I've been told by our mixer he recently did a mix for a Premiere Pro project and getting an omf/aaf from Premiere was very problematic. Today we have a Premiere Project that is doing the same thing for him. We are trying to get a hold of the editor from his previous premiere project but I'm wondering if anyone here has run into this battle.
The mixer said ultimately on his last Premiere Project they ended up sending him a ton of omf/aafs that had to be combined. It was something like an omf/aaf for every track. The mixer has talked with his colleagues who have had similar issues and they said again they were sent a a bunch of omf/aafs and eventually one worked for them.
What's up with this? I'm told they even tried going XML to final cut to get to protools but that didn't work either
John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net
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Posted by: John Moore <bigfish@pacbell.net>
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this is the Avid-L2
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