Sunday, March 12, 2017

[Avid-L2] Re: Conforming back to camera original files Now UMIDs in workflows/relinking

 

Having grown up with Tape and Timecode being the reason Avid was bullet proof I never found the file side of Avid nearly as robust for relinking.  In the traditional sense of capturing tape I had always thought it was the media database that made Avid solid.  Is there an element of UMIDs happening under the hood with the media data base?  Given when I add a tape name to something I break the ability to ama link back later where do UMIDs come into play in those situations?

I recall Scott F pointing to the source file name as something Avid was using to track various non tape based assets I never recall mention of UMIDs in those threads but perhaps I'm just not remembering.

AMA has been working well on my 4K workflows but they have been very straight forward projects with relatively limited source material.  I am always waiting for the bombshell when I work with ama but that's based on past experience and not so much what I see now.



---In Avid-L2@yahoogroups.com, <pat@...> wrote :

UMIDS are often created from camera serial numbers as well as the list from Bourke. So effectively unique.
Avid uses them for its media management which is why its bullet proof.

Pat from his mobile.

__._,_.___

Posted by: bigfish@pacbell.net
Reply via web post Reply to sender Reply to group Start a New Topic Messages in this topic (8)

Have you tried the highest rated email app?
With 4.5 stars in iTunes, the Yahoo Mail app is the highest rated email app on the market. What are you waiting for? Now you can access all your inboxes (Gmail, Outlook, AOL and more) in one place. Never delete an email again with 1000GB of free cloud storage.

this is the Avid-L2

.

__,_._,___

No comments:

Post a Comment