Re: [Avid-L2] RED on FCP to DS via MC

Stuart,

I have done it this way several times with great success:

FCP>Duck>AAF (no media creation needed)

AAF>MC>AFE (no media creation needed)

AFE>DS

Capture RED

Though I could likely skip the whole MC step, t worked for me in the past so
I keep doing it...

On Thu, Apr 22, 2010 at 4:45 AM, Tony Quinsee-Jover <tony@hdheaven.co.uk>wrote:

>
>
> Stuart - talk to Dermot (active on Avid's DS forum) as he's done this
> several times. He omits the MC step too, just going direct from FCP to DS
> via the Duck.
>
> I know the guys in Montreal worked closely with Wes to iron out some issues
> early on, but he'd know better than me whether they're now sorted.
>
> Tony
>
> HD Heaven Media Limited (company no: 07061040) is registered in England and
> Wales at Sapphire Heights Courtyard, 31 Tenby Street North, Birmingham B1
> 3ES
>
>
> -----Original Message-----
> From: Avid-L2@yahoogroups.com <Avid-L2%40yahoogroups.com> [mailto:
> Avid-L2@yahoogroups.com <Avid-L2%40yahoogroups.com>] On Behalf Of
> Stuart Lawn
> Sent: 22 April 2010 10:00
> To: 'Avid-L2@yahoogroups.com <%27Avid-L2%40yahoogroups.com>'
> Subject: [Avid-L2] RED on FCP to DS via MC
>
> Hello folks,
>
> Anyone here ever tried this workflow?
>
> 1. Offline edit in FCP using the quicktime proxy files from a RED
> camera (2K).
> 2. Automatic Duck the final seq over to Media Composer, getting the
> Duck to generate MXF media.
> 3. AFE the seq from Media Composer to DS.
> 4. Conform the seq in DS to the original R3D files.
> 5. Output in HD.
>
> All sound great on paper - what are the gotchas?
>
> Cheers
>
> Stuart
>
>
>

[Non-text portions of this message have been removed]

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