You're making my case that the Symphony has the best "Workflow" color correction tool.
--- In Avid-L2@yahoogroups.com, Gus <gustheeditor@...> wrote:
>
> Yes and no.
>
> It does have source-side, but you have to do some prep before conform to
> get it to really work. Even then, it is not as elegant. It does not work
> as it does in Symphony, and it is not a logical transition from the
> source-side tools in Symphony. I never found it to be super-practical.
> Since all effects stack on the clips in DS, and there's no diving into the
> clips to get to things, I tended to use copy and paste of the cc effect
> more than I went jumping through hoops to get source-side working in a
> realistic and useable manner. But it is just insanely more powerful and
> flexible than the tools in Symphony...
>
> -G
>
>
> On Fri, Apr 12, 2013 at 1:51 PM, johnrobmoore <bigfish@...> wrote:
>
> > **
> >
> >
> > For the DS impaired does the DS offer the same style of relational color
> > correction that symphony does?
> >
> >
> > --- In Avid-L2@yahoogroups.com, Tony Quinsee-Jover <tony@> wrote:
> > >
> > > I guess you ain't been on a DS for a while then Terry ;-)
> > >
> > > On 12/04/2013 15:28, Terence Curren wrote:
> > > > Symphony CC is the best "workflow" color corrector available...
> > >
> >
> >
> >
>
>
> [Non-text portions of this message have been removed]
>
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