeff Kreines
> Kinetta
> jeff@...
> kinetta.com
>
> On Mar 22, 2013, at 11:00 AM, "Terence Curren" <tcurren@...> wrote:
>
> > The new standard is 2.4.
>

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[Avid-L2] Re: Mid-range grading monitors

 

D'oh!

--- In Avid-L2@yahoogroups.com, "ksirul" <kenavid2@...> wrote:
>
> Depends on the client :)
>
> --- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@> wrote:
> >
> > The clients watch our plasmas. I don't want someone sitting on my lap while I grade on a 24" monitor. :-0
> >
> > --- In Avid-L2@yahoogroups.com, Patrick Inhofer <elists@> wrote:
> > >
> > > On Thu, Mar 21, 2013 at 8:05 PM, Terence Curren <tcurren@> wrote:
> > >
> > > > **
> > > >
> > > >
> > > > They do lose some off axis, but so do the LCDs. Only CRTs and Plasmas work
> > > > well off axis.
> > > >
> > > 'Some off axis'?
> > >
> > > From comments of trusted colorist peers who are grading with these monitors
> > > regularly - the Sony OLED 'sweet spot' is so narrow that reaching for a box
> > > of tissues throws off the color. If you're grading with an OLED and not
> > > grading with a second calibrated monitor for the client then you're not
> > > grading with clients in the room.
> > >
> > > LCDs - as a technology - can suffer from the same narrow sweet spot. But
> > > it varies widely by brand.
> > >
> > > One reason I like the FSI that I'm using is it's wide viewing angle. Is it
> > > the 180 degrees of a plasma? No. But who the hell puts clients that far
> > > off-axis? 70 degrees to either side of center? Yup. That's about the edge
> > > of it... and as far off-center as I'm likely to place a client (for a room
> > > that is on the small-ish size - which is the only room size where you'd get
> > > away using a 24" monitor for both the colorist and client).
> > >
> > > Of course, I'd love the rich blacks of the OLEDs. If the viewing angle
> > > issue gets solved I'll be all over them.
> > >
> > > To me, the question of OLED or not is simple: Do you need clients to
> > > evaluate from the same monitor as the colorist? If yes, then OLED is out of
> > > the picture.
> > >
> > >
> > > [Non-text portions of this message have been removed]
> > >
> >
>

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