----- Original Message -----
From: <john@digitalcut.com>
...
> Bouke just got served
Excuse me?
But for the alternative, down to earth method, import the original in AE.
use ''Interpret footage" on the imported clip, set it to 23.976, then render
out with pulldown.
Since there is no scaling nor other 'difficult' stuff to perform, this
should be way faster.
Now you could also import into Avid, with the 'ignoreQTrate = True' console
option.
This should give you a 23.976 file in Avid, and you can play out that.
But i've never done pulldown in Avid, so i don't know if Avid can only play
out or also render it in a file if you export.
hth,
Bouke
VideoToolShed
van Oldenbarneveltstraat 33
6512 AS NIJMEGEN
The Netherlands
+31 24 3553311
www.videotoolshed.com
For large files:
http://dropbox.yousendit.com/BoukeVahl998172
On Sep 12, 2011, at 8:29 PM, Andi Meek <kwikpasta@hotmail.com> wrote:
>
> Bouke,
> please elaborate. What would you suggest? Wasn't really expensive as the
> SR is ours and it did a very nice job, we're lucky enough to have some
> pretty nice kit at our disposal. However if there is a quicker way which
> will produce results just as good, then I'm all ears. I'm not used to
> doing any type of fps conversions, it's not our standard job scenario but
> i learnt a thing or two about some pretty clever features on that deck so
> it wasn't a complete waste but I know you know your stuff so i'd like to
> hear how you would have done it? The original question still stands too
> though, did i keep all my 10 bits using this method? Thanks,
> Andi
>
> To: Avid-L2@yahoogroups.com
> From: bouke@editb.nl
> Date: Tue, 13 Sep 2011 02:11:34 +0200
> Subject: Re: [Avid-L2] 10bit workflows revisited...
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> This sounds like the most expensive and time consuming way to add
> pulldown
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> and change an FPS flag...
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> Bouke
>
>
>
> VideoToolShed
>
> van Oldenbarneveltstraat 33
>
> 6512 AS NIJMEGEN
>
> The Netherlands
>
> +31 24 3553311
>
> www.videotoolshed.com
>
> For large files:
>
> http://dropbox.yousendit.com/BoukeVahl998172
>
>
>
> ----- Original Message -----
>
> From: "ripvanmarlowe2000" <kwikpasta@hotmail.com>
>
> To: <Avid-L2@yahoogroups.com>
>
> Sent: Tuesday, September 13, 2011 1:15 AM
>
> Subject: [Avid-L2] 10bit workflows revisited...
>
>
>
> Had an interesting one today which required a bit of grey matter and I
>
> remember some discussion about this a while back and i think I've managed
> to
>
> keep all my bits in place but does this sound right to people?
>
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> Client wants a 59.94 10bit uncompressed QT from a 25fps 1920x1080 10bit
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> uncompressed master QT.
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> Starting with the uncompressed 10bit QT I imported into Avid as 1:1X MXF.
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> Played out to 50i HDCAM SR with 10bit checked in digicut tool.
> Reconfigured
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> the SR to play back the tape at 23.98 and format convert to 59.94 then
>
> captured the 59.94 footage back in to a new 59.94 project as 1:1x MXF then
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> exported as Same as source QT.
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> Have i kept all my 10 bits using this workflow? Man those SRW-5500s are
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> cool!
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> Andi
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> ------------------------------------
>
> Search the offical complete Avid-L archives at:
> http://archives.bengrosser.com/avid/
>
> If you want to donate to Red Cross quake relief, you can do so through
> your cell phone. Text redcross to 90999 to make a $10 donation. It will be
> on your next cell bill.Yahoo! Groups Links
>
>
>
If you want to donate to Red Cross quake relief, you can do so through your cell phone. Text redcross to 90999 to make a $10 donation. It will be on your next cell bill.
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