There's also an analog version of the studiocom controller
http://www.ebay.com/itm/StudioComm-68a-69a-Surround-Sound-Controller-Studio-Comm-Com-Studiocom-68-69-/321429271678?pt=US_Signal_Processors_Rack_Effects&hash=item4ad6ad747e
gh
----------------------------------------------------
Greg Huson
Secret Headquarters, Inc
Post Production / Production
Culver City, CA
323 677 2092
www.DigitalServiceStation.com
greg (at) SecretHQ.com
www.SecretHQ.com
On Jun 15, 2014, at 8:29 AM, Greg Huson <Greg@SecretHQ.com> wrote:
> Yes, it's overkill, but you need to be able to listen to the tape if you're laying off to tape. (Which we still do sometimes) I couldn't justify the cost, and found one of these second hand-
>
> http://www.martinsound.com/pd_mmu.htm
>
> It's also a bit of overkill, but has been great for us and I got it cheap. (for D to A we use an old digidesign 888/24 box - not the Avid version, has to be digidesign.)
>
> Had the SPL, didn't like it, sent it back. (Can't remember why I hated it, though)
>
> gh
> ----------------------------------------------------
> Greg Huson
> Secret Headquarters, Inc
> Post Production / Production
> Culver City, CA
> 323 677 2092
> www.DigitalServiceStation.com
> greg (at) SecretHQ.com
> www.SecretHQ.com
>
>
>
>
> On Jun 15, 2014, at 12:20 AM, 'Job ter Burg (L2B)' Job_L2@terburg.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
>
>>
>> That's more when you're feeding monitors with digital inputs, I think. Pretty much overkill. In an MC setup, what would that box do that the SPL box I referenced does not?
>>
>> On 15 jun. 2014, at 09:12, Greg Huson Greg@SecretHQ.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
>>
>>> What you really want is this
>>> http://www.studio-tech.com/product_7677.html
>>> But it's ridiculously expensive.
>>
>>
>>
>
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