This IS the Avid L2: 11/10/19

Saturday, November 16, 2019

Re: [Avid-L2] Continuing Quest to output Dolby Vision over HDMI from Resolve 15.4 using Avid DNxIO?

HDR support came with HDMI 2.0a which I'm not sure if Avid DNxIO/UltraStudio 4k Extreme(TB2) are rated for.

DNxIQ/UltraStudio 4K Extreme3(TB3) should definitely be compatible.

Also, you need to be on 10.7 or higher Desktop Video drivers.

cheers, B.

www.finale.tv

On Saturday, November 16, 2019, 05:39:59 p.m. PST, John Moore <bigfish@pacbell.net> wrote:

Not Yet but that's on the list. I emailed BM Support to as if the Avid Branded DNxIO has the same capabilities as the Ultrastudio 4K Extreme in this regard. In the age of FPGAs I'd think it could be something flashed into the firmware but what do I know?

Re: [Avid-L2] Continuing Quest to output Dolby Vision over HDMI from Resolve 15.4 using Avid DNxIO?

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

Re: [Avid-L2] Continuing Quest to output Dolby Vision over HDMI from Resolve 15.4 using Avid DNxIO?

Currently, HDR metadata is not transported over SDI. There is no standard agreed upon... yet.

Have you tried another cable ?

DQS

On Nov 16, 2019, at 3:02 PM, John Moore <bigfish@pacbell.net> wrote:

That's what I thought. I keep getting tidbits as I go through the manual. I think the square one question is will the Avid DNxIO function as a 4K Ultrastudio Extreme in this regard. Next is my HDMI 1.4 cable connecting the DNxIO to my 2016 LG OLED capable of carrying the meta data. Then is the Resolve software CMU only carried of SDI? I see that I can check to have metadata over HDMI but so far no response on my LG. Finally am I correct to assume that when the proper HDMI signal hits the LG with proper DolbyVision metadata will the Dolby Vision logo pop up briefly. I think it will but I haven't been able to confirm that.

Re: [Avid-L2] Continuing Quest to output Dolby Vision over HDMI from Resolve 15.4 using Avid DNxIO?

Dynamic metadata is optional under Dolby. If your deliverable requires only L1 XML and ST.2086 then you are not delivering dynamic Dolby Vision HDR.

DQS

On Nov 16, 2019, at 2:43 PM, Pat Horridge <pat@horridge.org.uk> wrote:

With Dolby vision the metadata is dynamic do changes scene to scene do it has to be tied to the content.

Re: [Avid-L2] Continuing Quest to output Dolby Vision over HDMI from Resolve 15.4 using Avid DNxIO?

I do know you need HDMI 2.0 for DV

Pat Horridge

From: Avid-L2@groups.io <Avid-L2@groups.io> on behalf of John Moore via Groups.Io <bigfish=pacbell.net@groups.io>
Sent: Saturday, November 16, 2019 8:02:38 PM
To: Avid-L2@groups.io <Avid-L2@groups.io>
Subject: Re: [Avid-L2] Continuing Quest to output Dolby Vision over HDMI from Resolve 15.4 using Avid DNxIO?

That's what I thought. I keep getting tidbits as I go through the manual. I think the square one question is will the Avid DNxIO function as a 4K Ultrastudio Extreme in this regard. Next is my HDMI 1.4 cable connecting the DNxIO to my 2016 LG OLED capable of carrying the meta data. Then is the Resolve software CMU only carried of SDI? I see that I can check to have metadata over HDMI but so far no response on my LG. Finally am I correct to assume that when the proper HDMI signal hits the LG with proper DolbyVision metadata will the Dolby Vision logo pop up briefly. I think it will but I haven't been able to confirm that.

Re: [Avid-L2] Continuing Quest to output Dolby Vision over HDMI from Resolve 15.4 using Avid DNxIO?

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

Re: [Avid-L2] Continuing Quest to output Dolby Vision over HDMI from Resolve 15.4 using Avid DNxIO?

With Dolby vision the metadata is dynamic do changes scene to scene do it has to be tied to the content.

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

Re: [Avid-L2] Continuing Quest to output Dolby Vision over HDMI from Resolve 15.4 using Avid DNxIO?

Interesting. How will it get metadata from Resolve? Or do you configure it it in it's own config software and just tell it what Resolve is sending out?

