Saturday, September 7, 2019

Re: [Avid-L2] MacPro Mid 2010 vs mid 2012 DPX Export Performance difference?

 

Okay so I got adventurous, what better thing to do on a Saturday night at work, and the GB or extra Ram seems to  be a real tipping point.  I went back to 24GB and saw a ton of memory pressure and the time estimate crept up to 8.5 hours.  I have nested paint effects and when it hits those it must be particularly memory taxing with an unrendered sequence.  So as has been stated in this thread Ram does make a difference but I didn't know how significantly different 8GB would be. 

I've read up that even though spec for MacPro 5.1 is 64GB Ram max according to OWC with Mac OS you can go up to 96GB and if running linux or windows that can be up to 128GB.  Now I'm wondering how significant upping to 96GB might be on my home system.  I think there are caveats to using 16GB Ram sticks like they all have to be 16GB and can't be mixed with other sizes.  I'll have to look into that.  That would be 6 slots worth.  Hmmmm any more knowledgeable tech heads care to chime in.  After all OKI Dog was closed last night on my way home from work again so I might as well just stay at work and keep testing.


---In Avid-L2@yahoogroups.com, <bigfish@...> wrote :

So today trying the same DPX export with the 8GB of ram added and the export estimate is 4 hours and 15 minutes and not climbing up like it was yesterday.  Activity manager shows about 29.5GB or memory being used and there is no red memory pressure being displayed in activity monitor.  Also the system is not laggy like it was yesterday.

So either the extra 8GB got Avid past the tipping point and or perhaps when I installed the new ram I blew out some dust and also perhaps the reseating of the CPU tray might have improved the connections to the back plane.  That's just a guess but the difference is night and day, literally and figuratively.

Now I did have the computer running all night with Adobe Media Encoder exporting which took about 5 hours after I left and then the computer sat idle.  Point being it wasn't shut off for an extended cool down period so that wouldn't factor in.  I have a temp monitor and it shows no signs today or yesterday of particularly high temps.

If I was really adventurous I'd pull the extra Ram to check.  Perhaps I will but for now I'm glad it's working like it use to.  It is surprising to me that 8GB or ram could account for such a drastic difference but what do I know.  On my home system with 64GB of ram activity monitor showed avid using more like 36GB ram.  The home system did the export in 4.5 to 4.75 hours.  The big difference is that at home my source media, DNxHRHQX was coming of a single Hitachi Deskstar 4TB HD and at work my source media is coming from a 4GB fibre connected 16 drive raid array.  I'm kinda surprised how my USB 3 dock at home does so well but the media was very contiguous as it was copied from my work media so there would be little fragmentation still pretty impressive to me.


---In Avid-L2@yahoogroups.com, <bigfish@...> wrote :

I had thought they had fixed the memory leak issue.  It's funny I find at home Avid link will suck up 22GB of ram creeping up the longer it runs.  The same doesn't happen at work it's weird.  I tried running MC 2018.12.5 but for some reason it wouldn't work with the NitrisDX circa 2009, even after I installed the included DX driver.  So I couldn't go to 2018.12.5 perhaps 2018.12.7 will work with the NitrisDX.  It's been a lot like herding cats of late.

What's curious is this same system has done similar shows without being so laggy.  I did find an extra 8GB or ram to fill out the two open slots.  Can't really tell if that's made a difference yet but I guess it can't hurt.


---In Avid-L2@yahoogroups.com, <forshurz@...> wrote :

RAM makes a difference, 2018.12.3 has a bad memory leak, and you can run apple hardware test on your work computer (extended) which will take over an hour to complete. If you really want to test, take the 64GB from your home computer and install it on your work computer and see if that's the big difference.

On Sep 6, 2019, at 4:09 PM, John Moore bigfish@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:


It feels like something has changed or gone south on my work computer.

