On Apr 24, 2013, at 10:03 PM, Ghislain Thomasset wrote:
> If my memory is good, the DNX 175 is in YUV and the prores is in RGB …
>
IIRC:
Depending on format and resolution, Color Space is a Format setting when you create the project, and can also be changed from the Format Tab when needed once the project is underway. I believe that DNxHD compression can be either YUV or RGB. The number refers to the data rate.
Calling: Curren, Hullfish, Shufflebottom, Job, et al . . . am I correct?
Cheers,
B
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>
> Thomasset Ghislain
> Tel : 06 23 16 50 52
>
> >________________________________
> > De : electropura212 <electropura212@gmail.com>
> >À : "Avid-L2@yahoogroups.com" <Avid-L2@yahoogroups.com>
> >Envoyé le : Jeudi 25 avril 2013 6h11
> >Objet : Re: [Avid-L2] DNxHD115 versus ProRes MXF - quality difference?
> >
> >
> >Its comparable to ProRes 422 for that frame rate. DNX 175 would be
> >comparable to Pro Res HQ.
> >These are the standard "native" resolutions for HD work on Avid. ProRes
> >MXF support is a relatively new addition to Avid.
> >
> >
> >On Wed, Apr 24, 2013 at 11:33 PM, michaeljshen76 <mikejshen@gmail.com>wrote:
> >
> >> **
> >>
> >>
> >> Hoping some codec gurus can help me.
> >>
> >> One of my students mistakenly transcoded all of the footage for his
> >> 30-minute documentary to DNxHD 115. The rest of the class is editing and
> >> finishing their films in ProRes MXF.
> >>
> >> Is there a quality difference between the two codecs? I've read much
> >> suggesting they are roughly comparable.
> >>
> >> The project in question is 1080p 23.976. Most of the footage was shot on
> >> the Sony NX-70, with a bit of HPX3100 and DSLR sprinkled in.
> >>
> >> We're all in serious crunch mode, so we'd prefer not to have to up-rez any
> >> of the projects, especially since the student's media management is
> >> unlikely to have been spotless.
> >>
> >> We'll run some comparison tests, but we don't have a terrific monitor at
> >> the school; so any opinions are much appreciated. Thank you!
> >>
> >>
> >>,_._,___
>
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Wednesday, April 24, 2013
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