Hopefully MC 6 will introduce a way to assign source side / bin luts which work in cooperation with the aging color corrector.
For now lut assignment is a DS only proposition.
It is a real bear to work with F3 s-log directly in the Symphony/Mc color corrector. More control is needed and I believe true luts do much more than simply assign points on curves.
This is critical as acquisition formats race towards more raw and logarithmic recording. Red, Alexa, f3, with more to come.
By the way. The F3 is a great camera. A little Mickey Mouse in construction, operation and layout but it is incredibly low noise and has impressive color fidelity. Watch out for IR contamination in rare situations.
Would love to hear more from those working with slog inside composer.
C.A.M.
On Aug 6, 2011, at 12:58 PM, Joe Womble <cre8tive@gmail.com> wrote:
> Tony,
>
> Gracias. amigo.
>
> Joe
>
> [Non-text portions of this message have been removed]
>
>
[Non-text portions of this message have been removed]
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