Work computer mid 2010 MacPro upgraded to 12 Core 3.33GHz, 24GB ram, GTX-680, Mac OS 10.12.6, Avid MC 2018.12.3, NitrisDX circa 2009,  4Gig Fibre Atto card to Fibrenetix 16 drive chassis, Internal 3 way 4TB hitachi stripe raid.

Home computer mid 2012 MacPro 12core upgraded to 3.46 GHz, 64GB ram, GTX-680, Cyclone Microsystems Expansion chassis 1500 watt PS with 2 TitanX 12 GBvram GPUs, DNxIO, Mac OS 10.12.6, Avid MC 2018.12.3.

At work an hour and 10 minute DCI 4096_2160 sdr Rec 709 show took abut 8 hours to export a DPX.  Now for the archival ungraded master that is unrendered it's bouncing around 12 to 14 hours and the whole system gets latent and virtually unusable.  I tried reformating the Graid 20TB target drive with and the result did not improve much.

I then copied all the media for the project onto a single 4TB Hitachi Deskstar and took it home.  Running the Hitachi drive as source and going to the same Graid as at work the time estimate is about 4hours and 15 minutes and the overall system is snappy as hell.  I did notice on the work system that Avid memory use was at times slamming up to close to 22GB or ram and the red memory pressure was showing a lot of red.  I've done this before on this system with an unrendered archival master and there was memory pressure indicated but the system didn't grind to a halt.  Could ram make that much of a difference.  I see at home Avid is using 36.85GB memory along with kernal task at 2.82GB, AvidOPFrameGeneratorApp 1.084GB and AVid DMFSupportSvc 866.9MB.  

I would think at work with source media coming off a 16 drive san chassis connected through 4Gig fibre would supply data faster than a single spinning HD.  At least the spinning HD isn't very fragmented.  I'm wondering why the big difference between systems.  I had asked for 64GB ram on the work system but they balked at investing in old tech.  I don't know what else it could be.  The only other thing is I replaced the Radeon 5770GPU in the work tower with a GTX-680 flashed for mac from another system.  I've done a couple 4K shows since that swap without this issue and this timeline is simpler than most of the other shows.

I wonder if the ram is getting wonky or the fibre card or Gpu.  Anybody got a suggestion on what a good hardware diagnostic to run.  I might have disk warrior on the system but are there some built in utilities that might check ram etc...?

John Moore Barking Trout Productions Studio City, CA bigfish@...


__._,_.___

Posted by: bigfish@pacbell.net
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this is the Avid-L2

.

__,_._,___

Re: [Avid-L2] MacPro Mid 2010 vs mid 2012 DPX Export Performance difference?

 

So today trying the same DPX export with the 8GB of ram added and the export estimate is 4 hours and 15 minutes and not climbing up like it was yesterday.  Activity manager shows about 29.5GB or memory being used and there is no red memory pressure being displayed in activity monitor.  Also the system is not laggy like it was yesterday.

So either the extra 8GB got Avid past the tipping point and or perhaps when I installed the new ram I blew out some dust and also perhaps the reseating of the CPU tray might have improved the connections to the back plane.  That's just a guess but the difference is night and day, literally and figuratively.

Now I did have the computer running all night with Adobe Media Encoder exporting which took about 5 hours after I left and then the computer sat idle.  Point being it wasn't shut off for an extended cool down period so that wouldn't factor in.  I have a temp monitor and it shows no signs today or yesterday of particularly high temps.

If I was really adventurous I'd pull the extra Ram to check.  Perhaps I will but for now I'm glad it's working like it use to.  It is surprising to me that 8GB or ram could account for such a drastic difference but what do I know.  On my home system with 64GB of ram activity monitor showed avid using more like 36GB ram.  The home system did the export in 4.5 to 4.75 hours.  The big difference is that at home my source media, DNxHRHQX was coming of a single Hitachi Deskstar 4TB HD and at work my source media is coming from a 4GB fibre connected 16 drive raid array.  I'm kinda surprised how my USB 3 dock at home does so well but the media was very contiguous as it was copied from my work media so there would be little fragmentation still pretty impressive to me.


