709 is one thing, but definitely not log of course.
With log you trade chroma for luma info. Sometimes handy in difficult light situations. Chroma key shots have close to always very good conditioned studio light, so what is the point of throwing a way chroma info?
Bouke (Who dares to bet that 95% of all material shot in LOG would be better if was shot normally.)
On 19 Jul 2019, at 03:49, John Moore bigfish@pacbell.net [Avid-L2] <Avid-L2@yahoogroups.com> wrote:It has been my understanding that it is better not to shoot log for chroma key work. We have a Rec 709 show and they have shot the green screen in log. I've long understood that technically it's cleaner to shoot Rec 709 in camera for a Rec 709 delivery. While the benefits of shooting log for exposure reasons may out way the technically cleaner Rec 709 capture in camera when it comes to green screen I've heard it's best to shoot Rec 709.Curious what others think and have found on this subject.John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net
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Posted by: Bouke <bouke@editb.nl>
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