Often in smaller markets, the videographer is also the editor,
Also in some of the bigger markets, even with local network O&Os. Around here, San Francisco etc- #6 market, we started to see FCP in vans around, um, a while ago... with cameras shooting on tape and ingesting via an AJA HD Io (iirc) to a laptop running FCP. At least, that's what my neighbor was running in his news van. He's on FCPX now.
Just one of several examples around here, and not just in the field...
Ask me sometime about my news photographer friend who's been told to use his iPhone more....
jim feeley
pov media
word image sound
On May 27, 2016, at 3:57 PM, Oliver Peters oliverpeters@oliverpeters.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:I think you are overthinking this and giving more credit to Avid systems than is due. Local market news packages as a rule simply don't use much collaboration. The exception would be if there's some sort of special show that's being produced. Even there it might be several editors each working on different segments on their own. Feature stories done during sweeps also get more attention. For day to day news, it's whatever can be turned around quickly in a few hours. Often in smaller markets, the videographer is also the editor, so speed and simplicity win the day. Shared storage or at least networking of some sort is important, but not project sharing.
- OliverOliver Peters - editor | coloristNo it's not rocket science but the collaborative nature of how my shows work is crucial. Yes the basic cutting of news packages hasn't traditionally needed that but I figure that now that Avid's news systems and I assume others like Edius have enabled all kinds of collaboration that didn't use to exist back in the linear days news rooms technical infrastructure needs to support that. A system like Adobe where the roots are in standalone environments has yet to show its' chops in those environments from what I've heard. …..._._,_.___
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Posted by: Jim Feeley <jfeeley@gmail.com>
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