What kind of source material was used on the show. In my limited experience round tripping etc... The typical Hodge podge of sources seems to make a perfect conform in Resolve dubious but there sre certainly some that have made it work. When you went back to symphony did you relink the original sequence to the new Resolve media or did you take an aaf out of Resolve and bring that into Avid? Sending the aaf back to avid seems to be a more robust solution but I'd like to hear from others doing this on a regular basis.
--- In Avid-L2@yahoogroups.com, John Coldiron <jciron2005@...> wrote:
>
> I just finished a series on Resolve & Isis. I had no throughput issues with Isis and playback.
> But the prep to send a sequence to Resolve is like sending one to Color from FCP. It's gotta be stripped
> of extra stuff. Effects play as cuts but they come right back in place after the round trip to Symphony.
> Together they work great but to output from Resolve is not something I wanted to do sine I have the Symphony
> right next to it.
> P.S. I did not have to do much for re-conform on the show. So I can't say how I would like it if I was getting
> "soft locks"...I'd probably stick to Symphony.
> Try before committing.
>
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