Hey Everyone,
I'd love to hear your perspective as editors/post on this.
I do a fair amount of work as a location sound mixer. I'm thinking of buying a new hop to send audio from my bag to camera. But the thing is, I'm doing fewer jobs where we send high-quality audio to the camera. A lot more scratch track and/or timecode (or timecode & sync). I don't do much narrative and advertising work where I expect double-system. More news mag, documentary, and mid/high-level corporate (and I don't do much reality/unscripted, either). I wonder if my experience is anomalous, or if it matches what you all see. And what do you prefer?
Are you seeing more of some sort of double-system audio in the doc/public-affairs/corporate work you do?
How do you prefer to get and match audio? Sound on Tape (card/camera/whatever)? Scratch track on camera & separate audio files? TC or TC+Sync & separate audio files? Scratch & TC on camera & separate audio? Other?
Let's assume (since I own) Sound Devices audio recorders. I.e, top quality...not little Zooms or something.
And what do you expect sound on camera to increase or decrease in the coming years?
Thanks!
jim feeley
pov media
word image sound
Posted by: Jim Feeley <jfeeley@gmail.com>
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