This IS the Avid L2: [Avid-L2] Re: MC 7

Friday, April 12, 2013

[Avid-L2] Re: MC 7

"But it is just insanely more powerful and flexible than the tools in Symphony..."

Even thought for my reality documentary needs the Symphony CC is capable, as has all too often been pointed out it's lacking by today's standards. To bring back an old joke line I think Fischer Price could come up with a more powerful and flexible color correction tool these days. And how I wish this wasn't the case.

--- In Avid-L2@yahoogroups.com, Gus <gustheeditor@...> wrote:
>
> Yes and no.
>
> It does have source-side, but you have to do some prep before conform to
> get it to really work. Even then, it is not as elegant. It does not work
> as it does in Symphony, and it is not a logical transition from the
> source-side tools in Symphony. I never found it to be super-practical.
> Since all effects stack on the clips in DS, and there's no diving into the
> clips to get to things, I tended to use copy and paste of the cc effect
> more than I went jumping through hoops to get source-side working in a
> realistic and useable manner. But it is just insanely more powerful and
> flexible than the tools in Symphony...
>
> -G
>
>
> On Fri, Apr 12, 2013 at 1:51 PM, johnrobmoore <bigfish@...> wrote:
>
> > **
> >
> >
> > For the DS impaired does the DS offer the same style of relational color
> > correction that symphony does?
> >
> >
> > --- In Avid-L2@yahoogroups.com, Tony Quinsee-Jover <tony@> wrote:
> > >
> > > I guess you ain't been on a DS for a while then Terry ;-)
> > >
> > > On 12/04/2013 15:28, Terence Curren wrote:
> > > > Symphony CC is the best "workflow" color corrector available...
> > >
> >
> >
> >
>
>
> [Non-text portions of this message have been removed]
>