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

Re: [Avid-L2] Continuing Quest to output Dolby Vision over HDMI from Resolve 15.4 using Avid DNxIO?

Pick up an Aja Hi5+ (or 4k+). attach the usb cable to your system, load the config software, and then you can turn the HDR metadata on and off for HDMI. Has to be the + model.

JDS

On Friday, November 15, 2019, 08:13:54 PM PST, John Moore <bigfish@pacbell.net> wrote:

[Edited Message Follows]

So tonight I got into the Resolve Color management page and turned on Davinci YRGB Colro Managed. This now allows me to set an output color space of ST2084 300 nits. Now without using any LUTs the output feed by HDMI to my 2016 LG OLED is all milky like I would expect an HDR signal to look on an SDR monitor.

Here is more from the Resolve manual:

To master with Dolby Vision in DaVinci Resolve using the built-in software CMU, you still need a more specific hardware setup than the average grading and finishing workstation, consisting of the following equipment:

‚ Your DaVinci Resolve grading workstation, outputting via either a DeckLink 4K Extreme 12G or an UltraStudio 4K Extreme video interface

‚ Mastering Monitor capable of outputting Dolby Vision levels suitable for the deliverable you're required to produce

NOTE: At the time of this writing, the software version of the CMU in DaVinci Resolve can only output a single standard through a single HD-SDI output of your connected video I/O device. For simultaneous display and trimming of HDR and SDR on separate displays, you'll need a hardware CMU.

So I'm wondering could using an HDMI 1.4 cable stop this from working. As far as I know the Avid DNxIO has HDMI 2.0 but could it be that only the listed BM I/Os work? "outputting via either a DeckLink 4K Extreme 12G or an UltraStudio 4K Extreme video interface" I've always thought the DNxIO is an UltraStudio 4K but maybe that's not extreme enough. I've emailed Black Magic to find out if the Avid DNxIO can do this in theory. Oh the fun.

Re: [Avid-L2] When Find-->Script Text fails to highlight

It is an official bug.

MCCET-3289: "Find Script button selects more than expected when more than one take is present."

Eventually, they'll fix it.

On 2019-11-15 5:10 p.m., Doug Abel wrote:

Having a strange problem in the last week or so. Haven't changed the version in many months, am on 2018.12.7. Large project with about 300 scripts.

When I double-click on found script text in the Find window, the script opens but the snippet is often not highlighted. I need to search again using the "current script" option to locate it within that script. Sometimes it works as expected, though. And the scripts that work and don't work are consistent, meaning if I close the script and try again, I get the same result--highlight or no highlight.

Tried trashing the search databases but hasn't helped, nor has a simple reboot.

Friday, November 15, 2019

Re: [Avid-L2] Continuing Quest to output Dolby Vision over HDMI from Resolve 15.4 using Avid DNxIO?

[Edited Message Follows]

‚ Your DaVinci Resolve grading workstation, outputting via either a DeckLink 4K Extreme 12G or an UltraStudio 4K Extreme video interface

‚ Mastering Monitor capable of outputting Dolby Vision levels suitable for the deliverable you’re required to produce

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

Re: [Avid-L2] Continuing Quest to output Dolby Vision over HDMI from Resolve 15.4 using Avid DNxIO?

So tonight I got into the Resolve Color management page and turned on Davinci YRGB Colro Managed. The now allow me to set an output color space of ST2084 300 nits. Now without using any LUTs the output feed by HDMI to my 2016 LG OLED is all milky like I would expect an HDR signal to look on an SDR monitor.

Here is more from the Resolve manual:

‚ Your DaVinci Resolve grading workstation, outputting via either a DeckLink 4K Extreme 12G or an UltraStudio 4K Extreme video interface

‚ Mastering Monitor capable of outputting Dolby Vision levels suitable for the deliverable you’re required to produce

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

[Avid-L2] Continuing Quest to output Dolby Vision over HDMI from Resolve 15.4 using Avid DNxIO?

Can't find the thread I started on the old L2 but here is where it left off:

134048Re: [Avid-L2] DolbyVision Grading without CMU?

Expand Messages

Gowanus Canal

Nov 7 6:02 PM

Ok there is a lot here.

1. HDR project in Resolve is very tricky. There are a lot of settings you need to do properly in order to get the correct color and gamma output.

I suggest creating a project that is Rec 2020 / ST2084 gamma for input, timeline and output setting in Color Management.

Maximum timeline Luminance timeline value at 10k ( don't ask why for now ).

