The other option is to do a deck to deck tape copy and on the record deck set it to not jam the TC, but to make fresh TC. And then capture from the new tape.
Jay
On Mar 22, 2015, at 1:11 PM, Steve Hullfish Steve@veralith.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
Depends on your set-up I guess and your ultimate need for archiving or your desire for an "automatic" solution.Back when I was cutting a lot of documentary footage, we certainly used the real timecode from tapes to capture directly into Media Composer. I haven't had a deck hooked up to a personal MC in - I don't know - a decade, but if you've tried this and failed, it could be that you need to go to your Settings>Capture Settings and mark the check box for Capture across timecode breaks. Make sure you've got the TC track selected in the Capture tool and Avid will grab the correct timecode as part of the file.The trick with this method is that if you EDIT with this material and you use footage from the first few seconds, then BATCH CAPTURING those clips will be difficult because on batch capture then Avid will need to have continuous timecode for 3-6 seconds before the first frame you need. But the INITIAL capture of discontinuous timecode should include virtually every frame on the tape.SteveOn Mar 22, 2015, at 12:53 PM, 'Nigel Gourley' avid-l@outpostfacilities.co.uk [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
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Posted by: Jay Mahavier <jay_mahavier@earthlink.net>
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