Sorry AVID-L for replying late on this thread...
Jim Feeley wrote:
>This is probably more info than you need, but hopefully it'll help frame
your search.
Jim that is THE most comprehensive treatise on shotgun mics I've ever read.
;-)
Greg I don't know your application. If you are planning on putting it on a
DSLR then save your money unless you plan to record double system sound. At
my last job I did several shoots where we had to shoot on DSLR crap and
double system sound was the only way to record professional dialog. There
where a few times when I had to record sound straight to the DSLR. It
sounded like crap but was considered by the director "good enough to get
away with."
I can only add like Jim suggested is go to Location Sound on Cahuenga Blvd W
and sound test all the mics. They have all the mics discussed here in a real
world environment. Now I will say my experience was eye opening. I A'B'd mic
after mic and the only candidates I would consider where the Sanken CS-3,
CS-1 and Scheops Shotgun, every other mic sounded frankly like crap to my
ears. In the end I purchased the CS-3. My experience was the Schoeps shotgun
was simply stunning in sound, pattern, isolation and notably it's incredible
reach and it is such a rich warm sounding shotgun. The real shock was the
CS-3 and CS-1 where only behind the Schoeps in reach. What does that mean?
Well with the Schoeps you didn't have to find the sweet spot it's just
there, with the Sanken's you had to do a bit more hunt and pecking. As far
as the MKH series I was not impressed at all. They sounded hollow, boomy and
just plain crappy next to the Sankens and Schoeps. And FYI I was ready to
lay down cash on a MKH mic sound unheard. That's how good the MKH rep was
with the sound mixers I work with.
The guys at Location Sound will treat you right.
Tom McDonnell
818-675-1501
Posted by: "Tom McDonnell" <ltr54@sbcglobal.net>
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