HDR mastering to 1000 nits.

2. When bringing in material to your HDR project, make sure Resolve is interpreting the color and gamma correctly. Right click the source and manually change if needed in media page. In your case your, the IMF should be set to 709 and likely 2.4 gamma.

3. Don't use any LUTs in this case as it complicates things. Do this after you are generating the proper HDR signal to your TV.

4. Under Video Monitoring / Video format / disable Dual SDI.

This will prevent the second SDI output from generating a trim level signal. It will be the same as SDI 1, your mastering settings.

5. Dolby should be active in Color Management. I assume your hardware can do HDMI 2.0.

Enable HDR metadata over HDMI.

6. Enable HDR scopes in Preference / User.

If you have everything right, your peaks should be hitting around 100 nits. If not, can your force DV HDR mode manually with your TV?

DQS

Show message history

So far no luck. I've got a Resolve project I'm using to make IMFs. I bring a Rec 709 IMF back into the project to check it. This is an SDR Rec 709 IMF. I make a timeline using the IMF clip, not creating timeline using CPL. I then set an output lut to gamma 2.4 to 2084 1000 Nits. Not the output on my scope and the LG 2016 OLED fed by HDMI 1.4 cable shows a darker signal. The Rec 709 peaks are at approx 50 percent on the scope, like I would expect them to be.

I go to project settings color managment tab and enable Dolby Vision for 1000 Nits, setting target in the settings to 1000 nits. I now see the Dolby Vision Tab in the color page. I also in project settings IIRC Master Tab enable Dolby Vision Metadata over HDMI. I don't see any way to turn off the trim mode in the color page Dolby Tab. There is a pulldown menu with various target displays but there is not choice to turn off or use no target display. I also haven't found the dual monitor mode. Have I missed a step and need to turn on something like 3D stereo mode?

So I have an output that seems correct to feed a monitor that would interpret the levels as HDR but the LG is still running in a Rec 709 mode as far as I can tell. Do I have to do the analyze stuff to make this work. The manual says don't use a tunneling monitor for grading but I'd at least like to see a reasonable representation of HDR. Could my 1.4 HDMI cable not carry Dolby Metadata. I thought as long as it had the ethernet capability it was good enough for short HDMI 2.0. What I'm expecting is to see the dolby vision logo pop up briefly when I swttich into this software tunneling mode.

I don't thinks I'm clear when you say disable dual output mode, it read like I shouldn't confuse it with Dual Link mode. Where is this dual output mode I should disable? Is this somehow tied to being in a faux 3d mode to get and HDR and and SDR output simultaneously, which is what we did in class but we didn't get deep into the set up.

I'm just an SDR guy thrust into an HDR new world. Help me MR. WIZARDQQQ

John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net

[Avid-L2] Fw: Continuing Quest to output HDR over HDMI using Avid DNxIO?

John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net

----- Forwarded Message -----

From: John Moore <bigfish@pacbell.net>

To: Yahoogroups <avid-l2@yahoogroups.com>

Sent: Friday, November 15, 2019, 7:58:10 PM PST

Subject: Continuing Quest to output HDR over HDMI using Avid DNxIO?

I can't seem to find the thread I had going on the Yahoo Group here.

Here was the last advice I got to try to get Resolve 15.4 using an Avid DNxIO to feed a proper DolbyVision signal over HDMI to my 2016 LG OLED TV.

134048Re: [Avid-L2] DolbyVision Grading without CMU?

Expand Messages

Gowanus Canal

Nov 7 6:02 PM

Ok there is a lot here.

1. HDR project in Resolve is very tricky. There are a lot of settings you need to do properly in order to get the correct color and gamma output.

I suggest creating a project that is Rec 2020 / ST2084 gamma for input, timeline and output setting in Color Management.

Maximum timeline Luminance timeline value at 10k ( don't ask why for now ).

HDR mastering to 1000 nits.

3. Don't use any LUTs in this case as it complicates things. Do this after you are generating the proper HDR signal to your TV.

4. Under Video Monitoring / Video format / disable Dual SDI.

This will prevent the second SDI output from generating a trim level signal. It will be the same as SDI 1, your mastering settings.

5. Dolby should be active in Color Management. I assume your hardware can do HDMI 2.0.

Enable HDR metadata over HDMI.

