included when it's released.
In 4.0, basically anything goes- but the timeline plays at the
project framerate and size. (you have to make another project to
capture other frame rate/size, but then just open the bin from your
final project. Full disclosure- I have not done your specific
workflow, but close enough. MC automatically applies a version of the
motion effect. If you don't like the way it looks you can crack it
open and change the settings.
Greg (at) secrethq.com
Greg Huson
Secret Headquarters, Inc
www.DigitalServiceStation.com
www.SecretHQ.com
iPhone
On Apr 27, 2010, at 7:33 PM, Jeff Young <jymedia.com@gmail.com> wrote:
> (Subject not to be confused with that Chicago song.)
>
> We have been shooting DVCPROHD 720p/24pN on P2 for a particular
> client.
>
> Editing with Media Composer 3.1.
>
> We have a shoot coming up that would be better served by a "video
> look" for
> it's initial use (VNR); however, I'd like to keep the footage
> compatible
> with the library of 24p native footage.
>
> I was thinking of shooting and editing the VNR at 720p60, which I
> can easily
> convert to 1080i or 480i for distribution.
>
> Thinking down the road, though...
>
> I cannot mix 59.94 and 23.976 timebases within a project under MC
> 3.1. I
> understand that I could do this in MC 4.0 and above.
>
> So, what happens?
>
> Does the Avid switch framerates per-clip, or does one pick a single
> framerate that the Avid conforms playback to?
>
> In the SD past, I have successfully intercut "24p over 60" and "30i"
> footage
> by adding the Timewarp > FluidFilm 3:2 Pulldown effect; however, as
> of MC
> 3.1, that effect is not available in a 720p project.
>
> Has this changed in subsequent versions, as that effect is probably
> the
> magic bullet (pun intended) that I will need?
>
> Thanks!
>
> -Jeff
>
>
[Non-text portions of this message have been removed]
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