---In Avid-L2@yahoogroups.com, <bigfish@...> wrote :

I had thought they had fixed the memory leak issue.  It's funny I find at home Avid link will suck up 22GB of ram creeping up the longer it runs.  The same doesn't happen at work it's weird.  I tried running MC 2018.12.5 but for some reason it wouldn't work with the NitrisDX circa 2009, even after I installed the included DX driver.  So I couldn't go to 2018.12.5 perhaps 2018.12.7 will work with the NitrisDX.  It's been a lot like herding cats of late.

What's curious is this same system has done similar shows without being so laggy.  I did find an extra 8GB or ram to fill out the two open slots.  Can't really tell if that's made a difference yet but I guess it can't hurt.


---In Avid-L2@yahoogroups.com, <forshurz@...> wrote :

RAM makes a difference, 2018.12.3 has a bad memory leak, and you can run apple hardware test on your work computer (extended) which will take over an hour to complete. If you really want to test, take the 64GB from your home computer and install it on your work computer and see if that's the big difference.

On Sep 6, 2019, at 4:09 PM, John Moore bigfish@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:


It feels like something has changed or gone south on my work computer.

Work computer mid 2010 MacPro upgraded to 12 Core 3.33GHz, 24GB ram, GTX-680, Mac OS 10.12.6, Avid MC 2018.12.3, NitrisDX circa 2009,  4Gig Fibre Atto card to Fibrenetix 16 drive chassis, Internal 3 way 4TB hitachi stripe raid.

Home computer mid 2012 MacPro 12core upgraded to 3.46 GHz, 64GB ram, GTX-680, Cyclone Microsystems Expansion chassis 1500 watt PS with 2 TitanX 12 GBvram GPUs, DNxIO, Mac OS 10.12.6, Avid MC 2018.12.3.

At work an hour and 10 minute DCI 4096_2160 sdr Rec 709 show took abut 8 hours to export a DPX.  Now for the archival ungraded master that is unrendered it's bouncing around 12 to 14 hours and the whole system gets latent and virtually unusable.  I tried reformating the Graid 20TB target drive with and the result did not improve much.

I then copied all the media for the project onto a single 4TB Hitachi Deskstar and took it home.  Running the Hitachi drive as source and going to the same Graid as at work the time estimate is about 4hours and 15 minutes and the overall system is snappy as hell.  I did notice on the work system that Avid memory use was at times slamming up to close to 22GB or ram and the red memory pressure was showing a lot of red.  I've done this before on this system with an unrendered archival master and there was memory pressure indicated but the system didn't grind to a halt.  Could ram make that much of a difference.  I see at home Avid is using 36.85GB memory along with kernal task at 2.82GB, AvidOPFrameGeneratorApp 1.084GB and AVid DMFSupportSvc 866.9MB.  

I would think at work with source media coming off a 16 drive san chassis connected through 4Gig fibre would supply data faster than a single spinning HD.  At least the spinning HD isn't very fragmented.  I'm wondering why the big difference between systems.  I had asked for 64GB ram on the work system but they balked at investing in old tech.  I don't know what else it could be.  The only other thing is I replaced the Radeon 5770GPU in the work tower with a GTX-680 flashed for mac from another system.  I've done a couple 4K shows since that swap without this issue and this timeline is simpler than most of the other shows.

I wonder if the ram is getting wonky or the fibre card or Gpu.  Anybody got a suggestion on what a good hardware diagnostic to run.  I might have disk warrior on the system but are there some built in utilities that might check ram etc...?

John Moore Barking Trout Productions Studio City, CA bigfish@...


__._,_.___

Posted by: bigfish@pacbell.net
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this is the Avid-L2

.

