It's harder to do in Avid because the quality of the secondarie's keying is just above useable. But you can either raise all the chroma, and then isolate the skin tones in secondaries and pull them down, or go the other way and isolate colors you want to pump up in the secondaries and do that. But you need Symphony to get the secondaries.
The other (far more painful) approach would be do double up all your shots and apply a normal correction on V2 and the saturated chroma on V1 and then animatte the people from V2 back onto V1.
--- In Avid-L2@yahoogroups.com, "timwatson.avid" <timwatson.avid@...> wrote:
>
> There is a current trend on many tv programmes for coloured areas of the picture to be highly saturated, while flesh tones remain relatively normal. Is this a specialised colourist's technique, or can it be achieved in Avid?
>
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