I believe that might be the natural order of surround audio inside an H.264 - I seem to recall that Compressor would make them that way as well. As long as the correct channel audio plays out the correct track, you should be OK. Unless you have some surround H.264 delivery spec I don't know about…
On Tue, Aug 28, 2018 at 8:49 PM Greg Huson Greg@SecretHQ.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
I'm attempting to use AME (adobe media encoder) to transcode ProRes Surround files to H264 surround files. The audio comes out C L R LS RS LFE instead of what AME CLAIMS that it's doing - the more standard L R C LFE LS RS.
Anyone else seen this? I don't see any place I can adjust the patching of tracks yet AME is doing just that.
Several word-smithed googles did not bring any results on this topic.
gh
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Greg Huson
Chief
Secret Headquarters, Inc
Production / Post Production
Culver City, CA
323 677 2092
www.SecretHQ.com
t @SecretHQinc
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