Also, unless all of the footage is equally exposed with the same camera and compression, a flat look will probably not be consistant and will require tweaking for many shots. Not ideal. If anything, if I were using that workflow, I would do a Symphony pass first to null everything out and then apply a "look"
KEN
--- In Avid-L2@yahoogroups.com, "blafarm" <blafarm@...> wrote:
>
> I understand your point. But for me, having to CC twice is somewhat insane. It's like having to correct once with sunglasses on -- and then taking them off and making a new set of corrections to fix the mistakes you made.
>
>
>
> --- In Avid-L2@yahoogroups.com, "trevatpc" <trevatpc@> wrote:
> >
> > I agree it would be sub-optimal. But as I stated below, you can still apply a 'Look' with Baselight / MBLooks / AvidFX and then grade through through that on a broadcast monitor with the Avid CCR.
> >
> > --- In Avid-L2@yahoogroups.com, "blafarm" <blafarm@> wrote:
> > >
> > > If the output of the Baselight plugin is incapable of being displayed on an external monitor — then it is dead in the water — at least for me. Correcting broadcast content on a computer monitor with RGB pixel values is a non-starter. I hope it at least has that BCC capability.
> > >
> > > I also find it interesting that the Avid KB page for the plugin only lists MC and not Symphony — although it could obviously be just an oversight.
> > >
> > >
> > >
> > > --- In Avid-L2@yahoogroups.com, "trevatpc" <trevatpc@> wrote:
> > > >
> > > > Important question for the Eyeon Fusion AVX2 plug-in too.
> > > >
> > > > AvidFX and MB Looks don't do this whilst you are inside their interface, so I suspect it may be an AVX2 limitation?
> > > >
> > > > One approach with Looks is to set the 'look' in the interface using the computer monitor then grade through the 'look' on the external using the Avid CCR. Add edits and adjust Looks as needed, but a pretty fast way of getting reasonable results.
> > > >
> > > >
> > > > Trevor
> > > >
> > > > --- In Avid-L2@yahoogroups.com, "blafarm" <blafarm@> wrote:
> > > > >
> > > > >
> > > > > Does anyone know for sure that the video image being corrected is also viewable on an external Program Monitor (HD-SDI/HDMI) via Nitris DX, Mojo DX or 3rd Party interface. I assume it is (like BCC) -- but just looking for confirmation.
> > > > >
> > > >
> > > > > --- In Avid-L2@yahoogroups.com, Glen Montgomery <montgomery.glen@> wrote:
> > > > > >
> > > > > > Looks like a video was just posted about Baselight on Avid
> > > > > >
> > > > > > http://www.youtube.com/watch?v=ipqfoGMMJ-0
> > > > > >
> > > >
> > > > > >
> > > > > > On Tue, Apr 17, 2012 at 7:13 PM, Dylan Reeve <dylan@> wrote:
> > > > > >
> > > > > > > I agree with Terry, the secondary is nothing compared to the relational
> > > > > > > grading controls. It will depend on the work you do, but in my case that
> > > > > > > saves an astonishing amount of time over either Media Composer or Resolve
> > > > > > > (and presumably Baselight). I can do my base grade for a 23-minute episode
> > > > > > > in about half and hour (working on a multi-cam soap in controlled studio
> > > > > > > settings) - can't even get close to that without the relational tools.
> > > > > > >
> > > > > > > And BCC8 - well, I'm a big fan the BCC plugins so that's just a great
> > > > > > > bonus.
> > > > > > >
> > > > > > > Dylan Reeve
> > > > > > > http://dylanreeve.com/
> > > > > > >
> > > > > > >
> > > > > > > On Wed, Apr 18, 2012 at 4:48 AM, Michael Kedor <mikedor@> wrote:
> > > > > > >
> > > > > > > > **
> > > > > > > >
> > > > > > > >
> > > > > > > > I thought seriously about jumping on the Symphony upgrade when it was
> > > > > > > > announced.
> > > > > > > >
> > > > > > > > If I have no reason to use universal mastering, is the secondary color
> > > > > > > > correction worth upgrade over Baselight?
> > > > > > > >
> > > > > > > > Both are $995
> > > > > > > >
> > > > > > > >
> > > >
> > >
> >
>
No comments:
Post a Comment