Re: [Avid-L2] Re: Resolve Integration to Avid and a surge in Resolve requests?

Yes - clips that come from the same source file can be linked in a way
similar to relational grading. But obviously the process of consolidating a
sequence breaks those files up.

Dylan Reeve
http://dylanreeve.com/


On Tue, Apr 2, 2013 at 12:11 PM, johnrobmoore <bigfish@pacbell.net> wrote:

> **
>
>
> Good info. By "linked grading" is this what I heard about where Resolve
> can group clips for something like relational color correction or is this a
> feature in addition to the grouping of clips? That's the sort of feature
> that I will miss most from Symphony color correction.
>
>
> --- In Avid-L2@yahoogroups.com, Dylan Reeve <dylan@...> wrote:
> >
> > I've found the Resolve workflow reasonably painless for the jobs I've
> done
> > in it, but it's WAY slower and more complicated than Symphony.
> >
> > I usually consolidate the sequence into a known location (make sure /Avid
> > MediaFiles/MXF/1 is empty on one drive) then export linked AAF of the
> > consolidated sequence. I import the MXF folder I consolidated to into the
> > Resolve Media Library, then import the AAF. That's worked fine in my
> > projects - but they tend to be pretty simple.
> >
> > The downside to that is by consolidating I break up the clips so Resolve
> > doesn't understand the linked relationship of them meaning I can't
> > automatically take advantage of the ability to use linked grades.
> >
> > When it comes to output I render out with the AAF Roudtrip presets to
> > another known empty MXF folder - /Avid MediaFiles/MXF/2 for example -
> then
> > export an AAF from the graded sequence. Go back to Avid, it indexes the
> new
> > media. Import the AAF from Resolve and it's all back online. Any effects
> > that Resolve didn't understand are applied back onto the returned
> sequence.
> >
> > Usually then I gang the pre- and post-grade sequences together and scrub
> > through to check everything is fine.
> >
> > I much prefer Resolve's grading methodology - it's a lot easier to
> > manipulate Lift, Gamma and Gain settings without impacting colour. But in
> > practice for the work I do I can't manage without Symphony's relational
> > corrections and in-situ grading.
> >
> > I haven't yet tested any wrokflow involving linking back to native raw
> > files from RED or anyone else.
> >
> > I'm really keen to use BaseLight for those difficult shots in Symphony,
> but
> > it's not available for Windows yet.
> >
> > Dylan Reeve
> > http://dylanreeve.com/
> >
> >
> > On Sat, Mar 30, 2013 at 12:34 PM, Mark Spano <cutandcover@...> wrote:
> >
> > > Scratch too. In fact, your color grading system is lame if it can't.
> > >
> > > On Friday, March 29, 2013, oliverpetersvidy wrote:
> > >
> > > > **
> > > >
> > > >
> > > > > ksirul wrote:
> > > > > Friggin cool though!
> > > >
> > > > Agreed. FWIW - Adobe SpeedGrade can also do this.
> > > >
> > > > - Oliver
> > > >
> > > >
> > > >
> > >
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > >
> > >
> > > ------------------------------------
> > >
> > > Search the official Complete Avid-L archives at:
> > > http://archives.bengrosser.com/avid/
> > > Yahoo! Groups Links
> > >
> > >
> > >
> > >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>
>


[Non-text portions of this message have been removed]



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