I suspect that there are some very bright people at Avid who agree with
these posts. My prediction is that the company will fail for reasons
that have little if anything to do with improving Media Composer or
Symphony. --J.B.
oliverpetersvidy wrote:
>
> > Shirley Gutierrez wrote:
> > in documentary there's not a lot of need for complex
> > compositing or effects work, and documentary budgets
> > would probably rule out paying for a truly high end
> > finishing system with a lot of functionality that simply
> > isn't relevant.
> >
>
> Agreed. And getting back to Job's original point and off of DS, Symphony is still the best tool for this. It's a good all-purpose tool, but it isn't head-and-shoulders better than just MC in the current form.
>
> An MC/Sym mash-up with an improved CC tool and DVE tool would be. Plus it should be capable of larger-than HD frame sizes. That would cover 90% or more of the needs in your world. As well as most spots, indie films and corporate video.
>
> - Oliver
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