Wouldn't the question be, did they offline at 23.976 or 59.94I? If they cut in a 23.976 project and output to 59.94I I would expect the cadence to be consistant. If they cut in 30I or 59.94I then the only way to online in 23.976 is through edl's isn't it? I guess with mix and match there may be some new options. What is the final deliverable? If it's 59.94I I'd just online that but nowadays some networks require delivery in the predominant native format.
--- In Avid-L2@yahoogroups.com, "David" <k27usa@...> wrote:
>
> Need help - Got a project 1080p/23.976 with a bunch of material, also shot 1080p/23.976 in it. Client is delivering an HDCAM SR tape with a rought cut on it but that tape is in 1080i/59.94.
> Whats the 'best' way to get that into my 1080p/23.976 project ?
> Should I create a QT first that I could flip into 23.976 using MPEG Streamclip ? or, am I better just ingesting into MC and then doing a transcode ?
>
> Any thoughts and suggestions would be most appreciated.
>
> Thanks in adavnce,
>
> Dave B
>
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