I definitely get the Symphony "tape" association. That's why I think it's a good idea. Just as with tape, if it's all one clip, you don't really need the "tape" option, since the "name" option will do. And other than that, there are a LOT of tapes that just aren't all the same correction, so for those instances, you don't need it. But for a select number and style of projects, it would be absolutely fantastic.
Steve Hullfish
contributor: www.provideocoalition.com
author: "The Art and Technique of Digital Color Correction"
On Jan 27, 2012, at 3:48 PM, Terence Curren wrote:
> Steve,
>
> It's just as handy as the "Tape" mode of source side correction in Symphony. It's great for interviews that are the whole tape for example. Fix one shot and it is fixed in the entire timeline.
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