__,_._,___

Friday, September 6, 2019

Re: [Avid-L2] MacPro Mid 2010 vs mid 2012 DPX Export Performance difference?

 

I had thought they had fixed the memory leak issue.  It's funny I find at home Avid link will suck up 22GB of ram creeping up the longer it runs.  The same doesn't happen at work it's weird.  I tried running MC 2018.12.5 but for some reason it wouldn't work with the NitrisDX circa 2009, even after I installed the included DX driver.  So I couldn't go to 2018.12.5 perhaps 2018.12.7 will work with the NitrisDX.  It's been a lot like herding cats of late.

What's curious is this same system has done similar shows without being so laggy.  I did find an extra 8GB or ram to fill out the two open slots.  Can't really tell if that's made a difference yet but I guess it can't hurt.


---In Avid-L2@yahoogroups.com, <forshurz@...> wrote :

RAM makes a difference, 2018.12.3 has a bad memory leak, and you can run apple hardware test on your work computer (extended) which will take over an hour to complete. If you really want to test, take the 64GB from your home computer and install it on your work computer and see if that's the big difference.

On Sep 6, 2019, at 4:09 PM, John Moore bigfish@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:


It feels like something has changed or gone south on my work computer.

Work computer mid 2010 MacPro upgraded to 12 Core 3.33GHz, 24GB ram, GTX-680, Mac OS 10.12.6, Avid MC 2018.12.3, NitrisDX circa 2009,  4Gig Fibre Atto card to Fibrenetix 16 drive chassis, Internal 3 way 4TB hitachi stripe raid.

Home computer mid 2012 MacPro 12core upgraded to 3.46 GHz, 64GB ram, GTX-680, Cyclone Microsystems Expansion chassis 1500 watt PS with 2 TitanX 12 GBvram GPUs, DNxIO, Mac OS 10.12.6, Avid MC 2018.12.3.

At work an hour and 10 minute DCI 4096_2160 sdr Rec 709 show took abut 8 hours to export a DPX.  Now for the archival ungraded master that is unrendered it's bouncing around 12 to 14 hours and the whole system gets latent and virtually unusable.  I tried reformating the Graid 20TB target drive with and the result did not improve much.

I then copied all the media for the project onto a single 4TB Hitachi Deskstar and took it home.  Running the Hitachi drive as source and going to the same Graid as at work the time estimate is about 4hours and 15 minutes and the overall system is snappy as hell.  I did notice on the work system that Avid memory use was at times slamming up to close to 22GB or ram and the red memory pressure was showing a lot of red.  I've done this before on this system with an unrendered archival master and there was memory pressure indicated but the system didn't grind to a halt.  Could ram make that much of a difference.  I see at home Avid is using 36.85GB memory along with kernal task at 2.82GB, AvidOPFrameGeneratorApp 1.084GB and AVid DMFSupportSvc 866.9MB.  

I would think at work with source media coming off a 16 drive san chassis connected through 4Gig fibre would supply data faster than a single spinning HD.  At least the spinning HD isn't very fragmented.  I'm wondering why the big difference between systems.  I had asked for 64GB ram on the work system but they balked at investing in old tech.  I don't know what else it could be.  The only other thing is I replaced the Radeon 5770GPU in the work tower with a GTX-680 flashed for mac from another system.  I've done a couple 4K shows since that swap without this issue and this timeline is simpler than most of the other shows.

I wonder if the ram is getting wonky or the fibre card or Gpu.  Anybody got a suggestion on what a good hardware diagnostic to run.  I might have disk warrior on the system but are there some built in utilities that might check ram etc...?

John Moore Barking Trout Productions Studio City, CA bigfish@...


__._,_.___

Posted by: bigfish@pacbell.net
Reply via web post Reply to sender Reply to group Start a New Topic Messages in this topic (3)
this is the Avid-L2

.

__,_._,___

Re: [Avid-L2] MacPro Mid 2010 vs mid 2012 DPX Export Performance difference?

