This IS the Avid L2: [Avid-L2] Re: [Editing-List] Avid to Resolve for IMF creation audio?

Thursday, June 6, 2019

[Avid-L2] Re: [Editing-List] Avid to Resolve for IMF creation audio?

Thanks for the info. I just cut the tracks into the edit page. IIRC they just new they were 5.1 and 2.0. The subsequent IMF has 8 tracks in proper order.

I did play a little in wave agent to see what the audio poly wav files had but ultimately just brought the polys into Resolve.

I feel like I'm learning to fly and this is the Hood instrument only test as I don't have much understanding of audio in Resolve.

Oh boy the fun just never stops does it?

---In Avid-L2@yahoogroups.com, <cutandcover@...> wrote :

First - Resolve has no real function to split poly WAVs into discrete tracks. But you can edit a poly WAV onto a mono track and assign which channel of the poly WAV you want playing on that mono sequence track. It's not pretty.

You shouldn't need to bother with that to accomplish what you want here though. I just recently completed the IMF onboarding for Netflix and subsequently delivered a feature, so I know a small amount about this, but enough to get it done.

When building the sequence, you should (as a rule) create two Fairlight Mix Busses. Bus 1 (which is already made for any sequence) should be set to 5.1 and Bus 2 (add a new Main Output Bus) should be set to Stereo. Now you can edit in your poly WAV for the 5.1 mix onto sequence track 1 and in the Fairlight mixer assign it to Main Output Bus 1 (the little number buttons on the track mixer), and edit in your stereo WAV onto sequence track 2 and assign it to Main Output Bus 2. When you play down, you can toggle between listening to the 5.1 or the stereo in the Fairlight page.

Now when you go to the Deliver page, you choose the Netflix IMF preset, and make sure that in the Audio tab, you have 1 Primary Audio output set to your Main 1 (5.1) and add in another Primary Audio output and set it to Main 2 (Stereo).

When the IMF is rendered, you will see one MXF which is video and two MXFs for audio. The 5.1 is interleaved in a single MXF, and the stereo is interleaved in another MXF. You can QC this back in Resolve.

Happy IMFing…

On Thu, Jun 6, 2019 at 3:44 PM John Moore bigfish@... [Editing-List] <Editing-List@yahoogroups.com> wrote:

I've been testing making an IMF using the Netflix preset in Resolve 15. It seems to work but I'm curious about audio tracks being discrete or interleaved if that is the proper term in this context.

In my test I took the DPX exported Rec 709 out of Avid and in Resolve told the clip attributes it was video not auto or full so the video levels are fine. Then I had two multichannel wave files for 5.1 and 2.0. I think the proper term would poly wav files. I brought those into Resolve and cut them into the timeline with 5.1 as first track and 2.0 as track two. The resulting IMF shows 8 channels in the proper order according to the Resolve audio meters. My question is if the IMF format is like QT .mov files with audio tracks being discrete, individual mono tracks, or interleaved, multichannel tracks? Does this create problems down the line for servers, encoders, playout devices. In Avid land with .movs I defaulted to mono tracks for .movs as that worked best for the delivery pipeline.

I'm novice in Resolve world so I don't know if Resolve has a function to split poly wavs into discrete tracks like Avid does with converting a stereo audio clip into dual mono.

Anybody playing around with IMFs? I use the term play loosely here. I just keep telling myself this is just fun fun fun!!!

John Moore Barking Trout Productions Studio City, CA bigfish@...