As primarily a tvc editor syncing film rushed has always just been how it is. Even in my tv show days we got nagra tapes only studio masters ever came with sound on them.
Just yesterday I was syncing interviews shot in Burmese with no clappers and camera and takes stopping and starting randomly. Luckily I like syncing rushes it's just a bit more to see what I'm dealing with.
Hardest sync job ? An unslated puppet show :)
Mike
Sent from my iPhone
Sent from my iPhone
On May 1, 2016, at 4:07 AM, RRF Avid rrfavid@hotsprocketfilms.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
Thanks for this read.
I do take issue with WB syncing audio using waveforms with the GH4. I have done a lot of syncing GH4 to Zoom H6 audio recently, and the GH4 like a lot of other DSLRs usually records the on board camera audio out of sync with picture (anywhere from 1-4 frames). So using audio waveforms to align Zoom audio with out of sync GH4 audio = out of sync Zoom audio. No substitute for the using the clapper and aligning manually.I hate GH4s for other reasons too (4 GB file size limit on SDXC cards among other things). Fortunately I have been working with Red footage (syncing manually) and more recently Sony FS-7 footage, and with the FS-7 recording onboard professionally, there is no need for syncing…yay. The way we did it for a long time with Beta SP, Digibeta, HDCam, XDCam, etc, before DSLRs came along.- Rich
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Posted by: Mike Parsons <mikeparsons.tv@gmail.com>
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this is the Avid-L2
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