Re: [Avid-L2] FR - Color correction

Too close perhaps to Symphony's Track Color. This is what I use when I have
to do an offline edit of Log-shot footage. I drop the whole mag's worth of
clips to a sequence, all clips on V1 sequentially according to source code.
Apply the track color effect (I usually do a very simple auto
color/contrast correction to get going) and then use the sequence to make
my rough cut rather than the individual uncorrected clips. In MC, you could
do the same thing with the CC effect.

-Mark

On Fri, Jan 27, 2012 at 2:59 PM, Steve Hullfish <steve4lists@veralith.com>wrote:

> **
>
>
> Interesting idea. I see where you're going with this. Good idea
>
> I think it would be relatively rare to see every file-based shot on a card
> need the same correction, but it's certainly possible depending on the
> project and the workflow. Of course, in an instance like a single long shot
> that takes up the entire card, you'd just do it based on the name and Avid
> can already do that. So the only time this feature request would really be
> needed is if someone shot a lot of different shots on the same card and
> screwed them all up in the same way. Otherwise, for one or two or even a
> half dozen shots, you might as well use clip names and saved color
> corrections that you can just drag and drop.
>
> That said, I'm with you that it's a good request.
>
> Steve Hullfish
> contributor: www.provideocoalition.com
>
> On Jan 27, 2012, at 12:06 PM, Dom Q. Silverio wrote:
>
> > A feature that allows to color correct an entire file base "card" -
> > analogous "tape" in the 1990s.
>
> [Non-text portions of this message have been removed]
>
>
>

[Non-text portions of this message have been removed]

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