 

RAM makes a difference, 2018.12.3 has a bad memory leak, and you can run apple hardware test on your work computer (extended) which will take over an hour to complete. If you really want to test, take the 64GB from your home computer and install it on your work computer and see if that's the big difference.


On Sep 6, 2019, at 4:09 PM, John Moore bigfish@pacbell.net [Avid-L2] <Avid-L2@yahoogroups.com> wrote:


It feels like something has changed or gone south on my work computer.

Work computer mid 2010 MacPro upgraded to 12 Core 3.33GHz, 24GB ram, GTX-680, Mac OS 10.12.6, Avid MC 2018.12.3, NitrisDX circa 2009,  4Gig Fibre Atto card to Fibrenetix 16 drive chassis, Internal 3 way 4TB hitachi stripe raid.

Home computer mid 2012 MacPro 12core upgraded to 3.46 GHz, 64GB ram, GTX-680, Cyclone Microsystems Expansion chassis 1500 watt PS with 2 TitanX 12 GBvram GPUs, DNxIO, Mac OS 10.12.6, Avid MC 2018.12.3.

At work an hour and 10 minute DCI 4096_2160 sdr Rec 709 show took abut 8 hours to export a DPX.  Now for the archival ungraded master that is unrendered it's bouncing around 12 to 14 hours and the whole system gets latent and virtually unusable.  I tried reformating the Graid 20TB target drive with and the result did not improve much.

I then copied all the media for the project onto a single 4TB Hitachi Deskstar and took it home.  Running the Hitachi drive as source and going to the same Graid as at work the time estimate is about 4hours and 15 minutes and the overall system is snappy as hell.  I did notice on the work system that Avid memory use was at times slamming up to close to 22GB or ram and the red memory pressure was showing a lot of red.  I've done this before on this system with an unrendered archival master and there was memory pressure indicated but the system didn't grind to a halt.  Could ram make that much of a difference.  I see at home Avid is using 36.85GB memory along with kernal task at 2.82GB, AvidOPFrameGeneratorApp 1.084GB and AVid DMFSupportSvc 866.9MB.  

I would think at work with source media coming off a 16 drive san chassis connected through 4Gig fibre would supply data faster than a single spinning HD.  At least the spinning HD isn't very fragmented.  I'm wondering why the big difference between systems.  I had asked for 64GB ram on the work system but they balked at investing in old tech.  I don't know what else it could be.  The only other thing is I replaced the Radeon 5770GPU in the work tower with a GTX-680 flashed for mac from another system.  I've done a couple 4K shows since that swap without this issue and this timeline is simpler than most of the other shows.

I wonder if the ram is getting wonky or the fibre card or Gpu.  Anybody got a suggestion on what a good hardware diagnostic to run.  I might have disk warrior on the system but are there some built in utilities that might check ram etc...?

John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net


__._,_.___

Posted by: Tommy Pham <forshurz@yahoo.com>
Reply via web post Reply to sender Reply to group Start a New Topic Messages in this topic (2)
this is the Avid-L2

.

__,_._,___

[Avid-L2] MacPro Mid 2010 vs mid 2012 DPX Export Performance difference?

 

It feels like something has changed or gone south on my work computer.

Work computer mid 2010 MacPro upgraded to 12 Core 3.33GHz, 24GB ram, GTX-680, Mac OS 10.12.6, Avid MC 2018.12.3, NitrisDX circa 2009,  4Gig Fibre Atto card to Fibrenetix 16 drive chassis, Internal 3 way 4TB hitachi stripe raid.

Home computer mid 2012 MacPro 12core upgraded to 3.46 GHz, 64GB ram, GTX-680, Cyclone Microsystems Expansion chassis 1500 watt PS with 2 TitanX 12 GBvram GPUs, DNxIO, Mac OS 10.12.6, Avid MC 2018.12.3.

