RE: [Avid-L2] RED on FCP to DS via MC

Stuart - talk to Dermot (active on Avid's DS forum) as he's done this
several times. He omits the MC step too, just going direct from FCP to DS
via the Duck.

I know the guys in Montreal worked closely with Wes to iron out some issues
early on, but he'd know better than me whether they're now sorted.

Tony

HD Heaven Media Limited (company no: 07061040) is registered in England and
Wales at Sapphire Heights Courtyard, 31 Tenby Street North, Birmingham B1
3ES

-----Original Message-----
From: Avid-L2@yahoogroups.com [mailto:Avid-L2@yahoogroups.com] On Behalf Of
Stuart Lawn
Sent: 22 April 2010 10:00
To: 'Avid-L2@yahoogroups.com'
Subject: [Avid-L2] RED on FCP to DS via MC

Hello folks,

Anyone here ever tried this workflow?

1. Offline edit in FCP using the quicktime proxy files from a RED
camera (2K).
2. Automatic Duck the final seq over to Media Composer, getting the
Duck to generate MXF media.
3. AFE the seq from Media Composer to DS.
4. Conform the seq in DS to the original R3D files.
5. Output in HD.

All sound great on paper - what are the gotchas?

Cheers

Stuart

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