> Am I correct in thinking that the best way to offline red in FCP is to
> convert to prores
Yes.
> and in which case if you are onlining on another box
> DS/smoke then the process and time is pretty much the same whichever of Avid
> or FCP you use.
Yes.
> Either transcode to prores or Dnx depending. So there is no
> real workflow advantage in one over the other?
Well, if you go the MC->DS route, you have total conform.
Other than that, I'd say whatever you prefer. Which should be Avid. ;-)
--
Job ter Burg
film editor - NL
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