I have worked around this two ways...
The histogram in Source Settings is usually enough to tell me if I am 601/709 vs Full range, so I can convert, or if I am doube adding a range expansion or reduction.
I have also brought stuff in via AMA, cut it into a timeline and jump into the color corrector with it's various scopes. Not ideal, but works in a pinch.
Dave Hogan
Burbank, CA
On Thursday, May 19, 2016 12:54 PM, "bigfish@pacbell.net [Avid-L2]" <Avid-L2@yahoogroups.com> wrote:
Please do!!!! I would love to have at least one assist station equipped with proper monitoring so the AE could at least in theory make more informed decisions regarding LUTs to apply and if the field LUTs are even usable. Sadly the budget isn't spent there and our AEs have little to no knowledge of levels and scopes. A sad statement that applies to most places I've worked.
---In avid-l2@yahoogroups.com, <mikeparsons.tv@...> wrote :
> It's extra difficult because our media composer stations have no program monitor or waveformI'm telling Bob Zellin. Now you're in trouble.
Mike
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Posted by: Dave Hogan <mactvman@yahoo.com>
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this is the Avid-L2
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