[Avid-L2] Re: Avid /fcp red

but with Smoke, are you going back to the original r3d files or DPX conversions? At least with DS, you are going back to the raw files...

--- In Avid-L2@yahoogroups.com, "Job ter Burg (L2B)" <Job_L2@...> wrote:
>
> "Nigel Gourley" (19-01-2010 19:20) :
>
> > Am I correct in thinking that the best way to offline red in FCP is to
> > convert to prores
>
> Yes.
>
> > and in which case if you are onlining on another box
> > DS/smoke then the process and time is pretty much the same whichever of Avid
> > or FCP you use.
>
> Yes.
>
> > Either transcode to prores or Dnx depending. So there is no
> > real workflow advantage in one over the other?
>
> Well, if you go the MC->DS route, you have total conform.
> Other than that, I'd say whatever you prefer. Which should be Avid. ;-)
>
> --
> Job ter Burg
> film editor - NL
>

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