I didn't know about this particular one, only knew about universal mastering - apparently works with the current box, but I have a Nitris DX - and about secondary cc.
Now I need to find documentation on the Symphony options...
P.
I actually like the source-based color correction for offline, as it allows you to grade one instance of shot, where all other instances of that clip or subclip follow automatically — if you want, that is. That's basically the only advantage you get when you're not using the specific hardware.
Job
Job
> On 9 aug. 2017, at 16:17, David Dodson <davaldod@...> wrote:
>
> As an offline guy, I don't often think about Symphony, but here and there I've been nudged into "finishing" something, usually as a favor. So the $99 promo caught my eye. But I have two questions…
>
> 1. With Symphony, do frame rate conversions still require Nitris hardware, or can Symphony do it purely out of the software?
>
> 2. What are the subscription terms of this $99 deal? Is it $99 now, $750 on the next renewal?
>
> D
>
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Posted by: ph@cineaste.org
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