6. Enable HDR scopes in Preference / User.

If you have everything right, your peaks should be hitting around 100 nits. If not, can your force DV HDR mode manually with your TV?

DQS

Show message history

I'm just an SDR guy thrust into an HDR new world. Help me MR. WIZARDQQQ

John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net

Re: [Avid-L2] What is your #Color Correction Tool of Choice

When you do series work on Resolve is it typically a round trip or do you export finals out of Resolve?

John Coldiron

6:58am #133565

I've done lots of episodes on Resolve. When done properly, it works well.

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

[Avid-L2] When Find-->Script Text fails to highlight

Having a strange problem in the last week or so. Haven't changed the version in many months, am on 2018.12.7. Large project with about 300 scripts.

When I double-click on found script text in the Find window, the script opens but the snippet is often not highlighted. I need to search again using the "current script" option to locate it within that script. Sometimes it works as expected, though. And the scripts that work and don't work are consistent, meaning if I close the script and try again, I get the same result--highlight or no highlight.

Tried trashing the search databases but hasn't helped, nor has a simple reboot.

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

Re: [Avid-L2] What is your #Color Correction Tool of Choice

I've done lots of episodes on Resolve. When done properly, it works well.

Re: [Avid-L2] Change and Match audio inflection

That was really funny - thanks for sharing

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

Re: [Avid-L2] Change and Match audio inflection

https://www.youtube.com/watch?v=s28oq4W2PPk

On 2019-11-15 3:07 a.m., Jeff Krebs wrote:

Love the Izotrope,
it's funny listening to the doubler of synchroarts demos were somewhat horrible in the music vocal category.

But I'm an older guy who knows Karen Carpenter's non-processed voice could out sing anyone in 2019.

On Mon, Nov 11, 2019 at 9:11 PM Jef Huey <jlhueyc2@gmail.com> wrote:

This is almost cooler that the izotope matching tool. Watch the demo. You can use a scratch track to tell the software how you want the inflection to be.

Magic.

Groups.io Links:
You receive all messages sent to this group.

View/Reply Online (#133562) | Reply To Group | Reply To Sender | Mute This Topic | New Topic

Your Subscription | Contact Group Owner | Unsubscribe [bncrcaxlr@gmail.com]

_._,_._,_

[Avid-L2] avid-L2 - [from facebook group] #feed

[from facebook group]

from the facebook L2 group:

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

Re: [Avid-L2] Change and Match audio inflection

Love the Izotrope,

it's funny listening to the doubler of synchroarts demos were somewhat horrible in the music vocal category.

But I'm an older guy who knows Karen Carpenter's non-processed voice could out sing anyone in 2019.

On Mon, Nov 11, 2019 at 9:11 PM Jef Huey <jlhueyc2@gmail.com> wrote:

This is almost cooler that the izotope matching tool. Watch the demo. You can use a scratch track to tell the software how you want the inflection to be.

Magic.

https://www.synchroarts.com/products/revoice-pro/overview?gclid=CjwKCAiAqqTuBRBAEiwA7B66hWMlgTpxqAsF00W7_9wKZL3iSOodZNhuOCqLL0bNA5PKz23h06t3GxoCZ7QQAvD_BwE

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

Thursday, November 14, 2019

[Avid-L2] Content Producer Phoenix AZ #job

Job Title
Content Producer

Job Description

I. Job Summary | Major goals and objectives.

The Content Producer (CP) at Arizona's Family CBS 5 & 3 TV (Meredith Corp.) assists with the daily flow of news to the newsroom for appropriate coverage both on-air and on the station's digital platforms. This position works to ensure digital content is up-to-the minute, attention grabbing, informative, accurate, impactful and relevant to a variety of users

The CP gathers meaningful news information from various sources. They also generate story ideas, discern credible news tips, manage and assist news crews and handle technical logistics.

The CP is also responsible for creating content that is aligned with and enhances the station brand. The CP is also responsible for writing, editing and publishing content on multiple digital platforms, including mobile and online and social networks.

This person should have solid news judgment, a sound grasp of online journalism and a sense of urgency for breaking news.

This is a high-pressure, deadline-focused position, which requires a self-starter, who is flexible and has the ability to multitask.

Work performed is for all media platforms and initiatives, including for example: on-air, web, digital and social media.

II. Essential Job Functions

Weight %

Accountabilities, Actions and Expected Measurable Results

30%

Answering phones, discerning news tips, gathering information and dispensing that information to the newsroom. Performs work for all media platforms and initiatives, including: on-air, web, digital and social media.