At work an hour and 10 minute DCI 4096_2160 sdr Rec 709 show took abut 8 hours to export a DPX.  Now for the archival ungraded master that is unrendered it's bouncing around 12 to 14 hours and the whole system gets latent and virtually unusable.  I tried reformating the Graid 20TB target drive with and the result did not improve much.

I then copied all the media for the project onto a single 4TB Hitachi Deskstar and took it home.  Running the Hitachi drive as source and going to the same Graid as at work the time estimate is about 4hours and 15 minutes and the overall system is snappy as hell.  I did notice on the work system that Avid memory use was at times slamming up to close to 22GB or ram and the red memory pressure was showing a lot of red.  I've done this before on this system with an unrendered archival master and there was memory pressure indicated but the system didn't grind to a halt.  Could ram make that much of a difference.  I see at home Avid is using 36.85GB memory along with kernal task at 2.82GB, AvidOPFrameGeneratorApp 1.084GB and AVid DMFSupportSvc 866.9MB. 

I would think at work with source media coming off a 16 drive san chassis connected through 4Gig fibre would supply data faster than a single spinning HD.  At least the spinning HD isn't very fragmented.  I'm wondering why the big difference between systems.  I had asked for 64GB ram on the work system but they balked at investing in old tech.  I don't know what else it could be.  The only other thing is I replaced the Radeon 5770GPU in the work tower with a GTX-680 flashed for mac from another system.  I've done a couple 4K shows since that swap without this issue and this timeline is simpler than most of the other shows.

I wonder if the ram is getting wonky or the fibre card or Gpu.  Anybody got a suggestion on what a good hardware diagnostic to run.  I might have disk warrior on the system but are there some built in utilities that might check ram etc...?

John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net

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Posted by: John Moore <bigfish@pacbell.net>
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this is the Avid-L2

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Thursday, September 5, 2019

Re: [Avid-L2] Availability of ProRes Codec internal to Avid in a PC and Mac world?

 

Points for using 'conflated' though. 😎

Damon Claussen 
Editor/Storyteller/Nerd

On Sep 5, 2019, at 9:09 PM, bigfish@pacbell.net [Avid-L2] <Avid-L2@yahoogroups.com> wrote:

 

Upon further investigation the Post Sup told me they figured it out.  When asked what the problem/solution was he said "Lack of knowledge."  So I guess they weren't tapping their heals three times.  They'd always had the ability to export ProRes.  Now all they have to do is watch out for flying Monkeys or houses.  Clearly the Wicked Witch of the West won't let PCs export ProRes.  I need to go splash some water around Silicon Valley.



---In Avid-L2@yahoogroups.com, <bigfish@...> wrote :

Okay I had mistakenly conflated the fact that on my Mac Avids I can render to, mixdown to ProRes and consolidate ProRes media, which in my mind makes it a native codec to Avid, to mean that even a PC could do this because it was internal code in Avid making the renders and mixdowns..  I have been reminded by you and Terry C. this is not the case and there are licensing issues that prevent windows from writing to ProRes.

Now it turns out the Post Sup asking the question confirmed that they are on mac Avids so I don't know why he is being told they can't export to ProRes.  Could the lack of an Apple Pro App on their system be the reason they seem to be lacking this ability?  I've always installed FCP 7 on my systems so I end up with the Pro Codecs and the ability to export to them in QT7 Pro.  In the absence of an Apple Pro App is Avid incapable of exporting, rendering to or mixing down to ProRes?

---In Avid-L2@yahoogroups.com, <mactvman@....> wrote :

I think you already get this, but to be clear…

I can read, playback and edit ProRes media all day in Media Composer under Windows.  I can even ingest ProRes QuickTimes via consolidate or fast import, retaining the ProRes source media in Media Composer.  In all those cases, Media Composer is merely copying existing ProRes sources.  What I cannot do is render or create any ProRes Media with Media Composer.

