This sounds like the most expensive and time consuming way to add pulldown
and change an FPS flag...
Bouke
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----- Original Message -----
From: "ripvanmarlowe2000" <kwikpasta@hotmail.com>
To: <Avid-L2@yahoogroups.com>
Sent: Tuesday, September 13, 2011 1:15 AM
Subject: [Avid-L2] 10bit workflows revisited...
Had an interesting one today which required a bit of grey matter and I
remember some discussion about this a while back and i think I've managed to
keep all my bits in place but does this sound right to people?
Client wants a 59.94 10bit uncompressed QT from a 25fps 1920x1080 10bit
uncompressed master QT.
Starting with the uncompressed 10bit QT I imported into Avid as 1:1X MXF.
Played out to 50i HDCAM SR with 10bit checked in digicut tool. Reconfigured
the SR to play back the tape at 23.98 and format convert to 59.94 then
captured the 59.94 footage back in to a new 59.94 project as 1:1x MXF then
exported as Same as source QT.
Have i kept all my 10 bits using this workflow? Man those SRW-5500s are
cool!
Andi
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