30%

Posting content, including stories, videos and pictures, to the station's digital platforms, while complying with digital publishing standards, including AP Style guidelines and in-house style guidelines. Edits video as needed for multiple platforms.

30%

Monitors news sources including station emails, scanners and social media to ensure news is being appropriately covered. Assign and manage field crews during breaking news.

10%

Interacts with internal and external peers and/or manager to exchange information related to assigned tasks.

100%

III. Minimum Qualifications and Job Requirements | All must be met to be considered.

Education:

Bachelor's degree in broadcast journalism or related field, or equivalent training and/or experience.

Experience:

At least two years working in a major market newsroom. Experience using a content management system (CMS).

Specific Knowledge, Skills and Abilities:

Strong editorial skills and working knowledge of AP Style. Knowledge of content management systems (CMSs), HTML, CSS, Adobe Photoshop, Dreamweaver, Avid and iNews are preferred.

% Travel Required (Approximate: 0%

It is the policy of Meredith to provide equal employment opportunity (EEO) to all persons regardless of age, color, national origin, citizenship status, physical or mental disability, race, religion, creed, gender, sex, sexual orientation, gender identity and/or expression, genetic information, marital status, status with regard to public assistance, veteran status, or any other characteristic protected by federal, state or local law. In addition, Meredith will provide reasonable accommodations for qualified individuals with disabilities.

Meredith participates in the federal E-Verify program to confirm the identity and employment authorization of all newly hired employees. For further information about the E-Verify program, please click here: http://www.uscis.gov/e-verify/employees

Apply here: https://meredith.wd5.myworkdayjobs.com/en-US/EXT/job/Arizona-Phoenix/Content-Producer_JR08124

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

Re: [Avid-L2] thanks!

Thanks Jeff for keeping the L alive, and transferring the message history over.

I think I joined the list late '93 or spring '94, jumping over from the BBS, I might still have an archive of stuff from avid-l@calvin.edu. The wise messages from Steve Cohen, the quarrels between Frank Capria and Pete Gould, all the weirdness of pglue … good to see this community get a new retirement home.

On 13 Nov 2019, at 21:56, Jeff Sengpiehl via Groups.Io <jeffsengpiehl=yahoo.com@groups.io> wrote:

Thanks!

Jeff Sengpiehl
JeffSengpiehl@yahoo.com

On Nov 13, 2019, at 1:27 PM, schühlieh via Groups.Io <schuehlieh=yahoo.de@groups.io> wrote:

Thanks Jeff for all your work and this reminder!- contributed via PayPal - best Julia

Re: [Avid-L2] What is your #Color Correction Tool of Choice

I'm with the two Tims on this one. Given that almost everything I do is short format, I now do most of my grading in After Effects or Premiere.

I still miss my DS though. 🙃

On 14 Nov 2019, at 17:02, Tim McLaughlin <mcltim.156@gmail.com> wrote:

I'm with Tim Mangini on this.

What do I prefer? Resolve.
What do I end up using most of the time? Lumetri. (occasionally Colorista)

--
Tim McLaughlin
Video Editor
http://vimeo.com/mcltim

Re: [Avid-L2] What is your #Color Correction Tool of Choice #poll

Lorenzo Sgroi

Pacific Post
Hollywood Editorial Offices
1542 Cassil Pl., Hollywood, CA 90028
6602 Selma Ave., Hollywood, CA 90028
North Hollywood Editorial Offices
4142 Lankershim Blvd., N. Hollywood, CA 91602
10999 Riverside Dr. Suite 100, N. Hollywood, CA 91602
Sherman Oaks Editorial Office
14225 Ventura Blvd., Sherman Oaks, CA 91423
Direct 310-500-0020

On Nov 14, 2019, 11:32 AM -0800, Jeff Sengpiehl via Groups.Io <jeffsengpiehl=yahoo.com@groups.io>, wrote:

[Edited Message Follows]

A poll has been updated:

Happy Fall everyone- starting a poll to see what peeps are using as their color corrector of choice- either a round trip to another platform or plug-in / existing tool set.

1. Baselight
2. Baselight Plug-In
3. DaVinci Resolve
4. NuCoda
5. Symphony Color Corrector
6. Other
7. Color? I can't even match my socks!

