please elaborate. What would you suggest? Wasn't really expensive as the SR is ours and it did a very nice job, we're lucky enough to have some pretty nice kit at our disposal. However if there is a quicker way which will produce results just as good, then I'm all ears. I'm not used to doing any type of fps conversions, it's not our standard job scenario but i learnt a thing or two about some pretty clever features on that deck so it wasn't a complete waste but I know you know your stuff so i'd like to hear how you would have done it? The original question still stands too though, did i keep all my 10 bits using this method? Thanks,
Andi
To: Avid-L2@yahoogroups.com
From: bouke@editb.nl
Date: Tue, 13 Sep 2011 02:11:34 +0200
Subject: Re: [Avid-L2] 10bit workflows revisited...
This sounds like the most expensive and time consuming way to add pulldown
and change an FPS flag...
Bouke
VideoToolShed
van Oldenbarneveltstraat 33
6512 AS NIJMEGEN
The Netherlands
+31 24 3553311
For large files:
http://dropbox.yousendit.com/BoukeVahl998172
----- Original Message -----
From: "ripvanmarlowe2000" <kwikpasta@hotmail.com>
To: <Avid-L2@yahoogroups.com>
Sent: Tuesday, September 13, 2011 1:15 AM
Subject: [Avid-L2] 10bit workflows revisited...
Had an interesting one today which required a bit of grey matter and I
remember some discussion about this a while back and i think I've managed to
keep all my bits in place but does this sound right to people?
Client wants a 59.94 10bit uncompressed QT from a 25fps 1920x1080 10bit
uncompressed master QT.
Starting with the uncompressed 10bit QT I imported into Avid as 1:1X MXF.
Played out to 50i HDCAM SR with 10bit checked in digicut tool. Reconfigured
the SR to play back the tape at 23.98 and format convert to 59.94 then
captured the 59.94 footage back in to a new 59.94 project as 1:1x MXF then
exported as Same as source QT.
Have i kept all my 10 bits using this workflow? Man those SRW-5500s are
cool!
Andi
[Non-text portions of this message have been removed]
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