For me, it's my first step in dealing with RAW since Avid can't understand my camera's RAW data. I also do end to end work, so Resolve comes in VERY handy. Noise reduction is excellent too, so that helps. Also, since I don't have pro-tools and Resolve understands most of my audio plugins, I get most of my audio work done there before jumping into Avid.
Just one data point.
On 7/15/2016 5:05 PM, switthaus@mac.com [Avid-L2] wrote:
I guess my question is, how many of us (editors) really needs a color corrector of Resolves strength? If not, why settle (at this point) for an NLE that is lagging behind all the others?
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Posted by: Perrone Ford <PerroneFord@yahoo.com>
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this is the Avid-L2
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