Assuming that the flesh tones are somewhere in the mid luminance range,
you could just boost the chroma in the low and high luminance. Might be
a quick way to get you close to what you want. --J.B.
timwatson.avid wrote:
> There is a current trend on many tv programmes for coloured areas of the picture to be highly saturated, while flesh tones remain relatively normal. Is this a specialised colourist's technique, or can it be achieved in Avid?
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