Vince Laforet gives the pros & cons here: (I would go Alexa instead)
<<http://blog.vincentlaforet.com/2011/06/09/red-epic-5k-and-hdrx/>>
If you have to do it, you need to marry them with something like RedCine:
<<http://www.red.com/faqs/hdrx/overview>>
--- In Avid-L2@yahoogroups.com, David Dodson <davidadodson@...> wrote:
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>
> So I'm going to be receiving what I'm told are Red Epic-shot HDRx files. Apparently the camera writes two fully discreet frames for each frame, one 5 or so stops underexposed from the other frame so that both can be used in the color grade in order to create super high latitude HDR images.
>
> But how do I deal with these things? Does anyone know if they have common file names with an eye toward the eventual conform? Is there anything the DIT needs to do before debayering? I only want to cut with one shot, so do I just transcode one of the shots, and assume there will be a way to reference the other frame in conform?
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> Any help would be appreciated.
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> Thanks,
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> David
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>
>
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> David Dodson
> davidadodson@...
>
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