Dave Hogan,
Burbank, CA


On Sep 5, 2019, at 4:09 PM, bigfish@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:


Thanks for the info.  I had thought Avid considered ProRes as native media these days.  Everybodies been saying for years to mixdown to ProRes in Avid and export same as source to avoid the annoying level shifts.  I figured that was available on PCs as well.

I have found out the the folks asking the question are on macs but I don't know what Avid version.  I had thought Avid and Adobe and others had written their own code to avoid the need for QT dependence.  Perhaps I mistakenly figured that meant the ProRes choices I see in Avid meant it was a fully native codec in Avid at this point and not dependent on being on a mac.  Well more will be revealed.


---In Avid-L2@yahoogroups.com, <mactvman@...> wrote :

Hey John,

Where I work all our online bays are PC, running mostly Windows 10.  We don't have the option to do any kind of mix down to ProRes media.

If my source files happen to be ProRes I can read that on PC, and if there are no effects in a cuts only timeline, I have in the past exported "Same as Source" and gotten ProRes, but I haven't done it recently, to know if it works on current Media Composer versions.  However in that scenario, the PC Media Composer cannot "create" any new media in ProRes.  The option is not available in Media Creation settings.

What we do where I work is create an OP1a DNx175X file with audio, open that file on a Mac and do the ProRes export there.  (Or do an uncompressed Video MixDown RGB with audio, in a sequence in a Bin).

Either way, That's how we get to ProRes.  Always on a Mac, from MXF media.  Mac Media Composer has the choice in Media Creation settings to use MXF or ProRes, and there is still the option to bring into Final Cut.  I know there are some hoops our Avid Assists go through to prevent levels shifts, but I don't currently know what those are.  (I'll ask and follow up tonight)..

Dave Hogan
Burbank, CA

On Sep 5, 2019, at 11:12 AM, John Moore bigfish@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:


I've been so Mac centric I've not had to deal with ProRes in a PC world for a long time.  It has been my understanding for quite a while the best way to export ProRes out of avid is to do a video mixdown to prores and then export that same as source.  This bypasses any involvement in the QT engine that is notorious for slight level/gamma shifts..  I'm assuming this is still true.  

I'm helping out a post sup on a new show and they don't seem to have the ProRes codec on their systems.  I'm not sure if they are PC or mac but sounds like PC to me.  Wouldn't any mac have ProRes Codec available or is the the difference between reading ProRes and writing?  I know without a QTPro license I could not export from QT 7Pro.  All my macs have FCP7 installed so they got the QT 7Pro license.  Is it possible that a new mac could not have the ability to write a ProRes file unless somthing like compressor etc... is installed.  In such a situation be it PC or Mac would an internal video mixdown to ProRes exported same as source to a .mov create a proper ProRes QT?  That's the impression I've gotten over the years.  If this is correct then it appears Avid can write a prores file internally or render to prores without the need for the QT codecs.  Am I understanding this correctly?

John Moore Barking Trout Productions Studio City, CA bigfish@...




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Posted by: Damon Claussen <damon@hdcut.com>
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this is the Avid-L2

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Re: [Avid-L2] Availability of ProRes Codec internal to Avid in a PC and Mac world?

 

Upon further investigation the Post Sup told me they figured it out.  When asked what the problem/solution was he said "Lack of knowledge."  So I guess they weren't tapping their heals three times.  They'd always had the ability to export ProRes.  Now all they have to do is watch out for flying Monkeys or houses.  Clearly the Wicked Witch of the West won't let PCs export ProRes.  I need to go splash some water around Silicon Valley.



---In Avid-L2@yahoogroups.com, <bigfish@...> wrote :

Okay I had mistakenly conflated the fact that on my Mac Avids I can render to, mixdown to ProRes and consolidate ProRes media, which in my mind makes it a native codec to Avid, to mean that even a PC could do this because it was internal code in Avid making the renders and mixdowns.  I have been reminded by you and Terry C. this is not the case and there are licensing issues that prevent windows from writing to ProRes.

