Steve,
It's just as handy as the "Tape" mode of source side correction in Symphony. It's great for interviews that are the whole tape for example. Fix one shot and it is fixed in the entire timeline.
--- In Avid-L2@yahoogroups.com, Steve Hullfish <steve4lists@...> wrote:
>
> Interesting idea. I see where you're going with this. Good idea
>
> I think it would be relatively rare to see every file-based shot on a card need the same correction, but it's certainly possible depending on the project and the workflow. Of course, in an instance like a single long shot that takes up the entire card, you'd just do it based on the name and Avid can already do that. So the only time this feature request would really be needed is if someone shot a lot of different shots on the same card and screwed them all up in the same way. Otherwise, for one or two or even a half dozen shots, you might as well use clip names and saved color corrections that you can just drag and drop.
>
> That said, I'm with you that it's a good request.
>
> Steve Hullfish
> contributor: www.provideocoalition.com
>
> On Jan 27, 2012, at 12:06 PM, Dom Q. Silverio wrote:
>
> > A feature that allows to color correct an entire file base "card" -
> > analogous "tape" in the 1990s.
>
>
> [Non-text portions of this message have been removed]
>
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