>#1- It's the blacks!
Terry does the differences between LCD vs. OLED blacks transfer to a
variation on the final correction done on both types of monitors? In other
words does the black level portion of a color correction session depending
on the monitor used translate to the finished broadcast or projected image?
I guess what I'm asking is does a CC session "black level wise" done on an
OLED look any better or different than one done on a LCD? Once again try to
leave out the colorimetry portion of the differences between manufacturers.
Do you find you have an easier time achieving your desired result?
Tom McDonnell
Cinematographer/Operator
Los Angeles, CA
New Orleans, LA
818-675-1501
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