That was exactly my point John. The linear editors had a problem with thinking that way. For me, coming from film to linear was just as strange. But going to Avid later on made perfect sense from a film logic.
--- In Avid-L2@yahoogroups.com, "johnrobmoore" <bigfish@...> wrote:
<<Learning the edl first made it difficult for me early on in Avid especially at the end of a sequence where you go past the last edit and you see the frame moved to the left half of the record monitor. The record tc moved forward 1 frame but not the source time code. That was confusing for me at the time of transition to Avid.>>
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