Re: [Avid-L2] HDR vs SDR in production?

John camera have had wide dynamic range for some years now. The limitations of SDR required we manage that dynamic range in camera. 
The new log based LUTs allow us to retain that dynamic range in a high bit depth sacrificing bit depth at the top end for more useful bit depth at the lower end. 
HDR is just a delivery and display technogy. 
So you are capturing wide dynamic range using a LUT or Raw to transport it. 
I'm the grade you then limit that to SDR or reformat it into HDR. 

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