Now it turns out the Post Sup asking the question confirmed that they are on mac Avids so I don't know why he is being told they can't export to ProRes.  Could the lack of an Apple Pro App on their system be the reason they seem to be lacking this ability?  I've always installed FCP 7 on my systems so I end up with the Pro Codecs and the ability to export to them in QT7 Pro.  In the absence of an Apple Pro App is Avid incapable of exporting, rendering to or mixing down to ProRes?

---In Avid-L2@yahoogroups.com, <mactvman@...> wrote :

I think you already get this, but to be clear…

I can read, playback and edit ProRes media all day in Media Composer under Windows.  I can even ingest ProRes QuickTimes via consolidate or fast import, retaining the ProRes source media in Media Composer.  In all those cases, Media Composer is merely copying existing ProRes sources.  What I cannot do is render or create any ProRes Media with Media Composer.

Dave Hogan,
Burbank, CA


On Sep 5, 2019, at 4:09 PM, bigfish@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:


Thanks for the info.  I had thought Avid considered ProRes as native media these days.  Everybodies been saying for years to mixdown to ProRes in Avid and export same as source to avoid the annoying level shifts.  I figured that was available on PCs as well.

I have found out the the folks asking the question are on macs but I don't know what Avid version.  I had thought Avid and Adobe and others had written their own code to avoid the need for QT dependence.  Perhaps I mistakenly figured that meant the ProRes choices I see in Avid meant it was a fully native codec in Avid at this point and not dependent on being on a mac.  Well more will be revealed.


---In Avid-L2@yahoogroups.com, <mactvman@...> wrote :

Hey John,

Where I work all our online bays are PC, running mostly Windows 10.  We don't have the option to do any kind of mix down to ProRes media.

If my source files happen to be ProRes I can read that on PC, and if there are no effects in a cuts only timeline, I have in the past exported "Same as Source" and gotten ProRes, but I haven't done it recently, to know if it works on current Media Composer versions.  However in that scenario, the PC Media Composer cannot "create" any new media in ProRes.  The option is not available in Media Creation settings.

What we do where I work is create an OP1a DNx175X file with audio, open that file on a Mac and do the ProRes export there.  (Or do an uncompressed Video MixDown RGB with audio, in a sequence in a Bin).

Either way, That's how we get to ProRes.  Always on a Mac, from MXF media.  Mac Media Composer has the choice in Media Creation settings to use MXF or ProRes, and there is still the option to bring into Final Cut.  I know there are some hoops our Avid Assists go through to prevent levels shifts, but I don't currently know what those are.  (I'll ask and follow up tonight).

Dave Hogan
Burbank, CA

On Sep 5, 2019, at 11:12 AM, John Moore bigfish@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:


I've been so Mac centric I've not had to deal with ProRes in a PC world for a long time.  It has been my understanding for quite a while the best way to export ProRes out of avid is to do a video mixdown to prores and then export that same as source.  This bypasses any involvement in the QT engine that is notorious for slight level/gamma shifts.  I'm assuming this is still true.  

I'm helping out a post sup on a new show and they don't seem to have the ProRes codec on their systems.  I'm not sure if they are PC or mac but sounds like PC to me.  Wouldn't any mac have ProRes Codec available or is the the difference between reading ProRes and writing?  I know without a QTPro license I could not export from QT 7Pro.  All my macs have FCP7 installed so they got the QT 7Pro license.  Is it possible that a new mac could not have the ability to write a ProRes file unless somthing like compressor etc... is installed.  In such a situation be it PC or Mac would an internal video mixdown to ProRes exported same as source to a .mov create a proper ProRes QT?  That's the impression I've gotten over the years.  If this is correct then it appears Avid can write a prores file internally or render to prores without the need for the QT codecs.  Am I understanding this correctly?

John Moore Barking Trout Productions Studio City, CA bigfish@...




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