When I output 12 track files with Stereo Lt,Rt on ch. 1%2, Lt,Rt on ch3&4, L,R,C,Lfe,Ls,Rs on Ch 5 thru 10, Stereo M&E on Ch. 11&12 I then go into QT Pro and Cmd J. to assign the track name to the various tracks. The only tracks I have no name for, Ch. 11&12, I assign discrete-0 and discrete-1. By assigning the correct names to the track have I also mapped them for the appropriate 5.1 outputs or do I have to do a separate file with just the 6 5.1 tracks on Tracks 1 thru 6 as listed below? I've had no complaints from the network delivering this way but they aren't using it like a festival would. Just curious if my track naming is helpful down the pipe line.
--- In Avid-L2@yahoogroups.com, Mark Spano <cutandcover@...> wrote:
>
> Create a sequence with the video and each audio channel on a separate mono
> track. They must be in this order: L, R, C, LFE, Ls, Rs
> Set Audio Output in mixer to Direct Out
> Export the sequence as a QuickTime Reference Movie
> Open this file in QuickTime Pro
> Do a Save As to a Self-Contained Movie
>
> This will create a MOV file with your source video plus the six surround
> mix tracks in the right order.
>
>
> On Tue, Aug 20, 2013 at 5:33 PM, Alan Miller <ammfx@...> wrote:
>
> > **
> >
> >
> > A friend has a feature that was mixed in 5.1 surround and has been laid
> > back to Avid.
> > A film festival is requesting a .mov output with 5.1 surround.
> > He has six audio tracks.
> > Is this possible? and if so how would he do it?.
> > Alan
> >
> > Alan Miller
> > 48 Hours Mystery
> > CBS News
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
>
>
> [Non-text portions of this message have been removed]
>
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