Yes and no.
It does have source-side, but you have to do some prep before conform to
get it to really work. Even then, it is not as elegant. It does not work
as it does in Symphony, and it is not a logical transition from the
source-side tools in Symphony. I never found it to be super-practical.
Since all effects stack on the clips in DS, and there's no diving into the
clips to get to things, I tended to use copy and paste of the cc effect
more than I went jumping through hoops to get source-side working in a
realistic and useable manner. But it is just insanely more powerful and
flexible than the tools in Symphony...
-G
On Fri, Apr 12, 2013 at 1:51 PM, johnrobmoore <bigfish@pacbell.net> wrote:
> **
>
>
> For the DS impaired does the DS offer the same style of relational color
> correction that symphony does?
>
>
> --- In Avid-L2@yahoogroups.com, Tony Quinsee-Jover <tony@...> wrote:
> >
> > I guess you ain't been on a DS for a while then Terry ;-)
> >
> > On 12/04/2013 15:28, Terence Curren wrote:
> > > Symphony CC is the best "workflow" color corrector available...
> >
>
>
>
[Non-text portions of this message have been removed]
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