Vote Now

Re: [Avid-L2] What is your #Color Correction Tool of Choice

Multiple selections is now possible on the poll.

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

[Avid-L2] What is your #Color Correction Tool of Choice #poll

[Edited Message Follows]

A poll has been updated:

Happy Fall everyone- starting a poll to see what peeps are using as their color corrector of choice- either a round trip to another platform or plug-in / existing tool set.

1. Baselight
2. Baselight Plug-In
3. DaVinci Resolve
4. NuCoda
5. Symphony Color Corrector
6. Other
7. Color? I can't even match my socks!

Vote Now

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

Re: [Avid-L2] What is your #Color Correction Tool of Choice

I've been doing some teaching of the Baselight plugin. It's a ice solution that works well.

It's what Symphony should have been. Worth a trial run and a lot slicker than a round trip to resolve.

Pat Horridge

From: Avid-L2@groups.io <Avid-L2@groups.io> on behalf of Dave Spraker via Groups.Io <avid=spraker.tv@groups.io>
Sent: Thursday, November 14, 2019 5:52:07 PM
To: Avid-L2@groups.io <Avid-L2@groups.io>
Subject: Re: [Avid-L2] What is your #Color Correction Tool of Choice

The one customer I have that does a lot of color uses the Baselight plugin…they pretty much never have picture lock.

- Dave

dave@spraker.tv

(971) 267-7661

From: Avid-L2@groups.io <Avid-L2@groups.io> On Behalf Of Tim McLaughlin
Sent: Thursday, November 14, 2019 8:02 AM
To: Avid-L2@groups.io
Subject: Re: [Avid-L2] What is your #Color Correction Tool of Choice

I'm with Tim Mangini on this.

What do I prefer? Resolve.

What do I end up using most of the time? Lumetri. (occasionally Colorista)

Tim McLaughlin
Video Editor
http://vimeo.com/mcltim

Re: [Avid-L2] What is your #Color Correction Tool of Choice

The one customer I have that does a lot of color uses the Baselight plugin…they pretty much never have picture lock.

- Dave

dave@spraker.tv

(971) 267-7661

I'm with Tim Mangini on this.

What do I prefer? Resolve.

What do I end up using most of the time? Lumetri. (occasionally Colorista)

Tim McLaughlin
Video Editor
http://vimeo.com/mcltim

Re: [Avid-L2] What is your #Color Correction Tool of Choice

In terms of the number of shows, Symphony is still by far the most common for our clients. Resolve attracts more one-offs such as features and docs. The workflow from MC to Resolve is just too slow and problematic for multi-episode shows with tight fixed deadlines.

Symphony just needs an overhaul. It still lacks a decent Dolby Vision workflow.

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

Re: [Avid-L2] What is your #Color Correction Tool of Choice

I'm with Tim Mangini on this.

What do I prefer? Resolve.

What do I end up using most of the time? Lumetri. (occasionally Colorista)

Tim McLaughlin
Video Editor
http://vimeo.com/mcltim

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

Wednesday, November 13, 2019

Re: [Avid-L2] What is your #Color Correction Tool of Choice

The poll is a little limiting in giving only one option. Forced to pick one I selected Resolve, as that is what most of our colorists would choose if given the time and budget, but we use Baselight plugin and Symphony almost in equal measure based on each client's requirements.

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

Re: [Avid-L2] Adobe Media Encoder crashes running in background with Avid or Resolve running?

I think I tried that but it still failed. I will give that a shot again later to see if it works. I'm using the Nvidia driver instead of the Mac OS driver just because I wonder if that could also factor in. I also just had issues opening Resolve while Avid was creating a video mixdown. Resolve worked after I shut off the hardware but upon quitting Resolve the GUI got wonky, which I've seen before. Before I added the expansion chassis and upgraded to Sierra I would crash running out of Vram. I think maybe some aspect of this still exists and creates some of the wonkyness. I would have thought all that time with a Radeon 5770 would have had more hiccups than the GTX but I guess there is some Cuda battle going on under the hood.

_._,_._,_

Groups.io Links:

You receive all messages sent to this group.

_._,_._,_

Saturday, November 16, 2019

Friday, November 15, 2019

134048Re: [Avid-L2] DolbyVision Grading without CMU?

134048Re: [Avid-L2] DolbyVision Grading without CMU?

Thursday, November 14, 2019

Wednesday, November 13, 2019

Translation

Blogs of note!

Blog Archive

TwitterL2